Jazz for String Ensemble

John Berry a habilement arrangé ce classique de Glenn Miller pour compter les groupes et maintenu les éléments importants de la version originale. Voici une excellente façon d'introduire ce chef de bande important à vos jeunes joueurs. / Jazz Band

Voici une nouvelle fabuleuse collection de 15 arrangements par Michael Sweeney, Peter Blair, Jerry Nowak et John Berry. Il s'agit de tous les gagnants éprouvées de la célèbre ' découverte Jazz série ' et constituent une source économique pour une programmation variée et de qualité ! Comme vous pouvez le voir dans la liste des titres, il n'y a aucun bois mort ici / Jazz Band

Par OSBORNE TONY. A taste of the twenties, a sentimental ballad, a jazz waltz and some funk-rock are brought together in a suite which explores the lighter side of string playing.Drawing on a variety of poplular styles, some less familiar rhythms and bowing patterns, and a fresh harmonic framework, it offers plenty of new challenges for the string ensemble of moderate ability without overstretching the players technically. Exciting new musical experiences await!/ Répertoire / Set de Cordes

An inventive and accessible pizzicato work for the good beginner bassist looking for something a little different. The three contrasting movements remain in the orchestral register with space for optional improvisation in the third piece. Ideal for any bassist who enjoyed Jazz Sonatine No.1 (RM097 Pizzicato Pieces Book 1) and enjoys playing in a jazzy and rhythmic style. A simple drum beat could be added for extra effect or simply enjoy the great music written with a minimum of fuss or effort. Effective in performance and certainly 'cool'. A great piece for study or recital and a pizzicato work which offers much for performer and audience alike. Enjoy....ABRSM Grade 4 (1st mvt) / Trinity-Guildhall Grade 5 (2nd mvt)2nd movement has been selected for Level 5 and 3rd movement for Level 6 by MTB Exams (www.mtbexams.com)

Five Jazz pieces for REAL beginners - where the Viola part (and or Vln III for flexibility) uses only open strings and the other parts only first position.Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

Mixed and Children's Choir, Wind Ensemble, String Ensemble, Jazz Trio. Par TRADITIONNEL. Choeur mixte à 4 voix, choeur d'enfants,2 Trompettes, 2 Trombones, 1 Clarinette Sib, 1 Saxophone Baryton, Section de cordes et Trio de jazz./ Répertoire / Jazz Band, Chorale D'enfants, Chanteurs et Cordes

Here is a fabulous new collection of 15 arrangements by Michael Sweeney Peter Blair Jerry Nowak and John Berry. These are all proven winners from the acclaimed ?Discovery Jazz Series? and provide an economical source for quality and varied programming! As you can see from the list of titles there is no dead wood here! Includes: April in Paris Blues Machine Georgia on My Mind Harlem Nocturne I Heard It through the Grapevine It Don't Mean a Thing Mission: Impossible Theme Mood Indigo Moten Swing On Broadway Rock Around the Clock A String of Pearls T.W.A. (Trumpets with Attitude) Tangerine and Tequila.

Correlated to Unit 5 of Jazz Expressions?, Sweet Georgia Brown is a great jazz classic arranged by Mike Lewis at the easy level. The focus in this chart is on syncopation using easy rhythms, modest ranges, and clear articulation to provide an effective and consistent foundation for learning jazz. No improvised solos, only ensemble and section work in a traditional swing setting. Optional parts for flute, clarinet, horn, baritone horn, tuba, AND STRINGS - violin (2), viola, and cello. Wow!

Includes: Birdland; Born to Be Wild; Eli's Comin'; Here There and Everywhere; How High The Moon; Malaguena; A Night in Tunisia; Peanut Vendor; Shake Rattle and Roll; Stompin' at the Savoy; A String of Pearls; Summertime; TakeThe A Train; Watch What Happens; Yardbird Suite.

All players are given a sample solo along with a solo sheet on the back of their parts teaching them the basics of improvisation. In this case the entire basis of the solo is a G Major scale making for a positive experience for virtually any performer. Outstanding writing by a jazz violinist!