SKU: BR.EB-32113
The first edition of a forgotten treasure
ISBN 9790004186787. 9 x 12 inches.
Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire. The first edition of a forgotten treasure.
SKU: BR.EB-32114
The first edition of a forgotten treasureThis edition contains the original solo part for horn in D as well as a version for horn in F.
ISBN 9790004186794. 9 x 12 inches.
Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire.
SKU: HL.50335590
UPC: 073999428186. 9x12 inches. Edited by Barry Tuckwell.
For French horn and piano.
SKU: FZ.5254
ISBN 9790230652544. 24.00 x 33.00 cm inches.
This facsimile of an original and the manuscript by Antonio Vivaldi is part of our Dominantes collection. VI sonatas for cello solo col basso - Edition: Paris, Leclerc le cadet, Le Clerc, Boivin, (undated: 1740). [Sonatas for cello and continuo] - Edition: Manuscript probably used for the 1740 Parisian edition. [Two sonatas for cello and continuo] - Edition: Manuscripts from the library of Count Schornborn. [Three sonatas for cello and continuo] - Edition: Manuscript held in the Naples Conservatory Library. Anonymous manuscript from the library of Count Schornborn, bound together with two sonatas by Vivaldi. Presentation by Philippe Muller: Foreword (the various sources) - Problems of authenticity - Vivaldi's sonatas. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Municipal Library of Lyon (France). - National Library of Paris (France). - Library of the Conservatory of Naples (Italy). - a private collection. Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.50499464
8.25x11.75 inches.
SKU: FG.55011-347-3
ISBN 9790550113473.
In Tampere, Finland, surprisingly many, relatively young and active composers with their own distinctive voice are making their mark. This would not be possible without Jouni Kaipainen, the grand old man of the Tampere scene. He was both a lecturer at the Tampere Music Academy and the composer-in-residence for the Tampere Philharmonic Orchestra, and as a true Tampere culture person an inspiration to the younger generation. Jouni's passing was a moment of deep grief for all of us in Tampere - we are left with sadness and longing. Tommi Hyytinen commissioned a sonata for horn and piano from me at around that time, so I decided to dedicate the work in Jouni's memory. The work passes through different emotions and sections within the rather wide-arched sonata form. The final movement is very much in memoriam Jouni Kaipainen. This sonata continues my project to write sonatas for each solo instrument and piano.
SKU: FG.55011-437-1
ISBN 9790550114371.
All of Heininen's sonatas have different characters that are informed by the force fields created by classic solos and melodies in orchestral repertoire. There is also a certain encyclopaedic nature to the sonata cycle; many have been composed to various instruments. The sonata for English Horn takes distance from the Swan of Tuonela and the melancholy of Tristan.
SKU: PR.UE025111
UPC: 680160679058.
SKU: HL.48184988
UPC: 888680930905. 8.5x12 inches.
“for trumpet, horn (or trumpet, or trombone), trombone (or horn), and trombone (or tuba)&rdquo.
SKU: HL.14025260
Work for Flute, Oboe, Clarinet, Bassoon and Horn. Score available: SOS01178.
