SKU: AP.39631
UPC: 038081449432. English.
The term jubilee is used to describe a time of rejoicing and also the celebration of a 50th anniversary. This exciting new composition by John O'Reilly sets a joyous tone as he celebrates the 50th anniversary of his wedding, college graduation, and first publication. (4:20).
SKU: AP.39631S
UPC: 038081449449. English.
SKU: HL.4003192
UPC: 884088656898. 9.0x12.0x0.114 inches.
Based on the shaped note melody Saints Bound For Heaven, Jubilee by James Curnow captures a feeling of joyful celebration through a series of unique and skillfully adapted variations. The opening strains are actually fragments of the first variation and occur before the main tune is introduced by low brass and woodwinds. The second variation features a euphonium solo and builds to a glorious climax with the full ensemble. The final variation is joyful and filled with energy, using flourishes in the woodwinds and fanfares in the brass for a grand conclusion to this marvelous work. (Grade 3.5) Dur: 5:30.
SKU: BT.DHP-1094848-130
9x12 inches.
An Emerald Jubilee celebrates a 40th anniversary. Jan de Haan composed this colourfully orchestrated concert march to celebrate Will van der Beek’s 40th anniversary as conductor of the Deutsche Musikverein Haaren. As publisher of van der Beek’s transcriptions of classical works Jan de Haan can look back on many years of successful collaboration with the knowledge that there will be many more to come. Unusually cast in a minor key, the main theme provides an interesting contrast to the more melodic major key of the second movement. The relatively slow theme gives this march a dignified stately and subdued quality.Een veertigjarig jubileum? Dat is een smaragden jubileum! En zo ontstond de titel voor Emerald Jubilee, refererend aan het veertigjarige jubileum van Wil van der Beek als dirigent bij de Duitse muziekvereniging Haaren. Jande Haan componeerde deze kleurrijke mars. Als voormalig uitgever van de klassieke transcripties van Wil van der Beek kan Jan de Haan terugblikken op vele jaren van succesvolle samenwerking met deze componist. De ongewone toonsoortvan het hoofdthema in mineur en het melodische middendeel in majeur zorgen voor een fraai contrast, het relatief langzame thema verschaft de mars zijn grootse maar tevens behouden karakter.Ein Emerald Jubilee“ - ein smaragdenes Jubiläum - wird zum Vierzigjährigen gefeiert. So komponierte Jan de Haan diesen klangfarbenreich orchestrierten Marsch zu Wil van der Beeks 40. Dirigenten-Jubiläum beim deutschen Musikverein Haaren. Als Herausgeber von Wil van der Beeks Transkriptionen klassischer Werke kann Jan de Haan auf eine lange erfolgreiche Zusammenarbeit mit ihm zurückblicken. Aus der Moll- Tonart in f-Moll des Hauptthemas und dem melodischen mittleren Satz in Dur ergibt sich ein schöner Kontrast; das relativ langsame Thema verleiht dem Marsch seinen erhabenen und gedämpften Charakter.Pour célébrer les quarante ans de carrière (jubilé d’émeraude) de son confrère, Wil van der Beek, Jan de Haan a composé cette marche de concert l’orchestration colorée. Si, traditionnellement, les marches festives sont écrites dans une tonalité majeure, Jan de Haan s’est affranchi de cette logique pour installer son thème principal dans la tonalité de Fa mineur. Ce faisant, il obtient un charmant contraste avec le passage central mélodique, écrit dans une tonalité majeure. En choisissant un tempo relativement lent, l’œuvre prend une tournure majestueuse, parfois retenue.
SKU: BT.DHP-1094848-030
SKU: ST.W209
ISBN 9790220220562.
For the celebrations of HM the Queen's Golden Jubilee in 2002, Peter Cutts, composer of 'Bridegroom', has written an anthem version of Fred Pratt Green's much loved Hymn for the Nation, set to 'Vision' by Walford Davies. Widely heard in 1977 as part of the Silver Jubilee celebrations, 'It is God who holds the nations in the hollow of his hand' is now available in this new arrangement which has been specially written with the varying performance needs of modern church choirs in mind.
SKU: BT.MUSAM1005543
ISBN 9781780387338.
F rom John Dowland's Galliard dedicated to the Virgin Queen through Handel’s Water Music for George I to Elgar's Imperial March marking Queen Victoria's Diamond Jubilee, classical musichasbestowed upon Britain an unmatched musical legacy celebrating both king and country.As well as the triumphal music for state occasions this collection also features some of the quintessential music fromBritain’slong history, from the Elizabethan folk tune Greensleeves to Holst’s 1920s setting of Spring-Rice’s patriotic poem I Vow To Thee My Country.Fo r every age new music iscomposed to match theoccasion, each adding to Britain’s uniquely impressive musical heritage. This is a collection of the very best.
SKU: HP.2934
UPC: 763628129347.
Origi nal composition This exciting original composition is an ideal worship, concert or festival opener. Filled with techniques and unique harmonies, the notes burst off the page!.
