John McCabe: Sonata: Chamber Ensemble: Score

John McCabe's Sonata for Clarinet Cello and Piano. Score and parts. This work was commissioned by Brocklehurst-Whiston Amalgamated for the 1969 Macclesfield Festival.

First performance 12 October 2011 at St George's Hall Liverpool by David Pyatt (horn) and the Sacconi String Quartet as part of the Centenary Concert of the Rodewald Concert Series.Composer's NoteThroughout my musical life I have found the horn one of the most evocative and beautiful of all instruments and it is no surprise that I have written a number of works for it including a concerto a trio with violin and piano and a triptych of concert works for horn and piano. Writing a work for horn and string quartet has long been an ambition therefore fuelled not only by my love of the instrument but also by theastonishingly small repertoire of horn quintets.This work was commissioned to celebrate their centenary by the Rodewald Concert Society Liverpool who gave me an invaluable education in the masterpieces of the chamber music repertoire at their concerts which I attended regularly during my schooldays. The quintet is dedicated to Nancy and Douglas Brady two of my oldest and closest friends from Liverpool. It was written in 2010/11 and is continuous. There are however three main ?movements?: an opening quick one which is interrupted twice by brief slow interludes referring to the motto heard at the start a substantial slow movement which also contains two short scherzando sections (much as Brahms?s A major Violin Sonata has two quick trio sections in its slow movement) and a fast finale a descendant of the Beethoven one-in-a-bar scherzo.The scherzando interludes interwoven with the slow movement are frequently muted and have something of an other-worldly atmosphere perhaps Queen Mab came to deliver me of some dreams while I was writing it. At the end of the finale the furious activity gives way to an elegiac conclusion which I feel was greatly influenced by events in the world outside at the time of composition the music descending to a quiet sustained C on horn and cello. The work lasts just over 20 minutes and was first