Matériel : Partition
Voir toutes les partitions de John 5
SKU: HL.14032844
7.0x10.0x0.262 inches.
A complete musical setting of the Russian poetess Anna Akhmatova's Requiem using the original Russian text, to which some prayers from the Russian Orthodox funeral service have been added by the composer. Duration c. 50mins. Instrumentation:; SOLO SOPRANO; SOLO BASS; 3 HORNS IN F; 3 TRUMPETS IN C; 3 BASS TROMBONES; TIMPANI (2 SETS); PERCUSSION (5 PLAYERS); CELESTE; STRINGS.
SKU: HL.14042161
ISBN 9788759876244. International (more than one language).
John Frandsen: REQUIEMStrumenti2 fl. grande1 fl. picc.2 oboi1 c. ingl.2 cl. in Bb1 cl. basso in Bb2 fagotti1 contrafag.4 corni in F3 trombe3 tromboni1 tubaarpapercussione (4 musici)Tubular bells4 chinese temple bellsTamtamCrotalesTuned gongsMarimbaGran cassaGlockenspielSnare drumLarge church bell in AThunder plateCymbals - 2Suspended cymbal2 x 5 tom-toms (in left & right side of the stage)CelestaXylophoneTri ngletimpaniarchiorgano.
SKU: PE.EP72946
ISBN 9790577016481.
A Requiem for Mr William Lawes is a contemporary work for male voices and viol trio with texts by Thomas Fuller, Antony Wood, and John Jenkins. The music evokes and quotes passages and harmonies from Lawes' consort music; the unresolved dissonances, sometimes verging on atonality, the quirky off-kilter rhythmic structures, and the vocal quality of the lines. A Requiem for Mr William Lawes was first performed on September 7, 2016 by Gallicantus at The Trigonale Festival, Austria. This product is Printed on Demand and may take several weeks to fulfill.
SKU: XC.HRMG2351
UPC: 785147109655.
Requi em is a powerfully appealing, tender exploration of love and loss. Grounded in tradition while incorporating a present-day harmonic language, two Gregorian Chant motives are interwoven throughout the lush harmonies and soaring melodies. The level of difficulty is within the reach of many choirs and most orchestral players, making it an attractive choice for church or concert hall. A new translation of the traditional text makes it possible to perform the work entirely in English or entirely in Latin. Available accompaniments for piano, organ only, organ and winds, or chamber orchestra. Whether your choir sings a major work twice a year or is looking to try a multi-movement work for the first time, it is an excellent choice for the worship space or concert hall. The work has a flexible duration (28-40 min.) depending on the inclusions optional solo and a cappella movements. 40 min. – Complete – All movements - 34 min. – Without Solo Movements (5 And 9) - 33 min. – Without Unaccompanied Movements (2 and 7) - 28 min. – Without Unaccompanied or Solo Movements (1,3,4,6,9, 10 only) There are 3 accompaniment options: Piano/Organ only; Organ and Winds (5 players + org.); Chamber Orch. (13-20 players).
SKU: CF.CM9565
ISBN 9781491153611. UPC: 680160911110. 6.75 x 10.5 inches. Key: E minor. English. Text: E.E. Cummings. E. e. cummings. E.e. cummings.
Trotta's unique juxtaposition of texts from the past (Requiem?text in the?Liber Usualis) with the present (e.e. cummings poem?i carry your heart) results in a compelling, lush composition accessible to mixed choirs of all sizes. With optional oboe and solo or small group, i carry your heart?is appropriate for concert, festival, retirement or a special tribute. It is certain to be adored and appreciated by all. Highly recommend!.This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.This piece incorporates theA IntroitA from theA RequiemA in theA Liber UsualisA in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features theA RequiemA text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.This piece incorporates theA IntroitA from theA RequiemA in theA Liber UsualisA in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features theA RequiemA text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance. This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department. Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.This piece incorporates the Introit from the Requiem in the Liber Usualis in the men's voices using the text by E. E. Cummings. The women's voices have original music that soars gracefully about the plainsong. The middle section features the Requiem text, set simply in a homophonic style. The final section blends the two styles into a prayer of thanks and remembrance.This beloved E.E. Cummings text was commissioned in honor and loving memory of Dr. Ferris Ohl (1914-2017) in thanks for over four decades of service to the Heidelberg University Music department.Director of Choral Activities Dr. Greg Ramsdell sought to pay tribute to the rich legacy of Dr. Ohl by having a setting of the text that broadened the scope of the message i carry your heart to include those who have come before us and who live on in our song. INSERT GRAPHIC HERE - I e mailed you on 5-14.
SKU: GH.GE-11183
ISBN 9790070111836. Text: Bengt Pohjanen / from the Ordinary Mass.
For soprano, bass, mixed chorus and orchestra. Lyrics from the death mass and by Bengt Pohjanen in English translation by John Hearne.Fredrik Sixten: When my dear friend Patrik Runeke became seriously ill and died - only 37 years old - feelings and thoughts concering life and death overwhelmed me. It was natural for me to turn to Bengt Pohjanen, with whom I had collaborated earlier, to ask him to formulate: * words of anger and of gratitude * words of guilt and of forgiveness * words of consolation, of love and hope.These words of Bengt's, in combination with the classical texts from the Latin Requiem Mass, form a kind of testament to mankind's yearning for unity and perfection. In the final movement, In Paradisum, this yearning is borne forth to the God whom Bengt describes as being: Wisdom deep and loving. Stronger than death. Order a free promotion CD below.
SKU: HL.48024806
ISBN 9781784543792. UPC: 888680978648. 8.25x11.75 inches.
Scored for baritone solo, small 'narrator' chorus, large chorus and orchestra, MacMillan's first Passion setting was composed in 2007. Lasting 87 minutes the work is divided into two parts, with 10 movements overall. As Paul Spicer has commented, “The originality of the St John Passion lies in MacMillan's ability to mix old with new, rather in the manner of Bach in his day. There are passages of sumptuous polyphony and there is a fresh look at the text where passages of Latin are interspersed with the Gospel story in English. In movement seven ('Jesus and his Mother'), MacMillan introduces not only part of the Stabat Mater but also his own words ('Lully, lulla, my dear darling'). The final movement, which is purely orchestral, is a kind of via doloroso march with a Scots lament over quite brass chords. The string writing here, with its elegiac cello lines, is deeply reminiscent of the early 20th-century English school. This should be the War Requiem of the 21st century.&rdquo.
SKU: HL.14016649
8.0x12.0x0.093 inches.
Work for SATB Chorus, Two Flutes, Trumpet, Organ and Strings.
SKU: XC.HRMG2351A
UPC: 785147110859.
Score for Chamber Orch and Organ and Winds version - Organ + Winds (5 players + Org.): Flute, Oboe, Fr. Horn, 2 - Bb Tpts., and Org. (opt. Timp/Perc) – Organ plays a separate part and replaces the string and harp parts in the score - Chamber Orchestra (13-20 players): Flute, Oboe, French Horn, 2 - Bb Trumpets, Timpani, Percussion (Glock, Sus. Cym., Crash Cym.), Harp and Strings (3.3.3.2.1).
SKU: XC.HRMG2351E
UPC: 785147110958.
The organ only score has its own part (differing from the vocal score and organ part in the chamber version). This edition includes a score with the organ and vocal parts as well as score with the organ only to facilitate ease in rehearsal and performance.
SKU: XC.HRMG2351B
Parts for Chamber Orch. and Organ and Winds version - Organ + Winds (5 players + Org.): Flute, Oboe, Fr. Horn, 2 - Bb Tpts., and Org. (opt. Timp/Perc) – Organ plays a separate part and replaces the string and harp parts in the score - Chamber Orchestra (13-20 players): Flute, Oboe, French Horn, 2 - Bb Trumpets, Timpani, Percussion (Glock, Sus. Cym., Crash Cym.), Harp and Strings (3.3.3.2.1).
