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Johann Sebastian Bach: Also hat Gott die Welt geliebt (BWV68)(PA): Score
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Also Hat Gott Die Welt Geliebt
31.50
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Soli, choeur mixte et accompagnement
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[Partition]
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Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Also hat Gott die Welt geliebt qui a été écrite pourSoli (SB), Choeur Mixte (SATB) Et Orchestre. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 10068 . / Soli (SB), Choeur Mixte (SATB) Et Orchestre / Partition
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In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closel...
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In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach's artistry.This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work's genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach's autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.-With altered readings integrated into the musical text taking into account new musicological evidence-With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff-With links to the relevant sources in Bach digital via http://links.baerenreiter.com-Newly engraved and with improved page turns-Format: 24cm x 30.5cm / Orgue
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This volume devised by Martin Weyer contains organ music of easy to medium techn...
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This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period.
The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.
- Organ music of easy to medium technical difficulty for use at communion
- Broad range of styles
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Clavierübung III/Schübler-Choräle/Canonische Veränderungen ü. Vom Himmel hoch-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of
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Präludien und Fugen I - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian...
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Präludien und Fugen I - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of
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Johann Sebastian Bach: Complete Organ Works - Volume 2: Organ: Instrumental Work
27.20
Johann Sebastian Bach: Complete Organ Works - Volume 2: Organ: Instrumental Work
Orgue
Breitkopf & Härtel
Präludien und Fugen II - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastia...
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Präludien und Fugen II - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of
27.20 GBP - vendu par Musicroom GB
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Johannespassion (BACH JOHANN SEBASTIAN)
22.50
Johannespassion (BACH JOHANN SEBASTIAN)
Chorale SATB
SATB, Piano
[Partition]
Carus Verlag
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the ...
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Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. J. S. Bach's Johannes Passion BWV 245 for SATB and Piano. Die Johannespassion zählt neben der doppelchörigen Matthäuspassion, dem Weihnachtsoratorium, dem Magnificat und der h-Moll-Messe zu den groß en Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. Im Gegensatz zu den ubrigen oratorischen Werken hat Bach / Musique religieuse / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières
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Johann Ludwig Krebs: Concerto in F Major: Orchestra: Score
18.30
Johann Ludwig Krebs: Concerto in F Major: Orchestra: Score
Metropolis Music Publishers
German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelsted...
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German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar(capotasto). Additionally the solo parts feature two versions/interpretations. German Baroque composer Johann Ludwig Krebs (1713 - 1780) was born in Buttelstedt and was sent to Leipzig to study with Johann Sebastian Bach. Considered one of Bach's finest students many compositions of Krebs have been erroneously attributed to Bach. Krebs composed two concertos for lute and orchestra including this Concerto in F Major in three movements: Allegro Larghetto and Allegro assai. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar(capotasto). Additionally the solo parts feature two versions/interpretations.
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Organ Works, Vol.9 (BACH JOHANN SEBASTIAN)
36.00
Organ Works, Vol.9 (BACH JOHANN SEBASTIAN)
Orgue
[Partition + Accès audio]
Barenreiter
Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 470...
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Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 4708'. Par BACH JOHANN SEBASTIAN. In 1985 Christoph Wolff, working at Yale University, discovered a collection of 82 chorales compiled by Johann Gottfried Neumeister (1756-1840) which contained 38 compositions by Johann Sebastian Bach. They reveal great stylistic variety whose forebears stem from the Northern German organ tradition. Already these early works comprising fantasias, fugues, fughettas and imitative techniques employing motifs from chorale melodies bear witness to Bach' s broad compositional spectrum. This newly published volume is an updated edition of Series IV/9 of the ' New Bach Edition” (NBA), edited by Christoph Wolff and based on this source. In addition to a newly added concordance and corrections to the musical text, it also contains a detailed Foreword by Christoph Wolff with further information on the Neumeister Collection and hymnological details. The source of the complete Neumeister Collection has recently been made available on ' Bach digital”, shedding light on the manuscript for the very first time. Links to major sources have been provided in collaboration with the Bach Leipzig Archive and its database ' Bach digital”. The desired page of the source can be accessed quickly and conveniently via URLs at http://links.baerenreiter.com. The links stored there are examined for their validity on a regular basis. Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter' s new performing editions of Bach' s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ' Bach digital”. - Links to relevant sources in ' Bach digital” - Detailed new Foreword about the Neumeister Collection by Christoph Wolff (Ger/Eng) - Complete new engraving/ Répertoire / Orgue
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Der Gerechte Kommt Um (KUHNAU JOHANN)
3.90
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
3.40
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
3.90
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
3.90
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
(+)
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
5.80
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
(+)
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
3.90
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
(+)
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
21.80
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
(+)
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
3.40
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
(+)
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Blockflötentrios a la carte (BACH JOHANN SEBASTIAN)
22.10
Blockflötentrios a la carte (BACH JOHANN SEBASTIAN)
3 Flûtes à Bec SAB/STB
Universal Edition
Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach...
