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PARTITIONS FLUTE TRAVERSIERE ⮞ CLASSIQUE - BAROQUE - ROMANTIQUE ⮞

Interpretation Fundamentals(german)

$41.95 - Voir plus - Acheter en ligne

Flute

SKU: HL.49007913

Grundregeln zur Melodiegestaltung. Composed by Peter-Lukas Graf. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 128 pages. Schott Music #ED 8318. Published by Schott Music (HL.49007913).

ISBN 9790001084659. German.

Musical interpretation is first and foremost a question of shaping a melody or the melodic line of a setting. Music, like any language, follows its own set of rules and a sufficient knowledge and familiarity with musical 'grammar' is therefore an essential prerequisite of any convincing interpretation. The internationally renowned performer and teacher Peter-Lukas Graf explains in great detail the parameters that have to be taken into account for a successful interpretation: rhythm, metre, agogics, articulation, phrasing, ornamentation and implied polyphony, etc. Numerous examples from the flute repertoire of the 17th-20th century serve as models from which he derives the 'rules' appropriate for an interpretation in keeping with each period. * These rules are not intended to be dogmatic but instead should stimulate the players to form their own opinion. About 'rules' * Preface * Golden rules for the interpreter * The structure and analysis of melody * Notes on the execution of ornamentation in the 17th and 18th centuries * Ornamentation in the 19th and 20th centuries * Phrasing * Rhythm * Accents * Dynamics * Tempo * Metre * Flexibility of rhythm/rubato * Shaping the musical phrase * Conclusion * Bibliography * Index * Musical examples.

Instrumentation :

Flûte traversière

Editeur :

Schott

Song List:
About 'rules'
Preface
Golden rules for the interpreter
The structure and analysis of melody
Notes on the execution of ornamentation in the 17th and 18th centuries
Ornamentation in the 19th and 20th centuries
Phrasing
Rhythm
Accents
Dynamics
Tempo
Metre
Flexibility of rhythm/rubato
Shaping the musical phrase
Conclusion
Bibliography
Index
Musical examples

Information vendeur :	Sheetmusicplus
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Détails Détails	Interpretation Fundamentals(german) Flûte traversière Schott Flute SKU: HL.49007913 Grundregeln zur Melodiegestaltung. Composed...(+) Flute SKU: HL.49007913 Grundregeln zur Melodiegestaltung. Composed by Peter-Lukas Graf. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 128 pages. Schott Music #ED 8318. Published by Schott Music (HL.49007913). ISBN 9790001084659. German. Musical interpretation is first and foremost a question of shaping a melody or the melodic line of a setting. Music, like any language, follows its own set of rules and a sufficient knowledge and familiarity with musical 'grammar' is therefore an essential prerequisite of any convincing interpretation. The internationally renowned performer and teacher Peter-Lukas Graf explains in great detail the parameters that have to be taken into account for a successful interpretation: rhythm, metre, agogics, articulation, phrasing, ornamentation and implied polyphony, etc. Numerous examples from the flute repertoire of the 17th-20th century serve as models from which he derives the 'rules' appropriate for an interpretation in keeping with each period. * These rules are not intended to be dogmatic but instead should stimulate the players to form their own opinion. About 'rules' * Preface * Golden rules for the interpreter * The structure and analysis of melody * Notes on the execution of ornamentation in the 17th and 18th centuries * Ornamentation in the 19th and 20th centuries * Phrasing * Rhythm * Accents * Dynamics * Tempo * Metre * Flexibility of rhythm/rubato * Shaping the musical phrase * Conclusion * Bibliography * Index * Musical examples. $41.95 - Voir plus => Acheter Articles Similaires

