Matériel : Conducteur et Parties séparées
Voir toutes les partitions de Gustav Holst
SKU: HL.14028850
ISBN 9780711942530.
Invo cation, Dance and Meditation by Robert Saxton, written in 1991 for viola and piano.
SKU: BT.EMBZ14778
The first and third movements are adapted from an earlier instrumental composition (Shadowplay), the second one originates from the Eight Invocations to the Lunar Phases. It was premiered on December 14, 2011 in Budapest.
SKU: CF.CPS8
ISBN 9780825839962. UPC: 798408039967. 9 X 12 inches. Key: C minor.
Starting from a lovely and haunting melody introduced by the clarinets, Carl Strommen's Invocation and Dance, in two contrasting sections, is an object lesson in how to write memorably for young musicians using simple, straightforward and appealing material. The fast second section begins with some wonderful quiet percussion writing and the phrase and meter shifting versions of the original tune cleverly vary it before leading to the fully-scored return of the melody in its original form. This selection is contest and festival material of the highest quality. Duration: 4'40.
SKU: BT.ALHE04493
French.
Offenbac h Belle Helene Air No 11 Invocation A Venus Soprano & Piano Bk.
SKU: HL.48185232
UPC: 888680859817. 8.5x11 inches.
Starer Invocation Various Instruments Mfb271 Score/Parts.
SKU: CA.1600800
ISBN 9790007095888. Language: all languages.
SKU: HL.48182697
UPC: 888680870591. 11x14 inches.
Henri Tomasi: Invocation et Danse (Harp solo).
SKU: CL.CTS-7732-00
This two-part piece for younger bands opens with long and lush melodies in the Invocation followed by an energetic Jubiloso section with driving ostinatos and soaring melodies found throughout the band.
SKU: HL.48187269
Massenet Jules Werther Air No 1 Invocation A La Nature Tenor/Piano Bk.
SKU: CL.CTS-7732-01
SKU: HL.48187128
UPC: 888680840204. 9.0x12.0x0.9 inches.
Offenbach Belle Helene Air No 11 Invocation A Venus Soprano and Piano Bk.
SKU: GI.G-005264
UPC: 641151052649.
Micha el Silhavy has arranged the Orthodox chant OBIKHOD, Tone 1, in a simple and dignified setting as a liturgical Lamb of God for cantor and four-part choir. Additional invocations are included in the octavo, providing flexibility to coordinate with the ritual action. There are a number of performance options: choir humming during the invocation, men only, women only, mixed voices, a cappella..
SKU: GI.G-5404
Text Source: Cooney, Rory, penitential rite from Sacramentary. Text by Rory Cooney.
Daigle has arranged and combined Cooney’s hymn “Now†with the third penitential rite, which he adapted from the hymn, creating a unified gathering rite. The edition features five sets of invocations for the penitential rite.Â
SKU: HL.48014632
UPC: 073999707434.
Flute Solo.
SKU: CF.BPS143
ISBN 9781491161241. UPC: 680160919833.
Alche my is usually defined as the Medieval search for the means of transmuting base metals, such as lead into gold and silver. The alchemist hoped to find the mysterious combination of words or elements to attain the goal. Our scene begins with a dramatic invocation to the spirits of the metals, followed by a chant to empower the energy necessary for the change. A procession of the alchemist's apprentices is heard as they add their presence to the effort and a final surge as the transformation is realized. Or is it? Careful execution of the dynamic variations within the work is essential to realize the desired effect. A metal plate can be substituted for the break drum. The tap on stands instruction in mm. 46 - 52 should be performed with a metallic beater on a metal stand. Experiment with mechanical pencils, small screwdrivers, portions of coat hangers, etc. Additional metallic percussion instruments could be added to enhance the effect or in place of the music stands. Volume is not as important as timbre.Alchemy is usually defined as the Medieval search for the means of transmuting base metals, such as lead into gold and silver. The alchemist hoped to find the mysterious combination of words or elements to attain the goal. Our scene begins with a dramatic invocation to the spirits of the metals, followed by a chant to empower the energy necessary for the change. A procession of the alchemist’s apprentices is heard as they add their presence to the effort and a final surge as the transformation is realized. Or is it?Careful execution of the dynamic variations within the work is essential to realize the desired effect. A metal plate can be substituted for the break drum. The “tap on stands†instruction in mm. 46 – 52 should be performed with a metallic beater on a metal stand. Experiment with mechanical pencils, small screwdrivers, portions of coat hangers, etc. Additional metallic percussion instruments could be added to enhance the effect or in place of the music stands. Volume is not as important as timbre.
