Johann Sebastian Bach: Goldberg Variationen BWV 988: Piano: Instrumental Work

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Italian Concerto, French Overture, Four Duets, Goldberg Variations qui a été écrite pourPiano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 1129. / Piano / Chanson En Séparée

My First Book Of Bach contains twenty-six favourite pieces in easy piano arrangements edited by David Dutkanicz.Students of all ages will delight in these simple piano arrangements of familiar melodies such as Jesu Joy Of Man's Desiring Wachet Auf and highlights from the Brandenburg Concertos Goldberg Variations and Inventions plus menuets gavottes bourees and other fun-to-play pieces all gathered together here to demonstrate the beauty enjoyment and skill of J.S. Bach's compositions.

Bach newly interpreted - the vocal band Slixs edited a songbook for mixed vocal ensemble or small choral ensemble containing unusual arrangements of instrumental works by Johann Sebastian Bach. The arrangements range between classical interpretation and flirting with jazz. They demand from the singers a profound basic education in music and flexible alternation between the voices. Explanations of how to pronounce the syllables to be sung help to generate equal instrumental tones. / Choeur Mixte

Vier Duette, Goldberg-Variationen. Par BACH JOHANN SEBASTIAN. Outre la grande cantate pour l’élection du conseil municipal de Mühlhausen (dite Ratswahl-kantate) et l’Offrande musicale, la collection Clavier-Übung fait partie des rares oeuvres de Bach éditées de son vivant. Cette collection est constituée de quatre parties dont la première comprenant les six partitas parut en 1731 tandis que les parties II à IV parurent respectivement en 1735, 1739 et 1741/42. Les oeuvres réunies dans le présent volume sont issues de ces der-nières. Le concerto italien et l’Ouverture dans le style français constituent la deuxième partie et pro-posent une sorte d’imitation au clavier de la musique orchestrale française et italienne de l’époque. Les Quatre duosfigurent dans la partie III de la Clavier-Übung aux côtés d’importantes oeuvres pour orgue, mais leur écriture à deux voix convient parfaitement au pia-no ou au clavecin. Enfin, les Variations Goldberg constituaient la quatrième partie de la Cla-vier-Übung au moment de leur publication. Selon Forkel, premier biographe de Bach, un comte de Keyserlingk avait commandé à Bach de la musique dont son claveciniste Johann Gottlieb Goldberg devait pouvoir lui jouer des morceaux «doux et de caractère plutôt gai» pendant ses nuits d’insomnie. Commande dont ont résulté des chefs-d’oeuvre de premier plan. / Partition reliée / Répertoire / Piano

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Bach Goldberg Variations Piano Or Harpsichord qui a été écrite pourPiano (Ou Clavecin). Les éditions Hal Leonard qui ont éditées cette oeuvre l'ont répertoriée sour la référence HL50481953. / Piano (Ou Clavecin) / 84 pages / Partition

Par BACH JOHANN SEBASTIAN. Bach's Goldbergs were reportedly written for one of his most talented pupil, who ised them to entertain and soothe his insomniac master during bouts of sleeplessness. Though authenticity of this story is doubted by some historians, they are certainly a diversion for listeners. historians. With virtuosic hand crossing and thrilling sections typical of Bach. Both Arias and all 30 Variations are set here for Piano and this affordable edition of a widely performed and appreciated work is essential for all serious pianists and music lovers./ Répertoire / Piano

Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue

Une excellente sélection d'oeuvres originales pour piano et d'arrangements parmi les plus célèbres de Bach dont les inventions en deux parties, 'In Tears Of Grief` de la Passion selon St Mathieu et `Air sur instrument à cordes en Sol' / Classique / Partition /

30 pièces célèbres pour piano. Par BACH JOHANN SEBASTIAN. Ce recueil de 30 compositions originales et arrangements populaires pour piano présente une sélection d’œuvres de Jean-Sébastien Bach qui ravira tous les pianistes. Outre le 'Prélude en do majeur' du Clavier bien tempéré et d'autres pièces pédagogiques populaires, le volume contient également de nombreux arrangements, comme l''Air' de la Suite d'orchestre n° 3 ou la 'Toccata et Fugue en ré mineur'. Toutes les pièces ont un niveau de difficulté facile à moyen et ont été complétées par des doigtés et des suggestions de métronome. Le recueil dont l’image d’impression est moderne et facile à lire est recommandée non seulement à des fins d'enseignement, mais aussi à tous ceux qui aiment jouer du piano en tant que passe-temps. / Niveau : Moyen / Recueil / Piano