Hymns Made Easy for Piano Book 1

Arrangement: Smith Gail. Par SMITH GAIL. Cette collection offre dix-neuf hymnes des arrangements pour l'étudiant de piano début progressif. La main gauche utilise le bloc chords, chords brisés et basse Alberti et la main droite introduit deux notes chords et seizième notes. Les pièces sont les clés du C, F, et g. paroles sont inclus. La plupart des sélections dans cet ouvrage sont les mêmes que dans le livre 1, mais les arrangements sont plus difficiles. Recommandé pour l'hymne joué par la Fédération des Clubs de la musique. / Niveau : Débutant / Sacred - Solos / Recueil / Piano

Arrangement: Smith Gail. Par SMITH GAIL. Cette collection poursuit la progression dans les livres 1 et 2 avec dix-sept dispositions pour l'étudiant de piano intermédiaire. La main gauche présente octaves et arpèges octave, et la main droite utilise trois notes chords. Les clés utilisées sont G, F, C, D, si bémol, mi bémol et la bémol. Bon nombre des sélections sont les mêmes que celles que l'on trouve dans les livres 1 et 2. Paroles sont inclus. Recommandé pour l'hymne joué par la Fédération des Clubs de la musique. / Niveau : Intermédiaire / Sacred - Solos / Recueil / Piano

This collection presents nineteen hymns in arrangements for the progressing beginning piano student. The left hand uses block chords broken chords and Alberti bass and the right hand introduces two-note chords and sixteenthnotes. The pieces are in the keys of C F and G. Lyrics are included. Most of the selections in this book are the same as in Book 1 but the arrangements are more difficult. Recommended for hymn playing by the Federation of MusicClubs.

Collection of all time favorite hymns. Ideal for small group of church performance. Selections include: Glory to His Name; Sunshine in My Soul; Send the Light; Blessed Assurance; Sweet By and By; In the Garden; The Old RuggedCross; Rock of Ages; I’ll Fly Away; Softly and Tenderly; and more.

40 Favorite Hymns and Gospel Songs-Come back to a simpler time and place: a small church in the wildwood nestled in the hills of the Smoky Mountains. Enjoy the homespun sounds of fiddle guitar piano auto harp dulcimer banjo and more with Smoky MountainSunday. This delightful collection of all-time favorite foot-stomping and heartfelt gospel favorites will transport you to a place of quiet rest and simple faith. The music is easy to play and the enclosed listening CD willenrich your experience of these timeless classics. As you listen to an old pump organ and upright piano along with the sounds of handmade instruments performing these hymn favorites you'll feel embraced by the love reflected inthese simple songs of hope faith and assurance.

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie