Matériel : Conducteur
SKU: LM.C05855
SKU: LM.COR3300901
ISBN 3000033009015.
Comm e si... - Les instantanes - Votre Rilke - Ubuhuha - Les Identites remarquables.
SKU: HL.50575355
SKU: LM.C05074
ISBN 9790230350747.
SKU: LM.24863
ISBN 9790230948630.
SKU: LM.C05671
SKU: LM.24613
ISBN 9790230946131.
Limo naire - Baise-main - Marionnettes.
SKU: HL.50583368
SKU: HL.48186393
UPC: 888680827755. 9x12.25 inches.
Instantan&e acute;s (15') (8e) (collection vent de sax) pour quatuor de saxophones (satb) (partition et parties). Par Goret aux éditions Leduc. Partition / Livre de chansons pour Saxophone.
SKU: AP.39525S
UPC: 038081458403. English.
Defined as a reanimated corpse by supernatural means, this original work explores life (or death) through a variety musical scenes both normal and abnormal...even waltzing! With a few special effects to set the mood, dynamic shifts and instantaneous style changes keep the zombies alive. Spooky and engaging, this is a real imagination enhanced by music---and dreaming is out of the question! (4:45) This title is available in MakeMusic Cloud.
SKU: HL.194637
ISBN 9781495073731. UPC: 888680641528. 7.0x10.0x1.071 inches. Andy Hill Music Pro Guides.
Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo, To Kill a Mockingbird, Patton, The Untouchables, or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music. This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art, to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language, developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning. To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): “If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today.â€.