Détails Détails	»Weil jede Note zählt«. Mozart interpretieren Barenreiter SKU: BA.BVK02090 GesprÃ¤che und Essays. Edited by Stephan MÃ¶s...(+) SKU: BA.BVK02090 GesprÃ¤che und Essays. Edited by Stephan MÃ¶sch. Hardback. Book. 401 pages. Baerenreiter Verlag #BVK02090_00. Published by Baerenreiter Verlag (BA.BVK02090). ISBN 9783761820902. 21.5 x 15.5 cm inches. Language: German. Preface: Mosch, Stephan. This book is in German. ,,Weil jede Note zahlt(Because Every Note Counts) - this is the credo regarding interpretation which Alfred Brendel formulates in this book. It is an invitation to reflect about how to deal with Mozart's music, about what we generally call ,,interpretationand what has undergone fundamental changes again and again in the course of the last 100 years. Famous Mozart interpreters and world-renowned musicologists share their experiences and insights in conversations and essays: What did it mean and what does it mean to perform Mozart? From the contents: - How does Mozart compose? About his scores and compositional procedures - Why spontaneity and risk are so important: on performance practice - Mozart's theatre of diversity: questions about the human existence on stage - From Richard Strauss to Nikolaus Harnoncourt: on the artistic physiognomy of great Mozart conductors - How did composers of the 20th century respond to Mozart? - Music festival history is German history: a documentary on the Mozartfest Wurzburg Conversat ions by Markus Thiel with Alfred Brendel, John Eliot Gardiner, Christian Gerhaher, Brigitte Fassbaender, Hartmut Haenchen, Markus Hinterhauser, Rene Jacobs, Frank Peter Zimmermann and Tabea Zimmermann Authors of the Essays Ulrich Konrad, Robert D. Levin, Stephan Mosch, Wolfgang Rathert and Thomas Seedorf Documentar y Part Hansjorg Ewert, Christian Lemmerich, Dimitra Will, Renate Ulm The Editor Stephan Mosch is Professor for Aesthetics, History and Artistic Practice at the Hochschule fur Musik Karlsruhe. Barenreiter already published his books ,,Komponieren fur Stimme. Von Monteverdi bis Rihm. Ein Handbuch(BVK 2379) as well as ,,Weihe, Werkstatt, Wirklichkeit. Wagners ,,Parsifalin Bayreuth 1882-1933(BVK 2326). In collaboration with the Mozartfest Wurzburg which celebrates its 100th Anniversary in 2021. $40.95 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Détails	Chorale Fantasias I Orgue Peters Organ SKU: PE.EP11591 Opus 27, 30, 40/1and2. Composed by Max Reger...(+) Organ SKU: PE.EP11591 Opus 27, 30, 40/1and2. Composed by Max Reger. Edited by Martin Schmeding. This edition: Urtext. Organ Solo. Classical; Romantic. Book. 96 pages. Edition Peters #98-EP11591. Published by Edition Peters (PE.EP11591). ISBN 9790014135119. German. The seven chorale fantasias by Max Reger are among the most important of organ repertoire ? masterpieces blending chorale melody and programmatic music based on the text of the chorales. P ublished on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. < p>Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition. $22.95 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Détails	Bach-Kommentar, Volume IV Barenreiter SKU: BA.BVK02398 Masses, Magnificat, Motets. Composed by Martin Pe...(+) SKU: BA.BVK02398 Masses, Magnificat, Motets. Composed by Martin Petzoldt. Edited by Norbert BolÃn. Hardback. Schriftenreihe der Internat. Bachakademie Stuttgart 14,4. Book. 496 pages. Baerenreiter Verlag #BVK02398_00. Published by Baerenreiter Verlag (BA.BVK02398). ISBN 9783761823989. 27.5 x 20 cm inches. Language: German. Preface: BolÃn, Norbert / Petzoldt, Martin. The Bach commentary discusses, in four extensive volumes, Johann Sebastian Bach's complete sacred vocal works from a theological point of view. In the scope of previous research, musicologists attempted to understand Johann Sebastian Bach's sacred vocal works based on a general knowledge of the Lutheran church and theology. A theological equivalent to the fundamental Bach research presented by musicologists - one that would mainly draw from the contemporary theology relevant for the texts Bach set to music - has not been presented until now. Closing this gap, the Bach commentary is based on extensive theological research and offers readers comprehensible insights into the Bible interpretation used by Johann Sebastian Bach in his sacred vocal works. Volume IV contains Bach's masses, Magnificat, and motets. The author Martin Petzoldt was Professor for Systematic Theology at the theological faculty of the Leipzig University. $87.95 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Détails	Introduction to Pedaling Piano seul EMB (Editio Musica Budapest) For pianists. Arranged by Agnes Lakos. EMB. Method, Tutor. Softcover. 80 pages...(+) For pianists. Arranged by Agnes Lakos. EMB. Method, Tutor. Softcover. 80 pages. Editio Musica Budapest #EMBZ20016. Published by Editio Musica Budapes $21.95 - Voir plus => Acheter Délais: 24 hours - In Stock Articles Similaires