SKU: HL.1754607
UPC: 196288297925.
Your Servant, Elizabeth for choir and orchestra was commissioned for the 2022 Platinum Jubilee celebration at the Proms by BBC Radio 3. The 5 minute work also pays homage to William Byrd's O Lord, make thy servant Elizabeth, a prayer for Queen Elizabeth I written over 400 years ago.
SKU: FJ.ST6393S
English.
Experie nce the sounds and celebrations of an ancient festival in this fantastic concert opener. Inspired by Celtic dances and the drones of an ancient stringed instrument called the hurdy-gurdy, this energetic work will be a huge hit with your students and audience.
SKU: PR.140401340
ISBN 9781491134450. UPC: 680160684953.
Best known for his settings of spirituals and influence on Dvorák, Henry T. Burleigh was a celebrated baritone, and a prolific composer of original works. FROM THE SOUTHLAND is a suite of six atmospheric scenes of the American south, inspired by Black musical and cultural traditions. FROM THE SOUTHLAND is within reach of intermediate pianists and artistically suited for professional recitals.In 1835, Henry T. Burleigh’s maternal grandfather purchased his own release from slavery for the sum of $50, and traveled north out of Maryland to begin a new life as a free man. He established his family in Ithaca, NY, and then moved to the bustling lakefront city of Erie, PA, where three decades later his grandson Henry would be born and raised.For Burleigh, the “Southland†that inspired this collection of piano sketches was a distant place that could not have been more different from the physical world he knew, up there in the northern snowbelt. And yet these southern landscapes and vignettes must have been intensely present in his consciousness, absorbed through the stories and songs he first learned at his grandfather’s knee.The music of the South – the spirituals and work songs he heard as a child –would travel with Burleigh throughout his long and illustrious musical life. Even as he progressed through his early classical training, his career as a baritone soloist in Erie’s churches and synagogue, his move to New York to study at the National Conservatory of Music, and his rise to national prominence as a concert soloist, these ancestral melodies stayed firmly centered in his musical identity.When he wrote From the Southland, his only composition for solo piano, Burleigh was just beginning his career as a composer. The art songs that would establish him as one of America’s best known composers in the genre were still to come. And so were his iconic arrangements of spirituals that would bring the songs of slavery onto concert stages around the world, transformed into timeless and uniquely American music.These little piano sketches bring together all the things that made Burleigh the musician he was – the lush, late-romantic style of his time; a broad vision for American music; and a profound respect for his heritage, a memory of the world his grandfather left behind, and a love of the music he brought with him.
SKU: HL.44013037
In 2014, Philharmonic Winds OSAKAN (Japan) celebrated its fifteenth anniversary for which this work was composed. From the very beginning, Yoshihoro Kimura has been the artistic leader of the ensemble. Jan Van der Roost became the band's first guest conductor in 2013. In this spectacular work the composer looks back at one of his most famous earlier works 'Apollo', and to Adolphe Sax, the Belgian inventor of the saxophone.
SKU: BT.DHP-1155610-010
English-German-French- Dutch.
In 2014, Philharmonic Winds OSAKAN (Japan) celebrated its fifteenth anniversary for which this work was composed. From the very beginning, Yoshihoro Kimura has been the artistic leader of the ensemble. Jan Van der Roost became the band’s first guest conductor in 2013. In this spectacular work the composer looks back at one of his most famous earlier works ‘Apollo', and to Adolphe Sax, the Belgian inventor of the saxophone. In 2014 vierde het Philharmonic Winds Osakan, een orkest uit Japan, haar vijftiende verjaardag. Speciaal hiervoor componeerde Jan Van der Roost dit werk. Al vanaf dag één van het bestaan van het orkest is Yoshihoro Kimura de artistiek leider van het orkest. Jan Van der Roost was in 2013 de eerste gastdirigent. In dit spectaculaire werk blikt de componist terug op één van zijn beroemdste vroegere werken, Apollo, maar ook op Adolphe Sax, de Belgische uitvinder van de saxofoon.Dieses Werk wurde 2014 anlässlich des 15-jährigen Jubiläums der Philharmonic Winds OSAKAN (Japan) komponiert. Yoshihiro Kimura war von Beginn an künstlerischer Leiter des Ensembles, Jan Van der Roost 2013 der erste Gastdirigent. In diesem eindrucksvollen Werk blickt der Komponist auf Apollo, eines seiner berühmtesten früheren Werke, zurück, und erinnert an Adolphe Sax, den belgischen Erfinder des Saxophons. Cette œuvre fut composée en 2014 pour le quinzième anniversaire de l’ensemble Philharmonic Winds OSAKAN (Japon). Yoshihoro Kimura est leur directeur artistique depuis la création et Jan Van der Roost est devenu leur premier chef d’orchestre invité en 2013. Dans ce morceau spectaculaire le compositeur fait allusion l’une de ses premières œuvres les plus connues, Apollo, et Adolphe Sax, l’inventeur belge du saxophone. Nel 2014 la Filarmonica di fiati OSAKAN (Giappone) ha festeggiato i quindici anni di vita per i quali è stato composto questo brano. Sin dall’inizio, Yoshihoro Kimura è stato la guida artistica dell’ensemble. Jan Van der Roost è diventato il primo direttore ospite della banda nel 2013. In questo brano spettacolare il compositore guarda indietro ad uno dei suoi più famosi primi lavori ‘Apollo’, e a Adolphe Sax, l’inventore belga del sassofono.