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Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach wrote the present short, three-voice pieces for cembalo. Minuet BWV 929 comes from the collection entitled Small Preludes and Fughettas and was probably written as teaching material. The Minuet and the Polonaise from the Notebook for Anna Magdalena Bach are examples of the Bach family's domestic music. Gavotte II (ou la Musette) and Gavottes I and II come from the English Suites, while a further gavotte was sourced from the French Suite No. 5. The Recorder Trio à la Carte series presents attractive pieces for recorder trio that cover a wide stylistic spectrum encompassing arrangements and original compositions from the classical and entertainment repertoire. It also combines the instruments of the recorder family in various ways. Recorder Trio à la carte opens up new paths that feature high quality, professional-standard recorder literature which motivates young players, sounds good and appeals to listeners. • Spirited dances by J. S. Bach in stylish arrangements for an enjoyable venture into the world of Baroque music • Suitable for students of all ages at intermediate-level and beyond • A beautiful addition to the J.S. Bach recorder repertory/ Recueil / 3 Flûtes à Bec SAB/STB
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Johann Sebastian Bach: Matthäus-Passion: SATB
18.40
Johann Sebastian Bach: Matthäus-Passion: SATB
Chorale SATB
Carus Verlag
Practical performing Urtext edition based on the latest state of Bach research. ...
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Practical performing Urtext edition based on the latest state of Bach research. Every era hears and interprets Bach anew and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition Klaus Hofmann Director of the Johann Sebastian Bach Institute Göttingen for many years and a contributing editor to the New Bach Edition presents a new edition. Hofmann has placed the study of the sources at the service of musical practice and the detailed investigation of Bach’s intentions. Bach scholars are well aware that Bach’s original score and performance parts running to almost 500 pages of music are full of ambiguities and contradictions particularly regarding articulation which constantly challenge performers to new interpretations. Hofmann discusses these and other problems in a concise critical report frequently arriving at new conclusions in the process. Extensive notes about parallel passages offer valuable help for interpretation. Special attention was devoted to the performance material with regard to practical needs. Thus for example the text incipits are also printed in the instrumental parts (including tacet passages). In short - an Urtext edition for practical performance based on the latest findings in Bach research.
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Bach - French Suites Bwv 812-817
Piano seul
G. Henle
Piano SKU: HU.HN593 Composed by Johann Sebastian Bach. Edited by Ullrich Scheid...
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Piano SKU: HU.HN593 Composed by Johann Sebastian Bach. Edited by Ullrich Scheideler. Piano and Keyboard, Repertoire, Solos. French Suites BWV 812-817. Softcover Book. 107 pages. G. Henle #HN593. Published by G. Henle (HU.HN593).
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Bach: Major Choral Works Vocal Scores (Version 2.0)
Chorale
[CD Sheet Music]
Subito Music
By Johann Sebastian Bach. For Choral. (Vocal Scores). CD Sheet Music (Version 2....
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By Johann Sebastian Bach. For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 2500 pages. Published by Subito Music.
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Johann Sebastian Bach : Chaconne from Partita No. 2 in D Minor
Piano seul
G. Henle
(Piano Solo). By Johann Sebastian Bach (1685-1750). Edited by Norbert M&Atil...
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(Piano Solo). By Johann Sebastian Bach (1685-1750). Edited by Norbert Müllemann. For Piano. Henle Music Folios. Softcover. 35 pages. G. Henle #HN557. Published by G. Henle
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Bach - Two Part Inventions Urtext
Piano seul
G. Henle
Piano SKU: HU.HN591 Composed by Johann Sebastian Bach. Edited by Ullrich Scheid...
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Piano SKU: HU.HN591 Composed by Johann Sebastian Bach. Edited by Ullrich Scheideler. Piano and Keyboard, Repertoire, Solos. Two Part Inventions. Baroque, Classical. Softcover Book. 48 pages. G. Henle #HN591. Published by G. Henle
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Chaconne from Partita no. 2 (Johann Sebastian Bach)
Piano seul
-
Avancé
G. Henle
Arrangement for Piano, left Hand. Composed by Johann Sebastian Bach (1685-1750...
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Arrangement for Piano, left Hand. Composed by Johann Sebastian Bach (1685-1750). Edited by Valerie Woodring Goertzen. Arranged by Johannes Brahms. Sheet music. Henle Music Folios. Classical. Softcover. G. Henle #HN1187. Published by G. Henle
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Bach
Piano seul
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Hal Leonard
The World's Great Classical Music. By Johann Sebastian Bach. World's Greatest Cl...
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The World's Great Classical Music. By Johann Sebastian Bach. World's Greatest Classical Music. 208 pages. Published by Hal Leonard.
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Johann Sebastian Bach : Fantasia In C Minor
Piano seul
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Alfred Publishing
By Johann Sebastian Bach. Edited by Willard A. Palmer. For Piano. Piano Solo. Al...
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By Johann Sebastian Bach. Edited by Willard A. Palmer. For Piano. Piano Solo. Alfred Masterwork Edition. Masterwork. Level: Early Advanced (grade 6 ). 16 pages. Published by Alfred Publishing.
