Johann Sebastian Bach: Organ Works, Volume 9 (Yale University Manuscript LM 4708)

In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach's artistry.This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work's genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach's autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.-With altered readings integrated into the musical text taking into account new musicological evidence-With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff-With links to the relevant sources in Bach digital via http://links.baerenreiter.com-Newly engraved and with improved page turns-Format: 24cm x 30.5cm / Orgue

20 Perfect Pieces for Perfect Days. Par . Wedding Music for Organ is a stunning collection of 20 of the most requested and timeless classical organ pieces for wedding ceremonies. From the timeless elegance of Pachelbel's 'Canon in D' to the majestic triumph of Wagner's 'Bridal March', this book is a must-have for any organist looking to add a touch of sophistication to their wedding repertoire. Each piece has been carefully selected and arranged for intermediate-level organists, with an emphasis on capturing the emotional power and joy of the wedding day. Featuring compositions by renowned masters such as Mozart, Bach, and Handel, Wedding Music for Organ is the perfect musical companion for any unforgettable wedding day. / Date parution : 2023-06-01/ Recueil / Orgue

The 'organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year, the pieces can be readily performed in church services, evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales, both original works and arrangements.Each edition includes solo parts for instruments in C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instruments remains in the middle register.Among the pieces in this edition are John Alcock, 'Fuga? - ChristliebSiegmund Binder, 'Prelude in F major? - Jacques-Nicolas Lemmens, 'Fanfare? - Max Philipp Zeyhold, 'Concerto in A major? - Johann Sebastian Bach, 'Was Gott tut, das ist wohlgetan? - Karl Hoyer, 'Liebster Jesu, wir sind hier? - Carl Piutti, 'Lobe den Herren, den mächtigen König? - and Carsten Klomp, 'Grosser Gott, wir loben dich?. / Orgue

This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach.

BWV 592 to 596-Johann Sebastian Bach is regarded as one of the greatest composers of all time. His music is revered for its technical command artistic beauty and intellectual depth. However during his lifetime Bach wasbest known throughout Europe as an organist Organ consultant and composer of Organ works. At a young age he established a reputation for his great creativity and ability to integrate foreign styles into his Organ works Bach copied the works of numerous French and Italian composers to gain insights into their compositional languages and later arranged violin concertos by Vivaldi and others for the Organ. Bach was extensivelyengaged later in his life in consulting on Organ projects testing newly built Organs and dedicating Organs in afternoon recitals.Five Concertos includes Concerto in G 'after Ernst' BWV 592 Concerto in A minor 'after Vivaldi' BWV 593 Concerto in C 'after Vivaldi' BWV 594 Concerto in C 'after Ernst' BWV 595 and Concerto in D minor 'after Vivaldi' BWV 596. A must-have collectionfor any organist!

La série ORGANE PLUS ONE contient des pièces qui sont librement constituées ou fondées sur des airs de cantiques, deux oeuvres originales ainsi que des arrangements.Les éditions incluent des parties solo en C, Bb, Eb et F, qui peut être joué par le violon, flûte, hautbois, clarinette, trompette et cor en faLa gamme des pièces de l'instrument solo est dans le registre médian, ce qui rend cette série particulièrement attrayant pour les musiciens et instrumentistes église non-professionnels.La particularité de cette édition - instrumentation souple facilite le jeu, - veille à ce que les pièces peuvent facilement être traitées et sont amusants à jouer pour les services religieux, des soirées musicales et des petits concerts. Arrangements instrumentaux idiomatiques et la variété stylistique des pièces garantissent un succès instantané pour les deux organistes et instrumentistes.Le contenu des volumes correspondent aux saisons de l'année liturgique: - Advent / Noël- Passion / Pâques- Epiphany / Pentecôte / Pentecôte- La mort et l'éternité / Funérailles- Louange et Merci- Service divin- Communion- Services spéciaux (baptêmes / mariages)La série complète comprendra huit volumes.'Ce volume, ainsi qu'un volume d'accompagnement pour le Carême et Pâques, valent bien l'enquête.' (Le Journal de l'Ass des musiciens anglicans vol 20, n o 10 -.. Décembre 2011) / Orgue Et Instruments Divers

