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Johann Sebastian Bach: The Most Beautiful Oboe Solos From The Church Cantatas, BWV 12, 21, 76, 156, 249
$21.95
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Matériel : Set de Parties séparées
Composed by Johann Sebastian Bach (1685-1750), edited by Mark Biggam. For oboe and keyboard (organ, harpsichord, piano). Format: set of performance parts (includes separate pull-out oboe part). Baroque. 23 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.
Instrumentation :
Hautbois, Piano (duo)
Editeur :
Barenreiter
Niveau :
Song List
:
Sinfonia From "Ich Steh Mit Einem Fuss Im Grabe" - Cantata BWV 156
Sinfonia From "Weinen, Klagen, Sorgen, Zagen" - Cantata BWV 12
Sinfonia From "Ich Hatte Viel Bekummernis" - Cantata BWV 156
Solo From Oratorio BWV 249
Sinfonia From "Die Himmel Erzahlen Die Ehre Gottes" - Cantata BWV 76
Information vendeur :
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Great Fugues For Solo Keyboard (Bach Beethoven: Piano: Instrumental Album
8.95
Great Fugues For Solo Keyboard (Bach Beethoven: Piano: Instrumental Album
Piano seul
Dover Publications
An extensive volume filled with fugues from the last 350 years! Beginning with w...
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An extensive volume filled with fugues from the last 350 years! Beginning with works by Frescobaldi Scarlatti Giambattista and Handel this collection features several compositions by the fugue's most famous expositor Johann Sebastian Bach including many pieces from the Well-Tempered Clavier. Contributions from latter-day composers include works by Mozart Beethoven Mendelssohn Robert and Clara Schumann Brahms and Saint-Saëns.
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My First Bach
16.41
My First Bach
Piano seul
-
Facile
Schott
Learn from the master. Johann Sebastian Bach composed countless pieces specifica...
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Learn from the master. Johann Sebastian Bach composed countless pieces specifically for his many students. My First Bach contains many of these educational pieces which are, for the most part, arranged in increasing difficulty. Easy two-part chorales and dances are followed by more demanding little preludes, two-part inventions and the first Prelude from the Well-Tempered Clavier. / Piano
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My First Bach
16.41
My First Bach
Piano seul
Schott
Learn from the master. Johann Sebastian Bach composed countless pieces specifica...
(+)
Learn from the master. Johann Sebastian Bach composed countless pieces specifically for his many students. My First Bach contains many of these educational pieces which are, for the most part, arranged in increasing difficulty. Easy two-part chorales and dances are followed by more demanding little preludes, two-part inventions and the first Prelude from the Well-Tempered Clavier. / Piano
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At The Piano With The Sons of Bach (AASS LARS / HINSON MAURICE)
11.40
At The Piano With The Sons of Bach (AASS LARS / HINSON MAURICE)
Piano seul
[Partition]
Alfred Publishing
Par AASS LARS / HINSON MAURICE. The stylistic transition from the late Baroque t...
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Par AASS LARS / HINSON MAURICE. The stylistic transition from the late Baroque to the Classical period was almost something of a Bach affair. While Johann Sebastian Bach (1685-1750) defined and summed up the Baroque musical language, his sons Willhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich and Johann Christian, infused with the spirit of innovation, struck new musical paths that opened the way to the Classical and Romantic eras. This piano book celebrates the work of these four sons of Bach with a fascinating and varied collection of pieces for the grade 2-5 player. **ABRSM selected piece (Piano 2019-2020): Allegro in A / Instrumental Music, Piano Music / Recueil / Piano
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Johann Sebastian Bach: Miscellaneous Keyboard Works: Piano: Instrumental Album
25.40
Johann Sebastian Bach: Miscellaneous Keyboard Works: Piano: Instrumental Album
Piano seul
Dover Publications
Wide selection of fine pieces, many difficult to find elsewhere. Included are ha...
