Learn To Play Fingerstyle Solos For Ukulele (MARK KAILANA NELSON)

Par MARK KAILANA NELSON. While the 'ukulele is enjoying a well-deserved renaissance on the mainland, in the land of its birth, it has never gone out of style. Hawaiians took to the 'jumping flea' right from the start, creating music of stunning beauty and versatility. Now intermediate players can learn to play lovely finger style solo arrangements of classic Hawaiian songs, folk songs, standards-even a few pieces from the classical guitar repertoire. The book offers 27 arrangements from around the world written in standard notation and tablature playable on any 'ukulele. Songs are grouped according to level of difficulty, starting with simple arrangements well within the grasp of dedicated beginners and intermediate players and leading through more challenging songs featuring unusual chord voicings, inversions up the neck, tricky fingerings and 'all the fun stuff' the author could muster. To aid the student, the companion CD includes all of the songs taught. Includes chord charts, inversion studies, introductory material on finger-picking and making the transition from strumming to melodic playing. / Niveau : Débutant à Intermédiaire / All Styles - Methods / Méthode / Ukulélé Soprano

With Online Audio-While the Ukulele is enjoying a well-deserved renaissance on the mainland in the land of its birth it has never gone out of style. Hawaiians took to the jumping flea right from the start creating music of stunning beauty andversatility. Now intermediate players can learn to play lovely finger style solo arrangements of classic Hawaiian songs folk songs standards - even a few pieces from the classical Guitar repertoire.The book offers 27arrangements from around the world written in standard notation and tablature playable on any Ukulele. Songs are grouped according to level of difficulty starting with simple arrangements well within the grasp of dedicatedbeginners and intermediate players and leading through more challenging songs featuring unusual chord voicings inversions up the neck tricky fingerings and 'all the fun stuff' the author could muster. To aid the student thecompanion audio download available online includes all of the songs taught. Includes chord charts inversion studies introductory material on finger-picking and making the transition from strumming to melodic playing.

Par FLINT TOMMY. Fingerstyle guitar is extremely popular today. This is because it lends itself to very personal and lyrical solo and accompaniment styles. This method is one of the very best at teaching the basics of fingerpicking. Written by Nashville's fine guitarist, Tommy Flint, you will learn chording, Travis picking, soloing, scales and accompaniment patterns, playing over the entire fingerboard, barre-chords, two-string harmony, combining hammer and slide, three-against four roll, contrary motion, crosspicking, harmonics, right and left hand agility studies, and much more. A bonus is the inclusion of over 50 great, original Tommy Flint fingerpicking guitar solos which reflect a rich diversity of styles. This volume includes material previously published in two volumes as Mel Bay's Deluxe Fingerstyle Guitar Method. Written in notation and tablature. This package includes a split-track CD which provides play-along demonstrations of many of the exercises and solos in the book, starting with page 41. The solo guitar is on the right with accompaniment guitar on the left, so you can eliminate the solo part or accompaniment by adjusting the balance control of your player. / Niveau : Tous Niveaux / Bluegrass and Country - Methods / Méthode / Guitare

The blues has always been spiced with suggestive metaphors. This collection of bawdy blues songs celebrate the off-color blues repertoire: Bessie Smith is wild about her kitchen man's turnip tops but Bo Carter's pencil won'twrite no more! There's lots of variety with songs from the 1930s 40s and 50s; some are simple three-chord blues tunes and others have beautiful ragtime chord changes. Fred shows you how to play accompaniment and solosfor all the songs. The evocative titles include Ain't Got Nobody to Grind My Coffee (Clara Smith) She's Your Cook But She Burns My Bread Sometimes and My Pencil Won't Write No More (Bo Carter) Kitchen Man (Bessie Smith) Big TenInch (Bull Moose Jackson) You Can't Tell the Difference After Dark (Alberta Hunter) and the holiday perennial Let's Make Christmas Merry Baby (Amos Milburn). You'll learn to accompany yourself singing the songs and howto play a fingerstyle instrumental version of each one. Fred's easy-going instructional style his tips on playing the arrangements and his slowed-down split-screen performances of each tune make learning easy. All thearrangements are written out in tab and music as well...both the backup and solos. 76 minutes - Level 2 - Detailed tab/music PDF file on the DVD.  DVD is region 0 playable worldwide.

Media Type : Book/CD Set Level : Multiple Levels Musical Genre : Bluegrass & Country Series : Complete Number of pages : 200 Fingerstyle guitar is extremely popular today. This is because it lends itself to very personal and lyrical solo and accompaniment styles. This method is one of the very best at teaching the basics of fingerpicking. Written by Nashville's fine guitarist, Tommy Flint, you will learn chording, Travis picking, soloing, scales and accompaniment patterns, playing over the entire fingerboard, barre-chords, two-string harmony, combining hammer and slide, three-against four roll, contrary motion, crosspicking, harmonics, right and left hand agility studies, and much more. A bonus is the inclusion of over 50 great, original Tommy Flint fingerpicking guitar solos which reflect a rich diversity of styles. This volume includes material previously published in two volumes as Mel Bay's Deluxe Fingerstyle Guitar Method. Written in notation and tablature. This package includes a split-track CD which provides play-along demonstrations of many of the exercises and solos in the book, starting with page 41. The solo guitar is on the right with accompaniment guitar on the left, so you can eliminate the solo part or accompaniment by adjusting the balance control of your player.

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk's renditions of Duke Ellington's Jubilee Stomp and Take It Easy, Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm. / Niveau : Facile / Tablatures / Guitare Tablatures

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland.Stefan produced Ton's first solo album Famous Ragtime Guitar Solos in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975 Ton's second solo album Guitar Instrumentals To Tickle Your Fingers was releasedcontaining transcriptions and arrangements of novelty rags early jazz and popular tunes of the 1930s and 1940s.In 1980 Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar this time with a repertoire covering jazz blues contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town Hot Guitar Solos. Ton also participated in several anthology projects i.e. Novelty Guitar Instrumentals I Got Rhythm Masters of Ragtime Guitar The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk's renditions of Duke Ellington's Jubilee Stomp and Take It Easy Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm.