SKU: HL.502725
UPC: 196288073208. 6.75x10.5x0.031 inches.
10th Anniversary Edition. “Kusimama†is written in the world music style that is accessible for all choirs. The text which is in both Swahili and English, is about standing tall on the earth, not with anger or aggression, but with hope, strength, acceptance, and a positive spirit. The voices along with hand claps, stomps, Djembe, shaker and piano all combine for an exciting world music presentation.
SKU: HL.502724
UPC: 196288073192. 6.75x10.5x0.036 inches.
Celbrating the joy, light, and strength that children bring to the world, here is the 10th year anniversay edition of this iconic song by Jim Papoulis. Jim has commited more money than ever to his foundation for young voices to lift up school music programs that need additional financial support. Be sure to visit the Hal Leonard website to view a special video from Jim.
SKU: HL.48010677
UPC: 073999636529. 9.0x12.0x0.088 inches.
Contents: Od Zwolenia (From Zwolen) * Od Przysuchy (From Przysucha) * Od Olkusza (From Olkusz) * Od Kazanowa (From Kazanow) * Od Janowca (From Janowiec).
SKU: DB.75-00015
ISBN 9790012191353.
Lebe ndiges neues Spielmaterial, das den Spass am Zusammenspiel fordern soll. Da die Stucke von den SchulerInnen in ihrem jeweiligen Instrumentalfach solo eingeubt werden konnen, ist jederzeit eine kurzfristige Ensemble-Bildung mit SchulerInnen aus anderen Instrumental-Klassen moglich. Im Duo oder mit zwei, drei oder gar vier zusatzlichen Instrumenten klingt ein und dasselbe Stuck jeweils ganz neu!Karawane / Train to California/ Barenfamilie / Winterabend / Sommerabend mit Gelsen / Kaugummi-Blues / Roboter / Kaktus / Der chinesische Drache / Dschungelmusik / Kapt'n Klunkerbux / Rondo / Festmarsch.
SKU: FG.55011-617-7
ISBN 9790550116177.
The corrected and updated edition of the piano reduction of the opera The Last Temptations (Viimeiset kiusaukset, 1973-75) is made by Pekka Asikainen, who has worked with it as a repetiteur for decades, and the conductor Ulf Soderblom. The publication marks 100th anniversary of Joonas Kokkonen (1921-1996), celebrated in 2021. The Last Temptations (Viimeiset kiusaukset), an opera in two acts by Joonas Kokkonen to a libretto by Lauri Kokkonen, is considered one of the most important Finnish operas. The opera deals with the life of the late eighteenth- and early nineteenth-century folk preacher Paavo Ruotsalainen. Kokkonen worked on the opera for 16 years before finishing the work. It was premiered in Helsinki by the Finnish National Opera in 1975. The opera consists of two acts divided in 14 scenes. The combining element of the work is the hymn number 382 in the current Finnish hymnal of the Evangelical Lutheran Church of Finland, My Lord, my God in all distress Finnish: Sinuhun turvaan Jumala (382) which is a reoccurring theme throughout the opera. A chorus containing the whole hymn concludes the opera.
SKU: BR.CHB-5371-02
ISBN 9790004413012. 7.5 x 10.5 inches. Finnish.
The hymn from the tone poem Finlandia op. 26 for orchestra, one of the best-known works of Jean Sibelius, became the unofficial national anthem of Finland with the text of Veikko Antero Koskenniemi (1906-1962). In a time of great insecurity after the attack of the Soviet Union in 1939, Koskenniemi managed to capture the rising national consciousness and the hope of the Finns for an imminent solution of the conflict. Sibelius had already written an arrangement of the hymn for male choir on a different text in 1938, but after a suggestion by his publisher Roger Lindberg, he decided to write a version for mixed choir, too, on the by now better known text by Koskenniemi. This version in F major was published in 1949, but at Breitkopf & Hartel only with a German translation by Hellmuth von Hase. The Finlandia-Hymn with the Finnish text by Koskenniemi is therefore now available at Breitkopf & Hartel for the first time, as Urtext of the complete edition Jean Sibelius Works. The edition includes both the version in F major as well as a second version in A flat major, written by Sibelius himself, too, but until now unpublished outside of the complete edition.
SKU: BT.DHP-1125390-140
9x12 inches. English-German-French-Dut ch.
Intermezzo is the second movement of Satoshi Yagisawa’s Clarinet Concerto. The concerto was first performed by Higashi-Hiroshima Wind Ensemble in Hiroshima, Japan in 2010 with guest performer Shinsuke Hashimoto, clarinettist with the Hiroshima Symphony Orchestra and was conducted by Atsushi Kageyama. Inspiration for this work came from the fact that both Satoshi Yagisawa and Shinsuke Hashimoto graduated from Musashino Academia Musicae.Clarinet Concerto>/I> is the pinnacle of Satoshi Yagisawa’s “Concerto Series†which also features his Suite Concertante for Piano and WindOrchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertino, andConcertino for Solo Percussion and Wind Orchestra.Yagisawaâ ™s characteristic heartfelt theme in the second movement is especially popular and consequently—entitl ed Intermezzo—i t is often performed independently.Soloist: Grade 4 Intermezzo is het tweede deel van Satoshi Yagisawa’s Clarinet Concerto. Het concert als geheel werd in 2010 onder leiding van dirigent Atsushi Kageyama door het ensemble in première gebracht, samen met gastklarinettist Shinsuke Hashimoto - die werkzaam is bij het Hiroshima Symphony Orchestra. De inspiratiebron voor het werk is het gegeven dat Satoshi Yagisawa en Shinsuke Hashimoto beiden hebben gestudeerd aan de Musashino Academia Musicae.Clarinet Concerto vormt het hoogtepunt van Satoshi Yagisawa’s Concerto Series, waar ook zijn Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertinoen Concertino for solo Percussion and Wind Orchestra deel van uitmaken.Met name Yagisawa’s karakteristieke doorvoelde thema uit het tweede deel is populair. Daarom wordt dat ook vaak als afzonderlijk stuk uitgevoerd, onder de titel Intermezzo.Soloist : Grade 4 Intermezzo ist der zweite Satz aus Satoshi Yagisawas Clarinet Concerto. Dieses wurde vom Bläserensemble Higashi-Hiroshima in Hiroshima (Japan) für das 20. Jahreskonzert in Auftrag gegeben. Es wurde von diesem Ensemble mit dem Gastsolisten Shinsuke Hashimoto, dem Klarinettisten des Hiroshima Symphony Orchestra, unter der Direktion von Atsushi Kageyama uraufgeführt. Satoshi Yagisawa ließ sich zu diesem Werk vom gemeinsamen Abschluss mit Shinsuke Hashimoto an der Academia Musicae Musashino inspirieren. Clarinet Concerto bildet den Höhepunkt von Satoshi Yagisawas Concerto-Reihe“, zu welcher außerdem folgende Werke zählen: Suite Concertante for Piano andWind Orchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertino sowie das Concertino for Solo Percussion and Wind Orchestra.Das charakteristische, innige Thema aus dem zweiten Satz erfreut sich besonderer Beliebtheit und wird daher als Intermezzo oft einzeln aufgeführt.Solostimme: Schwierigkeitsgrad 4 Intermezzo est le deuxième mouvement extrait du Concerto pour Clarinette de Satoshi Yagisawa. Le concerto a été créé en 2010 par l’Orchestre d’Harmonie d’Higashi-Hiroshim a sous la direction d’Atsushi Kageyama avec la participation de Shinsuke Hashimoto, clarinettiste de l’Orchestre Symphonique d’Hiroshima. Cette oeuvre s’inspire du fait que Satoshi Yagisawa et Shinsuke Hashimoto sont tous deux diplômés du Conservatoire de musique de Musashino.Le Concerto pour Clarinette représente l’apogée de la série de concertos de Satoshi Yagisawa, qui comprend aussi une Suite concertante pour piano et orchestre, un Concerto pour trompette, unConcerto pour trombone, un Concertino pour saxophone et un Concertino pour percussion solo et orchestre d’harmonie.En raison de sa grande popularité, le thème émouvant du deuxième mouvement, qui est intitulé Intermezzo, est souvent interprété indépendamment.Soliste : Degré de difficulté 4.
SKU: BT.DHP-1125390-010
SKU: BR.CHB-5371
SKU: FG.042-08255-3
ISBN 979-0-042-08255-3.
