Intermediate Bass

BASS RUNS GALORE!! That's what you've been asking for, that's what you get!! We show you the notes, name the notes, and show you how to put the runs in the songs. We introduce waltz time, and how to use the runs here too. We introduce the key of B and as a special treat, Marshall shows you how to play the 'boogie woogie' on the bass. We also include a special section on simple theory-'The reason behind the notes.' No Tab. / Contrebasse / 120 pages / niveau : Intermédiaire / Dvd - Format: 7,5 X 5,25

La méthode attendue Sassmannshaus 'Early Start sur le Double Bass' est maintenant ici. Enfin les étudiants de la plus grand instrument de la famille des cordes peut faire usage de cette méthode éprouvée et testée pour les débutants, avancés par Egon Sassmannshaus pour les autres instruments à cordes et appliqué ici à la contrebasse par Holger Sassmannshaus et J. Peter Fermer. Cette méthode permettra de répondre aux besoins du nombre croissant d'étudiants basses jeunes.'Early Start sur le Double Bass' englobe tout ce que l'on pourrait attendre d'une méthode Sassmannshaus: un démarrage facile, la progression à un taux approprié, de nombreux renvois vers les autres instruments à cordes, des chansons et des échelles dans différentes positions dès le début, comme ainsi que de nombreux duos. Illustrations vives et colorées par Charlotte Panowsky compléter l'édition.Depuis plus de trois décennies 'La Tradition Sassmannshaus' a été le nom du ménage pour l'excellence dans les méthodes de chaînes débutant en pays de langue allemande. Les éditions en anglais pour violon, alto et violoncelle, qui ont été introduits sur le marché international en 2008, se sont avérés très fructueux, en particulier aux Etats-Unis.Enfants à la basse!Alors que les enfants qui apprennent autres instruments à cordes peut commencer dès l'âge de quatre ans, l'âge approprié pour commencer la contrebasse est d'environ huit (peut-être même six), ce qui permet une progression plus rapide que sur les autres instruments à cordes, et la méthode consiste à de seulement trois volumes. Le premier volume sera publié séparément dans un anglais et une édition allemande, les deux volumes suivants auront texte allemand et en anglais dans chaque livre. Compositions originales de Furtok Boguslaw enrichir les volumes.- Basé sur les méthodes essayées et testées Sassmannshaus pour violon, alto et violoncelle- Volume 1: éditions séparées en allemand et en anglais- Les volumes 2 et 3: bilingue, éditions allemand / anglais- Augmentation modérée en difficultéLa position de jeu, duos -- Comprend les nouvelles compositions originales de B. Furtok3 tome avec accompagnements de piano à 7 pièces -Les auteursHolger Sassmannshaus est un bassiste avec le Sinfoniker Niederrheinische à Mönchengladbach / Krefeld. Il enseigne également la contrebasse et se produit avec plusieurs autres ensembles.J. Peter Close est un enseignant pour violoncelle et contrebasse à Munich. / Contrebasse

Ideal for intermediate bass guitar players, the book covers several styles of bass playing with example music in both the book and on the provided audio CD. Written as a practice aid for the improvisation part of the LCM Bass Guitar exam, the sections are expertly designed to progress at the perfect pace for the intermediate player. The CD backing tracks are all professionally recorded and cover a wide range of styles from the last three decades. The book enables the reader to develop bassline creation skills, explaining the necessary theory along the way using tablature, notation and diagrams. Whether or not you intend to take an LCM bass exams, this book is simply the best introduction to improvising bass guitar. / Exams / Etude / Guitare Basse

Composed in France over a century ago these three short pieces are ideal for the intermediate bassist. The style is lyrical tonal and approachable offering interesting study or concert repertoire with lively supportive and effective accompaniments. Parade is lively and rhythmic remaining in bass clef throughout; Cantabile is melodic and dramatic offering cantabile and musical challenges in equal measure and Menuet Varie has lyrical and rhythmic contrasts and is the most challenging of the three. Ratez was a fairly prolific composer and these pieces were dedicated to M. Charpentier Professor of Double Bass at the Paris Conservatoire. These piecesare popular with students and teachers alike.

Par YAFFEY CARL. This book presents everything a beginning or intermediate bass player needs to know to participate in a jam session. There are sections that describe the anatomy of a jam session, jam session etiquette and chords and keys for jamming. A play-along CD is included with 9 typical bluegrass jam tunes. The tunes are played twice: once with the tune played on the left channel and a verbal description on the right channel and once in stereo. Joining a jam session can be intimidating. This book presents everything a beginning or intermediate upright or electric bass player needs to know to participate in a jam session. There are sections that describe how jam sessions work, and jam session etiquette. The book also describes the typical chords and keys for jamming and describes typical bluegrass rhythm. A section is included on the role each instrument plays in bluegrass rhythm. A play-along CD is included with 9 typical bluegrass jam tunes. The tunes are played twice: once with the tune played on the left channel and a verbal description on the right channel and once in stereo. / Niveau : Débutant à Intermédiaire / Bluegrass - Improvisation / Méthode / Guitare Basse Electrique

Par HILAND MIKE. A wonderful book filled with musical examples in notation and tablature aimed at teaching slap/pop and right-hand hammering techniques. Mike Hiland states, I have written this book as if we were involved in a one-on-one teaching session. I've tried to make it as fun as possible. This book is for beginning, intermediate and even advanced players. / Niveau : Tous Niveaux / Rock - Technic / Tablatures / Guitare Basse Tablatures

Suitable for the intermediate-advanced level bassist this book contains 10 pieces by J. S. Bach in arrangements by Josquin Des Pres for the Bass Guitar.Johann Sebastian Bach isrecognised as one of the world's greatest musicians. Known primarily as an organist and then only later recognised as a composer Bach transformed the conventional structures of preludes and fugues. J.S. Bach ForBass will open up a whole new world of phrasing for the aspiring bassist.Selections include: Prelude #1 in C Major Suite #1 in G Major Suite #2 in D Minor Suite #3 in C Major Partita #1 in BMinor Partita #2 in D Partita #3 in E Major Sonata #1 in G Minor and Sonata #3 in C Major. This book is written in notation and tablature. Includes access to online audio.

Media Type : Book Level : Intermediate Musical Genre : Baroque Number of pages : 56 While many electric bassists study the Bach cello suites at some point, fewer attempt the sonatas and partitas for un- accompanied violin (BWV 1001-1006). Composed around 1720, the sonatas and partitas display rich polyphonic writing, unlike the simpler monophonic cello suites. This collection features a challenging but rewarding transcription of the complete A minor Violin Sonata (BWV 1002), which fits particularly well on the bass. Also included are the well-known gavotte en rondeau from the E major violin partita (BWV1006) and the complete A minor partita for solo flute (BWV 1013), transposed here to D minor. Finally, an arrangement of the familiar chorale Jesu, Joy of Man's Desiring (from BWV 147) takes advantage of the bass's natural and artificial harmonics. Performance notes are included. Written in notation and tablature for the 4-string electric bass.

A Tear-A beautiful and poignant lament which is ideally suited to the double bass. Originally for cello this new edition returns to the cello version [Theme & Variations] adding an extended (but optional) piano introduction and demonstrates the dark and soulful colours of the solo double bass. Long flowing phrases allow the intermediate bassist to demonstrate both musical and technical accomplishment in an accessible range of the instrument. The soulful and wistful melody transcribes beautifully for double bass allowing the instrument to display its bel canto and lyrical capabilities. A three bar section towards the end of the piece is playable as written or anocatve higher giving bassists the opportunity to play high harmonics within a beautiful and evocative melody. This is an ideal study or recital work with its supportive and pulsing accompaniment and has been one of Recital Music's bestsellers since it was published. Une Larme is also available for solo double bass and string orchestra accompaniment - please contact the publishers for further details. Grade 7 - Trinity-Guildhall / ABRSM / LCM / MTB Exams (www.mtbexams.com)