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Wide selection of fine pieces, many difficult to find elsewhere. Included are harpsichord toccatas, Capriccio on the Departure of His Most Beloved Brother, Aria Variata 'alla Maniera Italiana' and the 6 Little Preludes, as well as many lesser-known compositions ? over 40 in all. Authoritative Breitkopf and Härtel edition. Reprint of selections from Johann Sebastian Bach's Werke, Series 3, 36, 42, 43, and 44, Breitkopf and Härtel, Leipzig, 1890, 1894, and 1897.
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Johann Sebastian Bach: Most Beautiful Bach
14.50
Johann Sebastian Bach: Most Beautiful Bach
PWM (Polskie Wydawnictwo Muzyczne)
Most Beautiful Bach
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Johann Sebastian Bach: Bach for Banjo: Banjo: Instrumental Album
13.99
Johann Sebastian Bach: Bach for Banjo: Banjo: Instrumental Album
Banjo
Hal Leonard
2 Pieces Arranged for 5-String Banjo-The banjo shares many of the same sonic qua...
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2 Pieces Arranged for 5-String Banjo-The banjo shares many of the same sonic qualities as a harpsichord so although it's so closely associated with more homespun genres the instrument actually lends itself very well to classical music! The pieces in Bach for Banjo are in tablature only with chord symbols arranged at the beginning to intermediate level for five-string banjo players. As in classical guitar arrangements the melody and harmony are combined. Most pieces are on facing pages with no page turns required and beginners can pick through the selections at a slow pace. The book features just the best-known parts of 20 beloved Bach pieces: Air on the G String · Arioso · Minuet in G · Sheep May Safely Graze· Sleepers Awake · and more.
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Organ Works, Vol.1 (BACH JOHANN SEBASTIAN)
36.55
Organ Works, Vol.1 (BACH JOHANN SEBASTIAN)
Orgue
[Partition + Accès audio]
Barenreiter
Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / ...
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Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / Chorale-Partitas. Par BACH JOHANN SEBASTIAN. Replaces BA 5171 Volume 1 of Bach' s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA). This updated edition takes into account the latest findings of Bach scholarship: Thus, for example, a newly-discovered copy of the first edition containing inscriptions in Bach' s own hand could be incorporated into the musical text of the Schübler Chorales. For the Orgel-Büchlein, Bach' s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach' s most famous collection was played at that time. Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the 'riddle' of how these partitas were handed down. Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis. - Complete new engraving - New detailed Foreword by Christine Blanken (Ger/Eng) - Links to relevant sources in Bach digital/ Répertoire / Orgue
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O Ewigkeit, Du Donnerwort Bwv 20 Facsimile In A Slipcase
419.61
O Ewigkeit, Du Donnerwort Bwv 20 Facsimile In A Slipcase
Barenreiter
Johann Sebastian Bach opened the second year of his Leipzig church compositions ...
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Johann Sebastian Bach opened the second year of his Leipzig church compositions on 11 June 1724 with a performance of the cantata 'O Ewigkeit, du Donnerwort'. The work is based on a church hymn by Johann Rist that depicts, in riveting language, the terrors of the Last Judgment and the torments of Hell, followed by an admonition to live a life pleasing to God. The poem inspired Bach to write one of his most impressive church compositions altogether. This remarkably extensive score with twelve sheets sheds particularly instructive and detailed light on Bach's creative process. The Bach Archive Leipzig acquired this priceless manuscript at the end of 2016, making it possible for the first time to reunite the original performance material and the handwritten score of a Bach chorale cantata. Our facsimile edition complements the edition of BWV 20 presented by James Webster almost 50 years ago in volume I/15 of the New Bach Edition.
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Piano Treasury Of Easy Classical Music Cd
30.20
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Piano seul
[Partition + CD]
Amsco Wise Publications
Compilation. The Piano Treasury of Easy Classical Music is designed to be the co...
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Compilation. The Piano Treasury of Easy Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's favourite inventions, preludes, fugues, minuets, sonata movements, nocturnes, waltzes, mazurkas, intermezzos, romantic short pieces, impressionistic works, and light classics, as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Niveau : Elémentaire / Rép Classique / Recueil / Piano
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Johannespassion (BACH JOHANN SEBASTIAN)
22.50
Johannespassion (BACH JOHANN SEBASTIAN)
Chorale SATB
SATB, Piano
[Partition]
Carus Verlag
Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the ...