Kokkonen's three string quartets form the back!bone of his chamber music output. The second quartet marks another watershed in Kokkonen's development, being the last work of his dodecaphonic period before his move into a free-tonal style.
SKU: HL.48024948
ISBN 9781784545659. UPC: 840126947205. 9.0x12.0x0.195 inches.
Drawing on the composer's transcriptions for violin (with Samuel Dushkin) and for cello (with Gregor Piatigorsky), Kim Kashkashian has produced a long-overdue viola version of this neoclassical masterpiece. The choice of movements from Stravinsky's Pulcinella Suite differs between those for violin and cello; Kashkashian has in turn made a slightly different selection comprising Introduzione, Serenata, Aria, Tarantella, Toccata and Minuetto e Finale. A show-stopping addition to the repertory of modern viola music.
SKU: FG.55011-706-8
ISBN 9790550117068.
Pian o reduction available for the first time! Joonas Kokkonen's The Hades of the Birds consists of three songs, two shorter ones framing a longer middle one. The chosen poems were by P. Mustapaa (alias Martti Haavio, 1899-1973), and their appeal lay for him in their simply unique mysticism. The music merges seamlessly with the moods of the poems, closely reacting to the textual nuances.The original Hades of the Birds was scored for orchestra. Kokkonen did not make a piano version as such because he had always conceived of it as orchestral. The importance of the orchestral element should not, however, be overemphasised, because this is a work painted in clear, delicate, water-colours, not in heavy, colourful brush-strokes. For colour was, he said, always only a secondary factor for him. Hence the piano version also seeks to bring out the essential musical substance of the work.Osat / songs:1. Taydellisyyden maassa [In the World of Perfection] (c1-g2)2. Lintujen tuonela [The Hades of the Birds] (h-g2)3. Sade [Rain] (cis1-a2).
SKU: FG.042-08268-3
ISBN 979-0-042-08268-3.
SKU: FG.55011-412-8
ISBN 9790550114128.
Jouk o Linjama's skilled transcription for organ brings the much-loved Requiem by Joonas Kokkonen to new platforms; it is now possible to perform the work with soloists (2), SATB choir and organ. Kokkonen's Requiem is music of light and hope, no judgement day images are included, but rather warm consolation. The Requiem was composed while and after the composer's wife passed away. There are nine movements in total, text in Latin, and it is firmly rooted in the Requiem tradition. The work ends in an E major chord with word Lux, light, being sung.
SKU: FG.55011-364-0
ISBN 9790550113640.
Firs t publication of Joonas Kokkonen's solo songs on Uuno Kailas settings from 1940's and 1950's. These early songs open interesting viewpoints to young Kokkonen's tonal language. Songs in the cycle: Adagio, Peitetyt kasvot, Enkeli, Finaali (lyrics in Finnish).
SKU: FG.55009-601-1
ISBN 979-0-55009-601-1.
This work by Joonas Kokkonen dates from 1963 and is one of the cornerstones of Finnish choral music alongside with Kokkonen's Laudatio Domini and Requiem.
SKU: FG.042-08229-4
ISBN 979-0-042-08229-4.
This work in three movements dates from 1955, from Kokkonen's neo-classical period, dominated as it was by chamber music, before Kokkonen's eventual move through chromaticism to dodecaphony. The two instruments are treated very much as equal partners, and the work is motivically and formally of tight construction.
SKU: FG.55011-696-2
ISBN 9790550116962.
Joon as Kokkonen (1921-1996) was one of the post-war Finnish composers who sought to distance himself from the legacy of Sibelius. The cycle Sub rosa - settings of poems by Eeva-Liisa Manner (1973) - is now being published for the first time. The poems by Eeva-Liisa Manner (1921-1995) are from her collection Orfiset laulut (Orphic Songs) published in 1960 drawing on ancient mythology, oriental philosophy and mysticism in her own inimitable, unadorned manner. Poet and composer shake hands in this song cycle: the same landscape looks different depending on the lighting and season. The music represents the sparse, economical Kokkonen at his best; he uses an embryonic motif in a variety of ways and forms. Sub rosa was premiered by Helja Angervo, mezzo-soprano and Izumi Tateno, piano on March 25, 1973. The overall duration is c. 10 minutes.
