Late Night Music

Par WEDGWOOD PAM. The latest edition to the best-selling new piano tutor series 'It's Never Too Late..' featuring brand new jazzy pieces from Pam Wedgwood, one of the UK's foremost composers of educational and recreational music and creator of key series such as Jazzin' About, After Hours and Up-Grade!The pieces in this book are suitable for players who have been learning for about a year or have reched Level 14 of the 'It's Never Too Late to Play Piano' tutor book. Fun to play and gently progressive, these pieces will extend players' technique gradually./ Recueil / Piano

Par WEDGWOOD PAM. It's Never Too Late to Sing Piano Accompaniments contains the piano accompaniments to all the songs and exercises in It's Never Too Late To Sing , the teach-yourself tutor with interactive CDs./ Recueil / Piano Accompagnement

Judith Weir's Night is a work for Violin and Cello. Commissioned by Enterprise Music Scotland Night was written for High Heels and Horse Hair - comprised of Alice Rickards (Violin) andSonia Cromarty (Cello) who gave the first performance on 3rd November 2015 at Cottiers Theatre in Glasgow. Please note this item comes with two scores - one for the violinist and another for thecellist. Night was written for a late evening concert which aimed to use lighting design to explore aspects of life in the dark in three distinct but interrelated parts - NightMenagerie Night Anxiety and Late Night Radio.

Par WEDGWOOD PAM. A fantastic selection of showtunes arranged by Pam Wedgwood for her It's Never Too Late to Play... series. Featuring brand new Piano settings of some of the greatest show tunes ever, by one of the UK's foremost composers of educational and recreational music./ Recueil / Piano

Return Of The Nightingales by Sadie Harrison is for solo Piano and Nightingale.This score is prefaced by the following Persian Sufi text:'Ajab tarana e sar karda am darin golshan Khoda konad ke na sazad falak khamush mara' - which translates in English to 'I have started to sing a wonderful song in this flower-garden like a nightingale. I hope the movement of the stars (destiny) does not make me silent again.'It is used as a direct reference to the devastation of Afghan culture during the period of the Taliban when musicians were silenced many exiled or fleeing and to their re-emergence following the Taliban’sexpulsion from 2001. The piece is dedicated to John Baily who together with his wife Veronica Doubleday has worked tirelessly to preserve Afghan music. His video documentary Return of the Nightingales (2012) celebrates the fabulous work undertaken by the Afghanistan National Institute for Music.Its mottos are:BUILD LIVES THROUGH MUSICREVIVE AND PRESERVE AFGHAN MUSICTRAIN FUTURE MUSIC EDUCATORSESTABLISH INTERCULTURAL DIALOGUEASSURE MUSICAL RIGHTSReturn Of The Nightingales was commissioned by Late Music Festival with funds from the Performing Rights Society.It was premiered by Ian Pace on 3 August 2013 at the Unitarian Chapel York.

This completely new edition created with Sondheim's approval contains 13 newly edited and engraved songs based on the composer's piano/vocal manuscript sources.Includes: Now • Later • Soon • Remember? • You Must Meet My Wife • Liaisons • In Praise of Women • Every Day a Little Death • Night Waltz • It Would Have Been Wonderful • Send in the Clowns • The Miller's Son • The Glamorous Life.