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Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. J. S. Bach's Johannes Passion BWV 245 for SATB and Piano. Die Johannespassion zählt neben der doppelchörigen Matthäuspassion, dem Weihnachtsoratorium, dem Magnificat und der h-Moll-Messe zu den groß en Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. Im Gegensatz zu den ubrigen oratorischen Werken hat Bach / Musique religieuse / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières
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Michael Marissen: Bach's Oratorios: Reference
25.49
Michael Marissen: Bach's Oratorios: Reference
Oxford University Press
The Parallel German-English Texts with Annotations-The major choral works by Joh...
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The Parallel German-English Texts with Annotations-The major choral works by Johann Sebastian Bach-the Christmas Easter and Ascension Oratorios and the St. Matthew St. Mark and St. John Passions-stand as the most frequently-performed and penetratingly discussed of the genre. Renowned Bach scholar Michael Marissen has assembled a compact well-designed and ideally useful treatment of Bach's oratorios providing the full German texts with literal English translations and copious annotations. He provides strict literal translations of these texts with citations from the Luther Bible as it was known in Bach's day along side extensive footnotes that provide information addressing the interests and concerns of today's Bachcommunity. These are the first translations of the librettos from Bach's oratorios to accommodate the many sense-clarifying allusions to the readings of the Luther Bibles in Bach's day to explore from historical dictionaries the meanings of previously unnoticed archaic usages and to contrast relevant findings from modern biblical scholarship. Marissen's insights are particularly helpful his thoroughness is impressive and the book will be a longstanding definitive and essential reference for choral directors performers audience members and Bach scholars alike.
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A - Z Of Classical Music Easy Piano
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A - Z Of Classical Music Easy Piano
Piano seul
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Amsco Wise Publications
Over 60 of the most famous pieces in classical music specially arranged for Easy...
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Over 60 of the most famous pieces in classical music specially arranged for Easy Piano. This superb collection covers a wide range of composers and musical periods from Bach, Mozart and Handel through to Chopin, Elgar, Debussy and Mahler. This book is perfect for any Grade 1 - 2 pianist to explore a wonderful variety of well-known masterpieces. / Piano
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Der Gerechte Kommt Um (KUHNAU JOHANN)
3.90
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
3.40
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
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Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
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Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
5.80
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
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Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
21.80
Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Der Gerechte Kommt Um (KUHNAU JOHANN)
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Der Gerechte Kommt Um (KUHNAU JOHANN)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
[Partition]
Carus Verlag
Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tr...
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Arrangeur: Johann Sebastian Bach. Par KUHNAU JOHANN. Adaptation of the motet 'Tristis est anima mea', attributed to Johann Kuhnau. The motet 'Der Gerechte kommt um' comes down to us as part of the Passion cantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted – most likely by Bach – with a new text and the addition of instrumental parts. The motet 'Der Gerechte kommt um' comes down to us as part of the Passioncantata 'Ein Lämmlein geht und trägt die Schuld' by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text 'Tristis est anima mea', which then was adapted—most likely by Bach—with a new text and the addition of insturmental parts. / Musique religieuse / Date parution : 1974-07-01/ Répertoire / Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse
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Johann Sebastian Bach: Concerto in D minor BWV 1043: Cello Duet: Instrumental
15.00
Johann Sebastian Bach: Concerto in D minor BWV 1043: Cello Duet: Instrumental
CelloLid.com
If Bach Was A Cellist-The purpose of the series if Bach was a cellist is to live...
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If Bach Was A Cellist-The purpose of the series if Bach was a cellist is to live the fantasy that everything Bach wrote he wrote for the cello.The concerto in D minor (BWV 1043) for two violins string orchestra and continuo by Johann Sebastian Bach (1685-1750) is one of his most loved works. Indeed the slow movement may be one of the most popular and loved pieces in the instrumental literature. Traditionally it is believed to have been written in Köthen where he held the position of 'fürstlischer Kapellmeister' from 1717-1723 a town that saw the birth of the Brandenburg concertos and the solo works for violin and cello. The Dorian church mode (the absent Bflat in the key of Dminor) would also speak for the younger Bach. Recent research however has shown that the orchestral parts carefully written out by Bach himself and found among the papers of his son Carl Philip Emanuel date from around 1730. The sophistication of the composition also speaks for a later date than Köthen. The original score has been lost.Always in need of concert material for his 'Collegium Musicus' in Leipzig Bach made a version of the present concerto for two harpsichords (BWV 1062). The original key was transposed to C minor so that the top note would not exceed a D but remain within the range of a standard harpsichord. Another C minor concerto (BWV 1060) for two harpsi-chords often heard in an arrangement from the 1920's for violin and oboe by Max Schneider and Max Seiffert speaks for two concertos in D minor for two violins by Bach.When arranging an orchestral score for the pianoforte one has to remember that a double-bass sounds an octave lower than notated. This is a welcomed fact when dealing with two instruments that play the original solo parts an octave down. At the same time for a transcription of this kind the ambition must be to avoid the cello soloists playing in octaves with the violin tutti parts - which is what would happen were they to share the same material. This ambition made a piano reduction
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Johann Sebastian Bach: Simply Bach: Piano: Artist Songbook
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Johann Sebastian Bach: Simply Bach: Piano: Artist Songbook
Piano seul
-
Facile
Alfred Publishing
The Music of Johann Sebastian Bach: 25 of His Most Loved Masterpieces-Simply Bac...
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The Music of Johann Sebastian Bach: 25 of His Most Loved Masterpieces-Simply Bach ist eine Sammlung der bekanntesten Kompositionen von Johann Sebastian Bach.Markierungen Artikulationen Fingersätze und Dynamik wurden aufgenommen um die Interpretation zu vereinfachen und große Noten vereinfachen das Notenlesen.
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2 Suiten Für Flöte Nach Den Suiten Für Violoncello Solo Bwv 1007 Und 1009
11.30
2 Suiten Für Flöte Nach Den Suiten Für Violoncello Solo Bwv 1007 Und 1009
Violoncelle
Barenreiter
Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the ...
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Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the most significant compositions for unaccompanied melody instrument and have won a permanent place in the repertoire of every cellist.Joachim Linckelmann has made the first two suites available for performance on the flute. His arrangements exploit the technical possibilities of the instrument while never straying far from the original. ln this form the cello suites will not onIy be a welcome diversion in the literature for solo flute, but pose a genuine challenge to every flautist.· Convincing, straightforward arrangement· Welcome addition to the solo flute repertoire / Flûte / Partition
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Most Beautiful Classical Melodies For Flûte And Guitar
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Most Beautiful Classical Melodies For Flûte And Guitar
Flûte et Guitare
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Intermédiaire
Hal Leonard
Cette charmante collection fonctions 24 des mélodies plus émouvants et d'inspi...
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Cette charmante collection fonctions 24 des mélodies plus émouvants et d'inspiration classiques d'à travers les siècles dans un superbe album pour flûte et guitare. De l'élégance baroque fervente de Bach et Haendel, à travers les oeuvres classiques ludiques de Mozart et Haydn, à la beauté romantique riche de Faure, de Ravel et de Tchaïkovski, cet album a quelque chose pour tout le monde. Chaque pièces a été soigneusement aménagé pour être accessible aux intermédiaire flûtiste et guitariste, avec plein de défis techniques afin d'aider vos progrès jouant le long de la voie. Capture et profiter de l'intimité de la duo flûte et guitare - cette vaste collection veillera à ce que vous avez quelque chose de spécial à jouer quel que soit l'occasion. / Flûte Traversière / Partition
