Johannes Brahms: Three Intermezzi Op.117: Piano: Instrumental Album

Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Three Intermezzi op. 117 de Brahms Johannes. Cette partition qui est éditée par les éditions Wiener Urtext fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition

This volume contains three colourful and rich intermezzos by great German romantic Johannes Brahms. These Drei Intermezzo were composed in 1892 and display an extremely wide emotional range so that they are often deemed to be some of the finest character pieces written in the 19th century. This Associated Board of the Royal School of Music edition has been effectively edited and annotated by Howard Ferguson.

Twenty-three of the most popular classical Piano solos in the world. Includes works by Mozart, Chopin, Debussy, Tchaikovsky, Beethoven and many more. / Piano

Cet album contient neuf pièces de ABRSM de 2013 et 2014 syllabus Piano Grade 8. Caractéristiques principales: Trois pièces de chacune des listes A, B et C. Répertoire attrayant et varié. Edité avec soin et clairement présentées tout au long. Informations utiles sur les pièces et l'examen. Performances mettant en vedette CD par les plus grands pianistes professionnels. / Piano

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière