| Mini Music Guides -- Ukulele Chord Dictionary Ukulele Alfred Publishing
(All the Essential Chords in an Easy-to-Follow Format!). For Ukulele. Book; Meth...(+)
(All the Essential Chords
in an Easy-to-Follow
Format!). For Ukulele.
Book; Method/Instruction;
Ukulele Method or
Supplement. Mini Music
Guides. 232 pages.
Published by Alfred Music
.
$9.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mini Music Guides -- Mandolin Chord Dictionary Mandoline Alfred Publishing
All the Essential Chords in an Easy-to-Follow Format!. Composed by Nathaniel...(+)
All the Essential Chords
in
an Easy-to-Follow
Format!.
Composed by Nathaniel
Gunod,
L. C. Harnsberger, and
Ron
Manus. Book; Mandolin
Method
or Supplement;
Method/Instruction. Mini
Music Guides. 232 pages.
Published by Alfred Music
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bobby Owsinski's Deconstructed Hits -- Modern Rock and Country Livre - Pas de partitions [Livre + DVD] Alfred Publishing
(Uncover the Stories and Techniques Behind 20 Iconic Songs). By Bobby Owsinski. ...(+)
(Uncover the Stories and
Techniques Behind 20
Iconic Songs). By Bobby
Owsinski. Book; Books and
DVDs; Method/Instruction;
Pro Audio; Pro Audio
Textbook; Reference
Textbooks. Country; Pop;
Pop/Rock; Rock. 136
pages. Published by
Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Music Producer's Handbook Livre - Pas de partitions [Livre] Hal Leonard
Book/Online Media SKU: HL.151139 Second Edition. Technical Referen...(+)
Book/Online Media SKU:
HL.151139 Second
Edition. Technical
Reference. Music
Business, Recording/Music
Business. Softcover Media
Online. 312 pages.
Published by Hal Leonard
(HL.151139). ISBN
9781495045226. UPC:
888680085612.
8.5x11.0x0.741 inches.
Bobby Owsinski Music Pro
Guides. The Music
Producer's Handbook,
Second Edition reveals
the secrets to becoming a
music producer and
producing just about any
kind of project in any
genre of music. Among the
topics covered are the
producer's multiple
responsibilities and all
the elements involved in
a typical production,
including budgeting,
contracts, selecting the
studio and engineer,
hiring session musicians,
and even getting paid.
Unlike other books on
production, The Music
Producer's Handbook also
covers the true mechanics
of production, from
analyzing,
troubleshooting, and
fixing a song that isn't
working to getting the
best performance and
sound out of a band or
vocalist. In addition,
Bobby Owsinski tackles
what may be the toughest
part of being a producer
â?? being a diplomat, a
confidant, and an amateur
psychologist all at once.
This edition also
includes new chapters on
self-production, small
studio production, and
how the new
songwriter-producer and
engineer-producer hybrids
make money in our new
digital music world. It
also features several new
interviews with some of
the best-selling
producers from different
musical genres, who offer
advice on getting
started, getting paid,
and making hits. Packed
with inside information
and including exclusive
online media, The Music
Producer's Handbook,
Second Edition provides
invaluable tools and
advice that will help
beginners and seasoned
professionals alike. The
video content is accessed
online for download or
streaming by using the
unique code that comes
with each purchase. $41.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Inside Blues Guitar Guitare String Letter Publishing
By Steve James. String Letter Publishing. Size 6x9 inches. 128 pages. Published ...(+)
By Steve James. String
Letter Publishing. Size
6x9 inches. 128 pages.
Published by String
Letter Publishing.
$14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Big Gig Batterie [Livre] Alfred Publishing
(Big-Picture Thinking for Success). By Zoro With Amy Hammond Hagberg. Artist/Per...(+)
(Big-Picture Thinking for
Success). By Zoro With
Amy Hammond Hagberg.
Artist/Personality;
Percussion -
Miscellaneous Educational
Books and Manuals;
Reference Textbooks. 440
pages. Published by
Alfred Music Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Take Two Tapspace Publications
Marching Snare/Tenor duets (marching snare, marching tenors (quints or quads)) -...(+)
Marching Snare/Tenor
duets (marching snare,
marching tenors (quints
or quads)) - Med-Advanced
SKU: TA.TSPB-29
Four duets for
marching snare and
tenor. Composed by
Brian Blume. Books &
Education. Book & CD-ROM.
Tapspace Publications
#TSPB-29. Published by
Tapspace Publications
(TA.TSPB-29).
It takes two to
tap off in this
collection of
medium-advanced duets for
marching snare and tenor.