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Wedding Music for Manuals
25.79
Wedding Music for Manuals
Orgue
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Kevin Mayhew
25 Perfect Pieces for Perfect Days. Par . Wedding Music for Manuals is a stunnin...
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25 Perfect Pieces for Perfect Days. Par . Wedding Music for Manuals is a stunning and player-friendly collection of 25 of the most requested and timeless classical organ pieces for wedding ceremonies. From the timeless elegance of Pachelbel's 'Canon in D' to the majestic triumph of Wagner's 'Bridal March', this book is a must-have for any organist looking to add a touch of sophistication to their wedding repertoire. Each piece has been carefully selected and arranged for manuals, with an emphasis on capturing the emotional power and joy of the wedding day. Featuring compositions by renowned masters such as Mozart, Bach, and Handel, Wedding Music for Manuals is the perfect musical companion for any unforgettable wedding day. / Date parution : 2023-06-01/ Recueil / Orgue
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Johann Sebastian Bach: Chromatic Fantasia & Fugue In D Minor Bwv 903: Guitar:
11.99
Johann Sebastian Bach: Chromatic Fantasia & Fugue In D Minor Bwv 903: Guitar:
Guitare
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Intermédiaire
Mel Bay
Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue duri...
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Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord the work was duly recognized as a masterpiece within its ownera.Néstor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the work?s sonority and the 6thstring of the guitar had to be lowered to D to expand the guitar?s range and adhere to the original key.The articulation of the piece often requires the use of the slur technique to maintain and enhance thelegato effect in the melodic line. As the guitar has a more percussive character than the harpsichord various inconveniences occur in the management or execution of the legato but the transcriber has done his best to preservethe character of the original piece.Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bach?s intentions and avoid shortcuts and aberrations which wouldhave depleted the original harmonies and melodies. In the process he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original scoremandates.Written in standard notation only with each line of music forming only one measure this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musicalbenefits.
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Johann Sebastian Bach: Jesu Joy of Man's Desiring: SATB: Vocal Score
11.25
Johann Sebastian Bach: Jesu Joy of Man's Desiring: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Schirmer
from Cantata No. 147-Johann Sebastian Bach is regarded as one of the greatest co...
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from Cantata No. 147-Johann Sebastian Bach is regarded as one of the greatest composers of all time. His music is revered for its technical command artistic beauty and intellectual depth. This chorale movement is one of his most enduring works however the melody was originally composed before Bach’s time in 1642 by Johann Schop. Utilising the already existing melody Bach wrote this setting of Jesu Joy Of Man’s Desiring in 1716 as the 10th and last movement of the church cantata ‘Herz und Mund und Tat und Leben’ (BWV 147) one of the over three hundred cantatas written by the master of the Baroque period.This edition of the familiar melody which is often performed at weddings and Christian festive seasons like Christmas and Easter is arranged for SATB Chorus and Organ. All four verses of the lyrics are provided in English translation along with the original version in German.
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Johann Sebastian Bach: 18 Short Preludes: Piano: Instrumental Album
9.95
Johann Sebastian Bach: 18 Short Preludes: Piano: Instrumental Album
Piano seul
Alfred Publishing
Besides being an influential and prolific composer Johann Sebastian Bach (1685-...
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Besides being an influential and prolific composer Johann Sebastian Bach (1685-1750) was one of the great teachers of his day. He was a dedicated master of the keyboard always exploring and expanding his knowledge of the instrument. Technique was of paramount significance to Bach and he was always developing exercises to improve his students??? playing. Bach developed those exercises into the pieces presented in 18 Short Preludes. However these compositions are more than keyboard exercises. They are light airy fun works that reflect Bach???s love of the short simple prelude form. They provide the beginning student with an excellent introduction to the genius ofJ.S. Bach.This edition was carefully and methodically prepared by Willard A. Palmer. An introductory section offers a thorough explanation of trills mordents appoggiaturas and other proper ornamentation applicable to these preludes. This feature helps make this edition of Bach???s 18 Short Preludes the most practical and attractive one available.
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Johann Sebastian Bach: 371 Harmonized Chorales And 69 Chorale Melodies W/Figured Bass
Piano seul
[Partition]
Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...
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Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For piano. Format: piano solo book. With piano reduction, introductory text, instructional text, lyrics and performance notes. Baroque. 184 pages. 9x12 inches. Published by Schirmer
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Bach - French Suites Bwv 812-817
Piano seul
G. Henle
Piano SKU: HU.HN593 Composed by Johann Sebastian Bach. Edited by Ullrich Scheid...