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25 Solos for Clarinet - Suites of J.S. Bach
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[Partition]
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Mel Bay
By Johann Sebastian Bach (1685-1750). Arranged by J. Michael Leonard. For Clarin...
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By Johann Sebastian Bach (1685-1750). Arranged by J. Michael Leonard. For Clarinet. Solos. Bill's Music Shelf. Classic. Intermediate. Book. 48 pages. Published by Mel Bay Publications, Inc
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Chorale Preludes (Johann Sebastian Bach)
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G. Henle
Arrangement for Piano by Ferruccio Busoni
. Composed by Johann Sebastian B...
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Arrangement for Piano by Ferruccio Busoni
. Composed by Johann Sebastian Bach (1685-1750). Edited by Christian Schaper and Ullrich Scheideler. Arranged by Ferruccio Busoni. Henle Music Folios. Softcover. 52 pages. G. Henle #HN1293. Published by G. Henle (HL.51481293).
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Best of Bach
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Schott
30 Famous Pieces for Piano. Composed by Johann Sebastian Bach (1685-1750). E...
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30 Famous Pieces for Piano. Composed by Johann Sebastian Bach (1685-1750). Edited by Hans-Guenter Heumann. Arranged by Hans-Guenter Heumann. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. 30 well-known pieces for piano. Classical. Softcover. 88 pages. Schott Music #ED 23398. Published by Schott Music
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Great Piano Works Johann Sebastian Bach Mini Series
Piano seul
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Alfred Publishing
By Johann Sebastian Bach. Edited by Glew. Arranged by Dale Tucker (compiled And ...
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By Johann Sebastian Bach. Edited by Glew. Arranged by Dale Tucker (compiled And Edited By). Classical piano (Intermediate piano). Level: intermediate, level 5. 36 pages. Published by Alfred Publishing.
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Johann Sebastian Bach: Aria from the Goldberg Variations
Orchestre à Cordes
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Facile
Alfred Publishing
By Johann Sebastian Bach (1685-1750). Arranged by Bob Lipton. Orchestra. Masterw...
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By Johann Sebastian Bach (1685-1750). Arranged by Bob Lipton. Orchestra. Masterworks; Score; String Orchestra. Highland String Orchestra. Form: Transcription. Baroque; Masterwork Arrangement. Grade 2.5. 8 pages. Published by Alfred Music Publishing
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Johann Sebastian Bach: Aria from the Goldberg Variations
Orchestre à Cordes
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Facile
Alfred Publishing
By Johann Sebastian Bach (1685-1750). Arranged by Bob Lipton. Orchestra. For str...
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By Johann Sebastian Bach (1685-1750). Arranged by Bob Lipton. Orchestra. For string. Masterworks; Part(s); Score; String Orchestra. Highland String Orchestra. Form: Transcription. Baroque; Masterwork Arrangement. Grade 2.5. 62 pages. Published by Alfred Music Publishing
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Ricordi
Transcriptions for 2 Four-String Electric Basses. By Johann Sebastian Bach. Mis...
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Transcriptions for 2 Four-String Electric Basses. By Johann Sebastian Bach. Misc. CD-ROM only. Size 9x12 inches. 36 pages. Published by Ricordi.
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Bach -- The Well-Tempered Clavier, Volume 2
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Alfred Publishing
By Johann Sebastian Bach (1685-1750). Edited by Judith Schneider, fingering by M...
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By Johann Sebastian Bach (1685-1750). Edited by Judith Schneider, fingering by Maria Sofianska. For Piano. Book; CD; Masterworks; Piano Collection. Alfred Masterwork CD Edition. Baroque; Masterwork. Advanced. Published by Alfred Music Publishing
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Four Bach Fugues
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Falls House Press
For Two Alto Flutes
. Composed by Johann Sebastian Bach (1685-1750). Arran...
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For Two Alto Flutes
. Composed by Johann Sebastian Bach (1685-1750). Arranged by Christine Potter. Score and part(s). With Standard notation. 12 pages. Falls House Press #2A-P3. Published by Falls House Press (PR.FH0311).
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Bach : Sonatas and Partitas
Violon
Wiener Urtext
Composed by Johann Sebastian Bach (1685-1750). Edited by Dagmar Gluxam. Full sco...
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Composed by Johann Sebastian Bach (1685-1750). Edited by Dagmar Gluxam. Full score (study). With Standard notation. BWV 1001 - 1006. Wiener Urtext/Vienna Urtext #UT50255. Published by Wiener Urtext/Vienna Urtext
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Bach -- Goldberg Variations, BWV 988
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Alfred Publishing
Composed by Johann Sebastian Bach (1685-1750). Edited by Dr. Hans Bischoff. For ...
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Composed by Johann Sebastian Bach (1685-1750). Edited by Dr. Hans Bischoff. For Piano. Book; Masterworks; Piano Solo; Solo. Alfred Masterwork Edition. Baroque; Masterwork. Advanced. 68 pages. Published by Alfred Music
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