These four pieces were
smartly written by Brian
Blume to function as
audition pieces for a
college-level program (or
advanced high school
level) or any time a
snare player and tenor
player want to get
together to showcase
their skills!
The pieces are short
enough to remain
attainable but will
demand skill from each
performer. Inside you'll
find: Take Two
-- One phrase is followed
by a second, similar
phrase (a second take)
through a variety of
compositional devices.
(1'40)
Catchphrase -- Phrases
over the barline, phrases
with space, and like
phrases with different
rhythmic values serve to
challenge conventional
wisdom. (1'20)
Relentless -- Mostly in
7/8 time, this one is
relentless in its tempo
and musical challenges.
(1'15) Then
Again -- A throwback to
more traditional
rudimental works, you'll
find ratamacues, swiss
army triplets, and even
the double drag tap!
(1'45) Take Two
comes with individual PDF
parts for printing or
tablet view and audio
reference recordings. You
supply the talent! $21.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Dream Factory Hal Leonard
SKU: HL.331976 Fender Custom Shop. Book. Guitar Reference. Hardcov...(+)
SKU: HL.331976
Fender Custom
Shop. Book. Guitar
Reference. Hardcover. 592
pages. Published by Hal
Leonard (HL.331976).
ISBN 9781423436980.
UPC: 884088236311.
10.0x10.0x1.386 inches.
Tom Wheeler Foreword by
Billy F
Gibbons. This third
in a series of hardcover
books joins the
award-winning titles The
Stratocaster Chronicles
and The Soul of Tone by
author/historian Tom
Wheeler. In nearly 600
pages, The Dream Factory
features hundreds of
full-color photos of
incredibly rare,
collectible, and
limited-edition
handcrafted guitars.
Learn how the Fender
Custom Shop, originally
intended to employ just
two master craftsmen,
grew into the most
prolific custom
instrument shop in the
music industry. Features:
* Foreword by Billy F
Gibbons * More than 630
images illustrating the
first master builders and
their humble beginnings
through the many changes
up to present-day
operations. Includes many
one-of-a-kind custom
guitar masterpieces and
reproductions of
acclaimed guitarists'
instruments, such as Eric
Clapton's Blackie, Jimi
Hendrix's Monterey Strat,
Stevie Ray Vaughan's No.
1, and many more. A
must-have for all guitar
enthusiasts! *
Unprecedented view inside
one of the music
industry's most creative
custom instrument shops,
revealing how playable
works of art are created
* Fascinating interviews
with the shop's founders,
most of the
first-generation Master
Builders, all of the
current Master Builders,
other key craftspeople,
sales representatives,
artists' guitar techs,
marketers, executives,
guitarists, and many of
the graphic artists,
woodcarvers, jewelers,
pinstripers, graffiti
artists, pearl-inlay
specialists, and others
who have partnered with
the Master Builders to
create art works of
stunning beauty. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| LZ-'75 -- Led Zeppelin Tour Book Livre - Pas de partitions Biographie Alfred Publishing
SKU: AP.74-1592406739 The Lost Chronicles of Led Zeppelin's 1975 Ameri...(+)
SKU:
AP.74-1592406739
The Lost Chronicles of
Led Zeppelin's 1975
American Tour.
Composed by Led Zeppelin,
Stephen Davis.
Artist/Personality;
Reference Textbooks;
Textbook - General. Rock.
Book. Alfred Music
#74-1592406739. Published
by Alfred Music
(AP.74-1592406739).
ISBN 9781592406739.
English. [Led Zeppelin]
By Stephen Davis. A
revealing insider's
account of Led Zeppelin's
1975 North American tour
from the bestselling
author of Hammer of the
Gods. As a young music
journalist in 1975,
Stephen Davis got the
opportunity of a
lifetime: an invitation
to cover the sold-out
1975 North American tour
of Led Zeppelin for a
national magazine. He
received a backstage
pass, was granted
interviews with band
members, and even got a
prized seat on the band's
luxurious tour jet, The
Starship. While on duty,
he chronicled the
Zeppelin tour in three
notebooks, but after
writing his article in
1975 he misplaced them.
Three decades later, he
finally found the
notebooks and unearthed a
vivid account of the band
members' extravagant, and
often troubled, lives on
tour. Tied together by
Davis's entertaining
narrative, and including
more than forty
never-before-published
photographs, LZ-'75 is an
unprecedented and
comprehensive personal
portrait of the greatest
(and most notoriously
press-shy) rock band in
history at its apex. $16.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
|