For Violin Solo. Par BACH JOHANN SEBASTIAN. Monument der solistischen Violinmusik, Prüfstein für jeden Geiger mit Anspruch - diese Superlative werden den „Sei Solo', besser bekannt als „Sonaten und Partiten für Violine solo' von Johann Sebastian Bach, beigegeben. Bach schafft vielerlei Beziehungen auf vielerlei Ebenen, teils klar erkennbar, teils subtil: ein Kosmos der Formenvielfalt und des Violinspiels, von der einstimmigen Linie bis zum kontrapunktischen Satz. Dem nachzuspüren, Zusammenhänge zu erkennen vor dem Hintergrund der biographischen, musikhistorischen und kompositorischen Voraussetzungen, ist Zweck dieses Buches. Zugleich liefert Bernhard Moosbauer Hilfestellungen für eine fundierte, aus dem kompositorischen Verständnis der Soli gespeiste Interpretation für Violinisten gleich welcher Couleur. - Einführung in die Musikgeschichte und Struktur der berühmten Solowerke - Beschreibung und Einordnung aller Sätze in die Gesamtanlage - Für professionelle und nichtprofessionelle Geiger sowie für alle Musikinteressierten Bernhard Moosbauer studierte Schulmusik, Komposition, Musikwissenschaft und Barockvioline in Stuttgart, Tübingen und Straßburg. Er widmet sich hauptsächlich der Kammermusik des Barock und spielt außerdem in diversen Ensembles und Orchestern mit Originalinstrumenten im süddeutschen Raum. Seine Forschungsschwerpunkte sind die Instrumentalmusik des 17. und 18. Jahrhunderts und die Sinfonik der Wiener Klassiker. Er ist mit Editionen von Werken Corellis, Vivaldis, Bibers und Händels sowie mit Fachartikeln und Buchpublikationen hervorgetreten. Bei Bärenreiter erschien seine Monographie zu Vivaldis „Vier Jahreszeiten' (BVK 1583)./ Répertoire / Violon

Miscellaneous organ works including Fugue in G (Gigue) and Pastorale in F. Edited by Sir Frederick Bridge and James Higgs.

BWV 651 668-The Eighteen Chorale Preludes for organ with introduction by Ernest Newman. Edited by John Pointer.

Präludien und Fugen I - mit CD-ROM-Breitkopf Urtext edition of Johann Sebastian Bach's Complete Organ Works. Music text faithful to the sources and reflecting the current status of Bach research. Developed for musical practice through the cooperation of scholars and performers. Contains all of Bach's Keyboard works that require an independent pedal manual. Contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty. Features comprehensive introductions extensive source descriptions and text-critical notes. Featuressupplementary material illustrated synoptically on CD-ROM (in printable quality) Brochure in large format (32 x 25 cm) and compact music engraving clear easy to read with convenient page turns. With repertoire works musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the Organ works of Johann Sebastian Bach which are available today in various editions. Among them is that of Heinz Lohmann which Breitkopf & H?rtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status historically informed edited with performers in mind:More than 40 years later the demands made on a new Urtext edition of Bach's Organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study teaching and concert performance are in addition to the above-mentioned demands such external criteria as format paper convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition beginning in 2010 also contains all Keyboard works with pedal and the 'dubious works' that are hardly dubious anymore.This edition of Johann Sebastian Bach's Organ works wants to do justice to these demands. Next to the core contents of

Une collection de favoris populaires, folk, valses, normes etc., arrangés par Nelson Varon. Arrangements faciles pour tous les organes avec les paroles et les noms de la corde. / Orgue / 72 pages / Partition

Spiral Bound-Forty exceptional pieces for organ carefully chosen from across Europe and perfect for special occasions services or purely for pleasure.Adagio from Sonata no. 1 Felix MendelssohnAdagio no. 2 Christian HeinrichRinckAdagio no. 3 Christian Heinrich RinckAdagio no. 4 Christian Heinrich RinckAdagio no. 10 Christian Heinrich RinckAllegro from ?Magnificat? Alexandre GuilmantAndante no. 1 Albert Lister PeaceAndantetranquillo Edward John HopkinsAndante tranquillo from Sonata no. 3 Felix MendelssohnAve Maria Alexandre GuilmantBénédiction nuptiale Camille Saint-SaënsChorale prelude on ?Herr Jesu Christ dich zu uns wend? JohannSebastian BachChorale prelude on ?Herzlich tut mich verlangen? Johann Sebastian BachChorale prelude on ?Herzlich tut mich verlangen? Johannes BrahmsChorale prelude on ?Liebster Jesu wir sind hier? Johann SebastianBachChorale prelude on ?O Welt ich muss dich lassen? Johannes BrahmsChorale prelude on ?O wie selig seid ihr doch ihr Frommen? Johannes BrahmsCommunion in Ab Alexandre GuilmantElegy Charles Harford LloydElegyCharles Hubert Hastings ParryFestive prelude Sigfrid Karg-ElertGrand Choeur in G Théodore SaloméIch dank dir lieber Herr Sigfrid Karg-ElertInterlude in F Herbert BrewerMarch in G Henry SmartMarch-SortieThéodore DuboisMelody in G Alexandre GuilmantNoël Ecossais Alexandre GuilmantPastorale in F Johann Sebastian BachPostlude Alexandre GuilmantPostlude in D minor Anton BrucknerPrayer in Bb AlexandreGuilmantPrelude César FranckPrelude in C Anton BrucknerPrière Notre-Dame from ?Suite Gothique? Léon BoëllmannVesper voluntary no. 1 Edward ElgarVesper voluntary no. 2 Edward ElgarVesper voluntary no. 3Edward ElgarVesper voluntary no. 5 Edward ElgarVoluntary John Ebenezer West