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Piano SKU: HU.HN593 Composed by Johann Sebastian Bach. Edited by Ullrich Scheideler. Piano and Keyboard, Repertoire, Solos. French Suites BWV 812-817. Softcover Book. 107 pages. G. Henle #HN593. Published by G. Henle (HU.HN593).
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Brazilian Portrait: Villa-Lobos, Bach
4 Guitares (Quatuor)
Ricordi
Transcription for Guitar Quartet Score and Parts. Composed by Johann Sebasti...
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Transcription for Guitar Quartet Score and Parts. Composed by Johann Sebastian Bach (1685-1750) and Heitor Villa-Lobos (1887-1959). Arranged by Alessandro Borin. Guitar. Softcover. Ricordi #ER3071. Published by Ricordi
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Johann Sebastian Bach - 'uvres Completes Pour Orgue (edition De Marcel Dupre, Vol. 5)
Orgue
Leduc, Alphonse
Composed by Johann Sebastian Bach (1685-1750). Leduc. Classical. CD. 94 pages....
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Composed by Johann Sebastian Bach (1685-1750). Leduc. Classical. CD. 94 pages. Alphonse Leduc #AL27719. Published by Alphonse Leduc
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Die ersten Bach-Studien C3944
Piano seul
EMB (Editio Musica Budapest)
By Teoke Marianne. By Johann Sebastian Bach (1685-1750). EMB. Studies and Exerci...
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By Teoke Marianne. By Johann Sebastian Bach (1685-1750). EMB. Studies and Exercises. Book Only. 44 pages. Editio Musica Budapest #EMBZ8865. Published by Editio Musica Budapest (HL.50511326).
$16.45 - Voir plus => Acheter
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Johann Sebastian Bach: Six (6) Sonatas
Flûte traversière et Piano
[Set de Parties séparées]
Southern Music Ltd
Composed by Johann Sebastian Bach (1685-1750), arranged by John Wummer. Set of p...
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Composed by Johann Sebastian Bach (1685-1750), arranged by John Wummer. Set of performance parts for flute and piano. 94 pages. Published by Southern Music Company.
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Johann Sebastian Bach: Chorales 1-91
Chorale SATB
SATB
[Vocal Score]
Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider,...
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Composed by Johann Sebastian Bach (1685-1750), edited by Albert Riemenschneider, Charles Boyd. Vocal score book for SATB choir. With vocal score notation (open score in German; closed score in English), introductory text and . Text language English; lyrics in German and English. 127 pages. Published by G. Schirmer, Inc.
(5)
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Johann Sebastian Bach : Sleepers Wake
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
Alfred Publishing
By Johann Sebastian Bach. Arranged by Mark Williams. Music by Johann Sebastian B...
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By Johann Sebastian Bach. Arranged by Mark Williams. Music by Johann Sebastian Bach / arr. Mark Williams. For Concert Band. Concert Band. Alfred Concert Band. Level: 3 (Medium) (grade 3). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.
(1)
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Johann Sebastian Bach : Chaconne from Partita No. 2 in D Minor
Piano seul
G. Henle
(Piano Solo). By Johann Sebastian Bach (1685-1750). Edited by Norbert M&Atil...
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(Piano Solo). By Johann Sebastian Bach (1685-1750). Edited by Norbert Müllemann. For Piano. Henle Music Folios. Softcover. 35 pages. G. Henle #HN557. Published by G. Henle
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Classics To Jazz * Bach
Piano seul
Santorella Publications
Classics To Jazz * Bach composed by Johann Sebastian Bach (1685-1750). Arranged ...
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Classics To Jazz * Bach composed by Johann Sebastian Bach (1685-1750). Arranged by Tony Santorella. For jazz piano. This edition: Paperback. Collection. Classical. Book. Text Language: English. 48 pages. Published by Santorella Publications
(2)
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Simply Bach
Piano seul
[Partition]
-
Facile
Alfred Publishing
(The Music of Johann Sebastian Bach: 25 of His Most Loved Masterpieces). By Joha...
