SKU: BO.B.3656
SKU: BO.B.3655
The first two volumes of this edition contain the scores of the twelve pieces of Iberia, analyzed and with indications for fingering and pedaling. With the goal of facilitating memorization and performance of Iberia, the third volume contains a series of descriptive comments of a technical nature which are useful for a better understanding of the work and which serve to clarify my suggestions.
SKU: TM.09129SC
No.2 from Iberia. Orch. by Arbos. El Corpus en Seville.
SKU: HL.14001409
ISBN 9780711961838. UPC: 884088443320. 9.0x12.0x0.159 inches. English.
Book One of Albeniz' 'Iberia' compositions.
SKU: HL.14001410
ISBN 9780711994164. UPC: 884088456313. 8.5x11.75x0.4 inches.
The 2nd set of movements of Albeniz's Iberia suite, capturing the spirit, beauty and energy of the Spanish landscape. These stunningly evocative 'impressions' are infused with dance rhythms, Andalusian harmonies and delicate, ornate decorations.
SKU: HL.14015884
ISBN 9780711994171. 9.0x12.0x0.14 inches.
Three compositions for the piano by Isaac Albeniz as part of the 'Iberia' collection.
SKU: TM.09129SET
SKU: BT.SLB-00262800
Contents: Almeria (Iberia) · Aragon · Barcarola, Op. 25 · Cadiz (Suite Espagnole) · Castilla · Cataluna · Cordoba, Op. 232, No. 4 · Cuba · El Albaicin (Iberia Suite) · El Polo (Iberia Suite) · El Puerto (Iberia Suite) · Eritana(Iberia Suite) · Evocation (Iberia Suite) · Fete Dieu a Seville · Granada · Jerez (Iberia Suite) · Lavapies (Iberia Suite) · Malaga (Iberia Suite) · Mallorca, Op. 202 · Orientale · Prelude (Chants D'espagne) · Rondena (IberiaSuite) · Seguidillas, Op. 232, No. 5 · Sevilla (Sevillanas) · Sous Le Palmier (Chants D'espagne) · Theme From Asturias · Triana (Iberia Suite).
SKU: AY.PN3518PM
ISBN 9790543574137.
The title makes refference to the Corpus Christi in Sevilla, which is the last topic in the first book of the Iberia Suite by Albeniz. Some measures from this work are quoted textually close to the end, and other fragments are paraphrased in a different context. For this reason, the score must be performed as an independent work or inmediately after Albeniz's piece, but never before! If the work is played together with the work of the Iberia Suite, the meter of the Allegro must be the same that the one in Albeniz's work. It happens the same with the quoted measures in the Coda. The score only can be played with a piano provided with a 3rd pedal, because the first section is based on the resonances that the pedal produces.