Détails Détails	Heinrich August Marschner's "The Templar and the Jewess" Barenreiter SKU: BA.BVK02429 A study on the conceptual design of the romantic oper...(+) SKU: BA.BVK02429 A study on the conceptual design of the romantic opera. Composed by Merle Tjadina Fahrholz. Paperback. Schweizer Beitrage zur Musikforschung 25. Book. 290 pages. Baerenreiter Verlag #BVK02429_00. Published by Baerenreiter Verlag (BA.BVK02429). ISBN 9783761824290. 24 x 17 cm inches. Language: German. Preface: Fahrholz, Merle Tjadina. Urtext edition with articulation markings - Linen-bound performing edition When you think cello, you think of Bach's immortal cello suites. The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous. At Barenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike. This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Barenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day. The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources.This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer. This flyer takes you through our various editions of Bach's Cello Suites. $61.95 - Voir plus => Acheter Délais: 1 to 2 weeks Articles Similaires

Détails Détails	Musikedition als Vermittlung und Übersetzung. Festschrift für Petra Weber zum 60. Geburtstag Ut Orpheus Books and Journals SKU: UT.APS-9 Edited by Christian Speck. Paperback (So...(+) Books and Journals SKU: UT.APS-9 Edited by Christian Speck. Paperback (Soft Cover). Ad Parnassum Studies. Classical. Books and Journals. Ut Orpheus #APS 9. Published by Ut Orpheus (UT.APS-9). ISBN 9788881095001. 6.5 x 9.5 inches. Saggi di Robert Abels, Fabian Brinkmann, Bernd Edelmann, Thomas Emmerig, Vincent Grau, Hartmuth Kinzler, Michael Klaper, Beate Angelika Kraus, Heinz von Loesch, Albrecht von Massow, Gerhard Poppe, Michael Raab, Wilhelm Seidel, Bernhold Schmid, Christian Speck, Glenn Stanley, Andreas Traub, Reinhard Wiesend Mu sical composition is always related to the work's realisation in sound. A written form is required in order to give shape to the compositional intention. Consequently it is text, the musical text, which mediates between the act of composition and the performance. The object of the musical edition is to prepare the text so that the will of the composer is presented to the musicians in a way that allows the composition to become realised musically. The edition thus inevitably establishes a conflict between divergent orientations, such as between science and practice, preservation and actualization, as well as textual criticism and hermeneutics. Because his editorial decisions are fundamentally interpretive the editor must know and understand the historical and hermeneutical problems of his subject, especially when it comes to determining what stage of the work is to be presented. The editing of music is not always restricted to mediation; it may also represent a translation. The present collection of essays -- all but one, in German -- is a Festschrift for Petra Weber's 60th birthday. It combines contributions on music and music editing by Robert Abels, Fabian Brinkmann, Bernd Edelmann, Thomas Emmerig, Vincent Grau, Hartmuth Kinzler, Michael Klaper, Beate Angelika Kraus, Heinz von Loesch, Albrecht von Massow, Gerhard Poppe, Michael Raab, Bernhold Schmid, Wilhelm Seidel, Glenn Stanley, Andreas Traub, and Reinhard Wiesend. Among the composers treated, Ludwig van Beethoven will occupy a prominent place. Special consideration will also given to Didier Lupi, Francesco Cavalli, Johann Sebastian Bach, Johann Adolf Hasse, Franz Schubert, Giovanni Simone Mayr, Ferruccio Busoni, Carl Orff, and Sandor Veress. $93.95 - Voir plus => Acheter Délais: 3 to 4 weeks Articles Similaires