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(The Music of Johann Sebastian Bach: 25 of His Most Loved Masterpieces). By Johann Sebastian Bach (1685-1750). Arranged by Jerry Ray. For Piano. Piano Collection. Simply Series. Masterwork. Easy Piano. Book. 80 pages. Published by Alfred Music Publishing
(1)
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Notebook for Wilhelm Friedemann Bach
Piano seul
[Partition]
Alfred Publishing
By Johann Sebastian Bach. For Piano. Piano Collection. Masterwork. Level: Interm...
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By Johann Sebastian Bach. For Piano. Piano Collection. Masterwork. Level: Intermediate / Advanced. Book. 120 pages. Published by Alfred Publishing.
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Chaconne from Partita no. 2 (Johann Sebastian Bach)
Piano seul
-
Avancé
G. Henle
Arrangement for Piano, left Hand. Composed by Johann Sebastian Bach (1685-1750...
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Arrangement for Piano, left Hand. Composed by Johann Sebastian Bach (1685-1750). Edited by Valerie Woodring Goertzen. Arranged by Johannes Brahms. Sheet music. Henle Music Folios. Classical. Softcover. G. Henle #HN1187. Published by G. Henle
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Johann Sebastian Bach: Come, Sweet Death
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
C.L. Barnhouse
By Johann Sebastian Bach. Arranged by Alfred Reed. Sacred,transcription. Concert...
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By Johann Sebastian Bach. Arranged by Alfred Reed. Sacred,transcription. Concert Band. Bach Series arranged by Alfred Reed. Level: Grade 3. Score and set of parts. Composed 1976. Duration 0:03:55. Published by C.L. Barnhouse.
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Bach Beginner to Intermediate
Piano seul
-
Facile
Santorella Publications
Bach * Beginner to Intermediate Piano Solos composed by Johann Sebastian Bach (1...
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Bach * Beginner to Intermediate Piano Solos composed by Johann Sebastian Bach (1685-1750). Arranged by Erika Feuchtner Macris. For piano. This edition: Paperback. Collection. Classical Composer Series. Classical. Beginner to Intermediate. Book. Text Language: English. 64 pages. Published by Santorella Publications
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1 to 2 weeks
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Bach: Chorale zum EG und GL
[Partition]
Carus Verlag
By Johann Sebastian Bach / Nikolaus Herman. Edited by Klaus Hofmann. This editio...
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By Johann Sebastian Bach / Nikolaus Herman. Edited by Klaus Hofmann. This edition: paperbound. Hymn Settings, Mass sections; Use during the church year: Advent, Special Days, End of the Church Year, Epiphany, Lent and Passiontide, Ascension, New Year, Holy Week, Easter and Eastertide, Pentecost, Trinity, Christmas; Choral Collections for Mixed Choi. Choral collection. 88 pages. Published by Carus Verlag
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2 to 3 weeks
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Die 11 Choralsatze der Johannespassion
Carus Verlag
SKU: CA.4010900 Composed by Johann Sebastian Bach. Edited by Gunter Graul...
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SKU: CA.4010900
Composed by Johann Sebastian Bach. Edited by Gunter Graulich. Arranged by Paul Horn. German title: Johannespassion (Choralsatze). Sacred vocal music, Hymn settings, Passions, Lent and Passiontide, Holy Week. Collection. 16 pages. Carus Verlag #CV 40.109/00. Published by Carus Verlag (CA.4010900).
ISBN 9790007062033.
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2 to 3 weeks
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Johann Sebastian Bach : Aria (de la suite No. 3)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Facile
Belwin
((de la suite No. 3)). By Johann Sebastian Bach (1685-1750). Arranged by Jack Bu...
