Jazz Anyone.....?, Book 1 -- Play and Learn

Play and Learn is an exciting method to learn the art of jazz improvisation -- for individual study or classroom use with an entire jazz ensemble. Through the use of recorded jazz tracks (70 on the CDs included), sequenced concepts involving exercises, licks and mini-charts, plus structured lessons, a student can acquire improvisation skills.

Renowned educator and writer Paris Rutherford has adapted the text he used for over 30 years in teaching university-level arranging at one of the nation's most illustrious jazz schools. For anyone wanting to enter the excitingworld of jazz arranging this book is a must-have resource! Useful as a classroom teaching tool for beginning arrangers or as a self-study book this clearly written and engaging text will get you off to a great start that willhave players and audiences alike enjoying your music! Includes Rutherford's original compositions and small group charts along with a CD that features both full performances and rhythm-section-only tracks for personal or grouppractice.

Par ARMACOST TIM. The ultimate guide to playing saxophone, by NY jazz artist Tim Armacost ? for anyone from beginners to professionals. Rooted in practical skills and going far beyond theory, The Jazz Saxophone Book will improve your ability to construct beautiful, flowing solo lines. The book includes access to over 30 videos of the author demonstrating ideas in the book and hundreds of examples of solo phrases by the masters of jazz saxophone. For the beginning improviser, we cover: ? Creative ways to work on sound, time and building a jazz vocabulary ? Connecting your soloing with your internal singing voice ? Foundational jazz harmony - what you need to know! For intermediate players, the book offers: ? In-depth treatment of jazz harmony, with copious examples from the masters of the tradition ? Ideas for becoming a musical storyteller ? Skills needed to show up at a jam session and confi dently perform a tune For more advanced players, the book discusses: ? Using advanced harmony to build and release tension ? Taking jazz vocabulary, harmony and form into the realm of freedom ? How to practice efficiently to become a well-rounded, continually improving soloist / Date parution : 2022-04-26/ Méthode / Saxophone

With Online Audio-This user-friendly book with access to online audio shows how to transform standard three-chord blues changes into harmonically sophisticated jazz-blues progressions. The book covers chord substitution twelve-bar blues minor blues eight-bar blues and sixteen-bar blues. Chord frames are supplied for guitarists. Blank treble and bass staves are included for writing songs licks and solos. An absolute goldmine for all musicians students bluessongwriters recording studios ad agencies and anyone who plays blues music.This truly amazing learning/reference work designed for beginners and pros alike also contains an appendix featuring a wealth of informationabout modern blues progressions and how to create them. Online audio download available.

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Anyone with basic keyboard skills (equivalent to Alfred's Basic Piano, Lesson Book 2) can dig right in and begin learning jazz right away. Spanning from the major scale and basic triad theory all the way through 7th chords, pentatonic scales and modulating chord progressions, this book features a full etude or tune demonstrating every new concept introduced. Beginning Jazz Keyboard breaks the age-old tradition of dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable method for learning to play in this style. The DVD demonstrates examples and offers opportunity to play along.

Anyone with a knowledge of basic chords and guitar scale fingerings can dig right in and start learning to play jazz right away. Spanning from the major scale and basic triad theory all the way up to extended chords and the modes, this book features a full-length etude or song to go with every new concept introduced. Beginning Jazz Guitar breaks the age-old tradition of dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable method for learning to play in this style. Clearly organized into easily mastered segments, each chapter is divided into separate lessons on harmony or improvisation. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book. 96 pages.

Book 1 Book With Online Audio. There are things in life you cannot learn from books. Jazz, rock, and the blues are among them. To play these improvised styles of music, it's important to look beyond the sheet music and theory manuals. The process involves learning by ear, directly from the music itself. Learning by ear acquaints you with melody, harmony, and rhythm in terms of how these elements sound rather than how they look on paper. This familiarity lies at the very heart of improvising. This book and its accompanying CD will serve as your guide as you develop your jazz, rock, and blues improvising talents. It introduces the experience to anyone with a year of basic Piano under their fingers. Improvisations featured on the CD will offer inspiration, and illustrate improvising techniques introduced in the text. Ultimately, you will be prepared for learning directly from the recordings of your favorite artists. / Niveau : Facile / Méthode / Piano

Anyone with basic keyboard skills (equivalent to Alfred's Basic Piano Library: Lesson Book 2) can dig right in and begin learning jazz right away. From the major scale and basic triad theory all the way through to 7th chords, pentatonic scales, and modulating chord progressions, this book covers it all and features a full etude or tune demonstrating every new concept introduced. Beginning Jazz Keyboard breaks the age-old tradition of dry and confusing jazz books to provide a step-by-step, enjoyable method for learning to play jazz. The companion DVD features video lessons and MP3 audio demonstrations of the examples in the book. Both the video and audio can be streamed online or downloaded as well. / Piano

Designed for anyone just learning to play the drumset Book 2 of this instruction method continues building on the fundamentals from Book 1 and moves forward into more challenging styles and techniques.Includes hours of audio tracks for demonstration and play-along plus video lessons by drum master Gregg Bissonette. Lessons include limb independence ? half-time grooves ? syncopation ? funk grooves ? ghost notes ? jazz drumming ? chart reading ? drum soloing ? brush playing and much more.

This book is the ideal primer for anyone wishing to participate in an 'Irish session'. This musical gathering is apparently quite different than a blues jazz or bluegrass jam session in that it is customary at Irish sessions toplay in tight unison with the other musicians adapting appropriate tempos rhythms and ornaments in an attempt to fit in with the 'groove'. The 'Irish Session Tune Book' features 300 reels hornpipes polkas slides andslip-jigs written without chord symbols for the melody instruments commonly played in Irish Sessions. The author shares a wealth of melodies collected over the past 10 years the majority learned by ear at Irish sessions: fiddle accordion tinwhistle tenor banjo mandolin bouzouki etc. Authentic ornamentation is suggested for each tune with the admonition that ornamentation may vary from region to region and chorus to chorus.