SKU: HL.44013036
In 2014, Philharmonic Winds OSAKAN (Japan) celebrated its fifteenth anniversary for which this work was composed. From the very beginning, Yoshihoro Kimura has been the artistic leader of the ensemble. Jan Van der Roost became the band's first guest conductor in 2013. In this spectacular work the composer looks back at one of his most famous earlier works Apollo, and to Adolphe Sax, the Belgian inventor of the saxophone.
SKU: BT.DHP-1155610-140
SKU: BT.DHP-0930469-010
This “Grand Overture†was commissioned by the “Nagano Community Band†- Japan- on occasion of its jubilee in 1992 and is dedicated to the band’s conductor, Ikuo Inagaki.The work is based upon three main themes, each symbolising a certain theme. The first part is characterized by its bright themes played mainly by the brass, accompanied by the woodwinds and festive percussion. This part symbolizes the jubilee which is the origin of the composition. This is followed by a bouncing allegro, in which each register of the band displays brilliant techniques. Especially the woodwinds come to the fore! This movement depicts the industriousness and enthousiasm shown by the members of the“Nagano Community Band†in the carrying out of their hobby. A third, main theme, is choral-like in character and is displayed both in the (soft) brass as well as in the warm medium register of the reeds. Here, nature’s beaty in and around the city of Nagano is musically celebrated. Following a “chamber-music episode†(featuring the flute, oboe, clarinet, alto-saxophone and horn) the initial allegro re-occurs, weaving its way towards a grandiose finale, in which the two previous themes are once again apparent. Due to its very colourful scoring and the enormous diversity of musical thoughts and ideas, this composition is a fascinating and memorable piece, worthy a jubilee overture! Olympica is gebaseerd op drie hoofdthema’s. Het eerste thema wordt gekenmerkt door een stralende thematiek in het koper, omspeeld door het hout en feestelijk slagwerk. Dan volgt een pittig en virtuoos allegro, waarin met namede houtblazers uitgebreid aan bod komen. Het derde thema is koraalmatig van karakter. Na een kamermuziekpassage komt het allegro terug, dat uitmondt in een grootse finale. De kleurrijke instrumentatie en veelzijdigheid van dezecompositie maken een sprankelend optreden mogelijk.Die olympischen Winterspiele 1998, die nach 26 Jahren wieder einmal in Japan stattfanden, sind unvergessen: Mit 2302 Teilnehmer war eine Rekordteilnehmerzahl erreicht und die deutschen Sportler kehrten mit einer Rekordanzahl von 29 Medaillen nach Hause. Das Blasorchester der Austragungsstadt Nagano gab im Hinblick auf dieses große Ereignis Olympica in Auftrag - ein farbig instrumentiertes Werk mit abwechslungsreichen musikalischen Ideen, das fasziniert!En 1998, vingt-six ans après Sapporo, les Jeux Olympiques d'hiver firent leur retour au Japon. Nagano vivait et vibrait au rythme des exploits sportifs. Avec un chiffre record de 2304 athlètes venant de 72 nations, le dernier rendez-vous planétaire olympique du XXe siècle fut un succès. Pour célébrer cet événement l’Orchestre d’Harmonie de la ville de Nagano passe commande Jan Van der Roost. Le résultat est prestigieux. Ce sera Olympica : une œuvre fascinante aux multiples couleurs.
SKU: HL.35031961
ISBN 9781540014887. UPC: 888680722661. 5.0x5.0x0.836 inches.
Set hearts soaring with this joyful Christmas cantata based on American folk songs, spirituals, bluegrass-styled carols and original gospel songs. Traditional choral elements dance easily with the rustic qualities of the mountain music and the results are pure joy. Designed to be performed either with piano alone or with the unique bluegrass consort, this work is a celebration of light. Even the narration has a gentle folk quality, adding to the dramatic potential of your presentation. Experience the work that, after its Carnegie Hall debut, left New York critics ebullient with praise! Songs include: Hear the Wondrous Story; The King Shall Come; Star of Promise, Light of Glory; A Morning Star Will Rise; Mary Went a-Riding; O Little Town; Here Comes the Light; A Christmas Answer; A Little Light Was Born. Score and Parts (fiddle, banjo, mandolin, acoustic guitar, upright bass, drums) available as a Printed Edition and as a digital download.
SKU: HL.35031956
ISBN 9781540014832. UPC: 888680722616. 8.5x11.0x0.854 inches.