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((de la suite No. 3)). By Johann Sebastian Bach (1685-1750). Arranged by Jack Bullock. Concert Band. Concert Band; Masterworks; Part(s); Score. Belwin Young Band. Form: Transcription. Baroque; Masterwork Arrangement. Grade 2.5. Published by Belwin Music
$62.00 - Voir plus => Acheter
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1 to 2 weeks
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Bach * Intermediate to Advanced Piano Solos
Piano seul
[Livre]
-
Intermédiaire/avancé
Santorella Publications
Composed by Johann Sebastian Bach (1685-1750). Arranged by Erika Feuchtner Macri...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by Erika Feuchtner Macris. For piano. This edition: Paperback. Collection. Classical Composer Series. Classical. Intermediate to Advanced. Book. Text Language: English. 64 pages. Published by Santorella Publications
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1 to 2 weeks
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Bach: Works for Keyboard and 4 Part Chorales (Version 2.0)
Piano seul
[CD Sheet Music]
Subito Music
By Johann Sebastian Bach. For Piano. (Piano Solo). CD Sheet Music (Version 2.0)....
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By Johann Sebastian Bach. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 1100 pages. Published by Subito Music.
(5)
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3 to 5 business days
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Bach -- The Well-Tempered Clavier, Volume 1
Piano seul
[Partition + CD]
-
Avancé
Alfred Publishing
By Johann Sebastian Bach (1685-1750). Edited by Willard A. Palmer. For Piano. Bo...
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By Johann Sebastian Bach (1685-1750). Edited by Willard A. Palmer. For Piano. Book; CD; Masterworks; Piano Collection. Alfred Masterwork CD Edition. Baroque; Masterwork. Advanced. Published by Alfred Music Publishing
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1 to 2 weeks
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Bach : Two-Part Inventions
Piano seul
[Conducteur d'étude / Miniature]
Wiener Urtext
(Edited from the Sources of Ulrich Leisinger, Fingering by Oswald Jonas). By Joh...
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(Edited from the Sources of Ulrich Leisinger, Fingering by Oswald Jonas). By Johann Sebastian Bach (1685-1750). For Piano. BWV 772-786
$15.95 - Voir plus => Acheter
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1 to 2 weeks
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J.S. Bach - Inventions
Basse electrique
[CD-ROM]
Ricordi
Transcriptions for 2 Four-String Electric Basses. By Johann Sebastian Bach. Mis...
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Transcriptions for 2 Four-String Electric Basses. By Johann Sebastian Bach. Misc. CD-ROM only. Size 9x12 inches. 36 pages. Published by Ricordi.
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24 hours - In Stock
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Introduction to Bach
Piano seul
-
Intermédiaire
Willis Music
Mid-Intermediate Level. By Johann Sebastian Bach. Arranged by John Thompson. Wil...
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Mid-Intermediate Level. By Johann Sebastian Bach. Arranged by John Thompson. Willis. Book only. Size 9x12 inches. 32 pages. Published by Willis Music.
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J.S. Bach: Six Cello Suites for Clarinet
Clarinette
Carl Fischer
(Transcribed and Edited by Larry Clark). Composed by Johann Sebastian Bach (...
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(Transcribed and Edited by Larry Clark). Composed by Johann Sebastian Bach (1685- 1750). Edited by Larry Clark. Score - performance. 48 pages. Published by Carl Fischer
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Bach -- The Well-Tempered Clavier, Volume 2
Piano seul
[Partition + CD]
-
Avancé
Alfred Publishing
By Johann Sebastian Bach (1685-1750). Edited by Judith Schneider, fingering by M...
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By Johann Sebastian Bach (1685-1750). Edited by Judith Schneider, fingering by Maria Sofianska. For Piano. Book; CD; Masterworks; Piano Collection. Alfred Masterwork CD Edition. Baroque; Masterwork. Advanced. Published by Alfred Music Publishing
$31.99 - Voir plus => Acheter
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J.S. Bach: Six Cello Suites for Trumpet
Trompette
Carl Fischer
(Transcribed and Edited by Larry Clark). Composed by Johann Sebastian Bach (...
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(Transcribed and Edited by Larry Clark). Composed by Johann Sebastian Bach (1685- 1750). Edited by Larry Clark. Score - performance. 48 pages. Published by Carl Fischer
$16.99 - Voir plus => Acheter
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1 to 2 weeks
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