SKU: HL.48015098
UPC: 073999936759. 9.0x12.0x0.181 inches.
Contents: I. Krakowiak * II. Mazurek * III. Mazurek * IV. Mazurek * V. Krakowiak * VI. Polonaise.
SKU: HL.48014133
UPC: 073999897449. 9.0x12.0x0.062 inches.
Voice and Guitar Contents: Krakowiak * Jasienko * Hoj dana * W polu lipenka * Lupu cupu * Lettisches Volkslied.
SKU: BT.PWM51600027
To najdoskonalsze w ród chopinowskich rond przynosi prób my lenia nie samym tylko brzmieniem fortepianu. Orkiestra sta a si tu dla solisty partnerem wyrazistym i istotnym, którego pomini cie nie by oby moliwe bez utraty pi knej i oryginalnej faktury d wi kowej utworu.
Wydanie ród owo-krytyczne zredagowane przez Jana Ekiera i Paw a Kami skiego na podstawie r kopisów, kopii zatwierdzonych przez samego Chopina ipierwszych wyda . Jego celem jest przedstawienie twórczo ci Chopina w autentycznym kszta cie.
Krakowiak w uk adzie na jeden fortepian znajduje si w tomie 15 A XIVa, a wersja z wyci giem fortepianowym wtomie ''Utworykoncertowe'' 32 B VII G osy orkiestrowe s dost pne do wypo yczenia w Bibliotece Materia ów Orkiestrowych PWM w Warszawie.
SKU: BT.DHP-1145330-401
ISBN 9789043135559. 9x12 inches. English-German-French-Dut ch.
KUROSHIO´S MESSENGER was written for Yukihiro Ikeda, the tuba player with the NHK symphony orchestra of Tokyo, Japan. The première was given on 21 March 2010 at the Yamaha Hall in Tokyo. Kuroshio is the Japanese name for a warm current in thePacific Ocean. In this free-form composition, various sea creatures such as whales and tuna are depicted. This demanding solo piece is characterised by frequent changes in tempo and mood.Kuroshioà ¢â‚¬â„¢s Messenger is geschreven voor Yukihiro Ikeda, de tubaspeler van het NHK Symphony Orchestra uit Tokio (Japan). De première vond op 21 maart 2010 plaats in de YAMAHA Hall in Tokio. Kuroshio is de Japanse naam vaneen warme golfstroom in de Grote Oceaan. In een vrije muzikale vorm worden in dit werk verschillende zeewezens beschreven - zoals de walvis en tonijn. Het lastige sologedeelte wordt gekenmerkt door frequente tempo- en sfeerwisselngen.K UROSHIO´S MESSENGER wurde für Yukihiro Ikeda, den Tubisten des NHK Symphony Orchestra, Tokio (Japan), geschrieben. Die Uraufführung fand am 21. März 2010 in der YAMAHA Hall in Tokio statt. Kuroshio ist der japanische Name einer warmen pazifischenMeeresström ung. In freier musikalischer Form werden in diesem Werk einige Meereskreaturen wie Wale und Thunfische vorgestellt. Das anspruchsvolle Solostück ist geprägt von häufigen Tempo- und Charakterwechseln.Kuroshio’s Messenger est une pièce écrite pour Yukihiro Ikeda, tubiste de l’orchestre symphonique NHK de Tokyo, au Japon. Cette Å“uvre a été créée le 21 mars 2010 au Yamaha Hall de Tokyo. Kuroshio est le nom d’un courant chaud de l’océan Pacifique. Cette composition de forme libre dépeint diverses créatures marines telles que les baleines et les thons. Cette pièce solo très exigeante se caractérise par des changements fréquents de tempo et de climat.Kuroshi o’s Messenger was written for Yukihiro Ikeda, the tuba player with the NHK symphony orchestra of Tokyo, Japan. The première was given on 21 March 2010 at the Yamaha Hall in Tokyo. Kuroshio is the Japanese name for a warm current in the Pacific Ocean. In this free-form composition, various sea creatures such as whales and tuna are depicted. This demanding solo piece is characterised by frequent changes in tempo and mood.
SKU: YM.GTP01100466
ISBN 9784636103175. 8.5 x 12 inches.
Yoshiko Kurokawa's new proposal of piano technique. The author, Yoshiko Kurokawa, explains that you can easily and effectively learn the basic techniques that are important for piano performance, as described in Chopin's Draft of Technique, Brahms' Practice Book, and Hummel's Theory of Piano Technique. In addition to warm-up and exercise pieces by the auther Kurokawa herself, the book includes works by composers such as Hummel, Clementi, and Mozart, as well as exercise-specific exercises by Japanese composer Yasuhisa Tohma. The book is full of essential elements for piano playing and techniques, such as control of tone and volume balance in accompaniment form, awareness of palm strength essential for playing heavy notes, various ways of playing ornamented notes, tone and joint training depending on how the arms are placed when crossing, and important future techniques using the wrists and arms.
SKU: YM.GTP01101015
ISBN 9784336107173.
The Yoshiko Kurokawa's Piano Supplement Exercise Book series is the most comprehensive and powerful technique books for improving piano technique. With these books, the basic techniques essential to piano playing, as described in Chopin's manuscript of technique, Brahms' exercises, and Hummel's theory of piano technique, can be learned easily and effectively. In addition to warm-up and exercise pieces by Yoshiko Kurokawa, they include works by composers such as Hummel, Clementi, and Mozart, plus exercise-specific exercises by composer Yasuhisa Touma. They can be used even for those who are just beginning to learn the piano. It is full of warm-ups that will improve the hand form, and learners will be able to play smoothly, with a focus on finger movements.
SKU: YM.GTP01100602
ISBN 9784636104172.
The etude collection book for levels from mid to late Bayer, up to Czerny No. 30, selected from Italian, French, German, Austrian, Hungarian and English composer's methods. Supervised by Yoshiko Kurokawa. Although Czerny is well established in Japan as etudes for children, there are still many wonderful etudes that are not well known and are often used in Europe. In this series, etudes from 15 popular composers from Italy, France,Germany, Austria, England, and Hungary are carefully selected and included in one volume for effective practice. The levels range from Czerny 100 to 30 and Cramer-Bülow, which are the most important phase of piano practice. Unlike songs, etudes have the purpose of improving technique. The pieces have been carefully selected so that the students will be able to acquire this objective. In addition, the emphasis is placed on finger independence, finger movement, and wrist flexibility. Volume 1 starts with etudes that are easy and short enough to beginpracticing with Bayer. The book is structured in such a way that students will gradually move up the levels from volume 1 to volume 2 and volume 3, so that they will be able to learn techniques equivalent to Czerny No. 30 without falling behind, just like climbing up a ladder.
SKU: YM.GTP01100873
ISBN 9784636106282.
The scale training exercise complete book, supervised by Yoshiko Kurokawa. This is a revolutionary collection of all-key scale exercises designed to help both aspiring and practicing pianists practice essential scales efficiently. The major and minor (harmonic and melodic minor) scales in the 12 keys are an important part of the practice for learning tonality and training the muscles and joints of the hand. The human hand is flexible, and the thumb and other fingers bend in different directions, making it easy to turn and play a wide range of notes. However, it is important to learn scales from an early age because the correct playing style is required, such as knowing how to turn the fingers when playing speed is faster, the position of the black keys and white keys, and how to use the wrist. To play scales smoothly with all five fingers (one hand), the turn of the first finger is significant. It is advisable to practice scales from an early age to improve the turns. The fingering of the scale changes depending on the key. It takes a lot of time to learn them because fingering is different for the right hand and the left hand as well. Also, although the scale is written in two-fourths time, if you are not used to it, you may end up playing one octave at a time. Various exercises are described in this book to help you solve these problems. It takes a lot of time to play scales well by nature, but that is why it is important to practice efficiently.
SKU: HH.HH094-FSC
ISBN 9790708041252.
Tcha l Kouyrouk, the trusty steed of Toshtuk, Giant of the Steppes, is going to recover his master’s soul, which has been stolen, then bring Toshtuk back to his wife Kenjeke, who is pregnant with his child. In those far off days when Toshtuk, Kenjeke and Tchal Kouyrouk were living, the twelve tone row was evidently already a historical necessity. The rules surrounding its worship were to be respected: never interrupt the twelve tone row, never make irreverent remarks about it, never look at another system of pitch organization, apply the model of the twelve tone row to everything in the world to which it might be applicable.
SKU: YM.GTP01100467
ISBN 9784636103182.
SKU: HL.49006631
ISBN 9783795721688. German.
Musikwissen schaft und Neue Musik - Neue Musik als historische Kategorie - Fortschritt und Avantgarde - Avantgarde und Popularitat - Musikalischer Funktionalismus - Die Neue Musik und das Problem der musikalischen Gattungen - Moderne Orgelmusik und das 19. Jahrhundert - Probleme des Rhythmus in der Neuen Musik - Der Tonalitatsbegriff in der Neuen Musik - Schonbergs musikalische Poetik - Schonberg und die Programmmusik - Musikalische Prosa - Emanzipation der Dissonanz - Schonberg und Schenker - Uber das Analysieren Neuer Musik. Zu Schonbergs Klavierstucken op. 11/1 und 33a - Schonbergs Lied Streng ist uns das Gluck und sprode - Schonbergs Orchesterstuck op. 16/3 und der Begriff der Klangfarbenmelodie - Das obligate Rezitativ - Ausdrucksprinzip und Orchesterpolyphonie in Schonbergs Erwartung - Was ist eine Zwolftonreihe? - Schonberg und Bach - Rhythmische Strukturen in Weberns Orchesterstucken op. 6 - Analytische Instrumentation. Bachs sechsstimmiges Ricercar in der Orchestrierung Anton Weberns - Schreker und die Moderne. Zur Dramaturgie des Fernen Klang - Struktur und Expression bei Alexander Skrjabin - Asthetische Probleme der elektronischen Musik - Notenschrift heute - Pladoyer fur eine romantische Kategorie. Der Begriff des Kunstwerks in der neuesten Musik - Uber den Zerfall des musikalischen Werkbegriffs - Das musikalische Kunstwerk als Gegenstand der Soziologie - Thesen uber engagierte Musik - Politische und asthetische Kriterien der Kompositionskritik - Probleme der Kompositionskritik - Adornos Begriff des musikalischen Materials - Form - Erhard Karkoschka und die Dialektik der musikalischen Form - Uber Sinn und Sinnlosigkeit in der Musik - Komposition und Improvisation - Neue Formen der Vermittlung von Musik - Vom Missbrauch der Wissenschaft - Bibliographie samtlicher Schriften von Carl Dahlhaus.
SKU: YM.GTP01087975
ISBN 9784636879759.
Yosh iko Kurokawa's new proposal to children for getting piano technique. Hei He Hao Zi Guan Yu Shao Nian Er Tong Gai Ru He Xue Xi Gang Qin Dan Zou Ji Qiao De Xin Jian Yi .
SKU: YM.GTP01089239
ISBN 9784636892390.
Yosh iko Kurokawa's new proposal for getting piano technique. Hei He Hao Zi Guan Yu Xue Xi Gang Qin Dan Zou Ji Qiao De Xin Jian Yi .
SKU: CA.1905400
ISBN 9790007140120. Language: German.
The Stations of the Cross are a centuries-old element in worship services which are firmly anchored in the visual arts. There is hardly a Catholic church which does not include a representation of the via dolorosa in its interior design. Thus it is all the more astonishing that this subject is not nearly so widely portrayed in music. Franz Liszt (Via crucis) and Marcel Dupre, with his ingenious improvisation which later became a composition, are practically the only representatives of this genre of composition in music history. The present work for a cappella choir, three dancers, timpani, baritone and soprano soloists, oboe and organ offers a new approach to the literary model of the Stations of the Cross. The emphasis rests with the choir, which is responsible for six Stations of the Cross. Here, in part, the stations are assigned associative text from poetry (e.g., Christian Morgenstern and Michelangelo). Three dancers dance the three Stations of falling in a setting filled with black light, accompanied by a speech motet provided on CD. The organ appears in a solo capacity and as an accompaniment to the solo singers. The timpani announce the horror of death by crucifixion. Together this collage-like work forms a magnificent whole. The duration is 60 minutes.
SKU: CA.1905404
ISBN 9790007192624. Language: German.
The Stations of the Cross are a centuries-old element in worship services which are firmly anchored in the visual arts. There is hardly a Catholic church which does not include a representation of the via dolorosa in its interior design. Thus it is all the more astonishing that this subject is not nearly so widely portrayed in music. Franz Liszt (Via crucis) and Marcel Dupre, with his ingenious improvisation which later became a composition, are practically the only representatives of this genre of composition in music history. The present work for a cappella choir, three dancers, timpani, baritone and soprano soloists, oboe and organ offers a new approach to the literary model of the Stations of the Cross. The emphasis rests with the choir, which is responsible for six Stations of the Cross. Here, in part, the stations are assigned associative text from poetry (e.g., Christian Morgenstern and Michelangelo). Three dancers dance the three Stations of falling in a setting filled with black light, accompanied by a speech motet provided on CD. The organ appears in a solo capacity and as an accompaniment to the solo singers. The timpani announce the horror of death by crucifixion. Together this collage-like work forms a magnificent whole. The duration is 60 minutes. Score and part available separately - see item CA.1905400.
SKU: YM.GTP01089240
ISBN 9784636892406.
SKU: CA.1905405
ISBN 9790007161293. Language: German.
The Stations of the Cross are a centuries-old element in worship services which are firmly anchored in the visual arts. There is hardly a Catholic church which does not include a representation of the via dolorosa in its interior design. Thus it is all the more astonishing that this subject is not nearly so widely portrayed in music. Franz Liszt (Via crucis) and Marcel Dupre, with his ingenious improvisation which later became a composition, are practically the only representatives of this genre of composition in music history. The present work for a cappella choir, three dancers, timpani, baritone and soprano soloists, oboe and organ offers a new approach to the literary model of the Stations of the Cross. The emphasis rests with the choir, which is responsible for six Stations of the Cross. Here, in part, the stations are assigned associative text from poetry (e.g., Christian Morgenstern and Michelangelo). Three dancers dance the three Stations of falling in a setting filled with black light, accompanied by a speech motet provided on CD. The organ appears in a solo capacity and as an accompaniment to the solo singers. The timpani announce the horror of death by crucifixion. Together this collage-like work forms a magnificent whole. The duration is 60 minutes. Score available separately - see item CA.1905400.
SKU: CA.731000
ISBN 9790007229085.
SKU: CA.1905419
ISBN 9790007141110. Language: German.
The Stations of the Cross are a centuries-old element in worship services which are firmly anchored in the visual arts. There is hardly a Catholic church which does not include a representation of the via dolorosa in its interior design. Thus it is all the more astonishing that this subject is not nearly so widely portrayed in music. Franz Liszt (Via crucis) and Marcel Dupre, with his ingenious improvisation which later became a composition, are practically the only representatives of this genre of composition in music history. The present work for a cappella choir, three dancers, timpani, baritone and soprano soloists, oboe and organ offers a new approach to the literary model of the Stations of the Cross. The emphasis rests with the choir, which is responsible for six Stations of the Cross. Here, in part, the stations are assigned associative text from poetry (e.g., Christian Morgenstern and Michelangelo). Three dancers dance the three Stations of falling in a setting filled with black light, accompanied by a speech motet provided on CD. The organ appears in a solo capacity and as an accompaniment to the solo singers. The timpani announce the horror of death by crucifixion. Together this collage-like work forms a magnificent whole. The duration is 60 minutes. Score and parts available separately - see item CA.1905400.
SKU: CA.1604000
ISBN 9790007099619.
SKU: YM.GTP01087977
ISBN 9784636879773.