Matériel : Conducteur et Parties séparées
/ Piano Et Chant / Chanson En Séparée
SKU: RM.TANA03586-BA
ISBN 9790231035865.
SKU: RM.TANA03586-PK
SKU: HL.50561298
10.75x13.5x0.176 inches.
SKU: RM.TANA03586-CO
SKU: HL.44012346
UPC: 888680058708. English-German-French-Dut ch.
Wind Sketches is a top quality concert work for wind band in three movements, inspired by the relationship between man and wind. Trade Winds, in the form of a march, is reminiscent of a shanty, conjuring up seafaring and the tradewinds. Becalmed, harmonically and melodically almost static, depicts the doldrums. All the more contrasting is Riding the Storm, which concerns the love-hate relationship of people to the winds that he needs and at the same times fears.Wind Sketches is een eersteklas concertwerk voor blaasorkest. Het bestaat uit drie delen, die gebaseerd zijn op de relatie tussen de mens en de wind: Trade Winds, in marsvorm, doet denken aan een shanty en roept associaties op met dezee en passaatwinden. Becalmed, dat in melodieus en harmonieus opzicht bijna statisch is, schetst een windstilte. Riding the Storm is stormachtig: het beschrijft de haat-liefdeverhouding tussen de mens en de wind.Wind Sketches ist ein hochkaratiges Konzertwerk fur Blasorchester in drei Satzen, die alle von der Beziehung Mensch und Wind inspiriert sind: Der erste Trade Winds in Marschform erinnert an ein Shanty und an Passatwinde auf hoher See.Der zweite Satz, Becalmed, harmonisch und melodisch fast statisch, beschreibt eine Flaute. Umso kontrastreicher ist der dritte Satz, Riding the Storm, der von der Hassliebe des Menschen des Menschen zu Winden gepragt ist.Les trois mouvements de cette piece s'inspirent des rapports entre les humains et divers types de vents. Le premier, Alizes (Trade Winds), prend la forme d'une marche aux accents de chansons de marins, le deuxieme mouvement, Encalmine(Becalmed ), est de nature quasi statique, sans grand developpement melodique ou harmonique. Le finale, Porte par la tempete (Riding the Storm), depeint les relations humaines, par le biais de vents tumultueux, dangereux, benefiques etvivifiants.I tre movimenti di questo brano si ispirano al rapporto dell'uomo con il vento. Il primo, Trade Winds, prende la forma di una marcia dagli accenti di mare, il secondo movimento, Becalmed, e di natura quasi statica, senza grandi sviluppimelodici o armonici. Il finale, Riding the Storm, descrive i tanti venti tumultuosi, pericolosi, benefici e vigorosi.
SKU: CF.CM9703
ISBN 9781491160107. UPC: 680160918706. Key: D major. English. Traditional Scottish-Irish blessing.
Blessing of Light is an excerpt from a Scottish-Irish benediction of anonymous authorship, which may have originated from old Celtic traditions. The rich, poetic language encourages hospitality for both friends and strangers and a charge to cultivate the inner spirit as a beacon of light for others. This SAB-setting offers additional options for soprano or alto divisi and comfortable ranges for men. Drawing primarily from the soundscape of a gently sweeping Mixolydian mode, this piece is designed to remind the listener of the distant past and its connection to our present. Modes have been utilized in many cultures at least since the earliest days of recorded history. Ancient Greek musical modes were revived and explored during the Middle Ages, and are sometimes considered the fathers of the scales we use today in what is often labeled tonal music, or music rooted in Western European musical practices. Blessing of Light is an accessible introduction to modal harmony for mixed choirs. Modes are characterized by combinations of half or whole steps that form a unique scale. The Mixolydian scale in this piece, for example, is identical to the major scale with the exception of a lowered (or flatted) 7th scale degree. For ease of use in sight-reading, key signatures are indicated by the melodic tonal center with the chromatically altered lowered 7th. When introducing this piece, it may be beneficial for the conductor to begin with warm-ups or vocalizes utilizing the scales below.Blessing of Light is an excerpt from a Scottish-Irish benediction of anonymous authorship, which may have originated from old Celtic traditions. The rich, poetic language encourages hospitality for both friends and strangers and a charge to cultivate the inner spirit as a beacon of light for others. This SAB-setting offers additional options for soprano or alto divisi and comfortable ranges for men.Drawing primarily from the soundscape of a gently sweeping Mixolydian mode, this piece is designed to remind the listener of the distant past and its connection to our present. Modes have been utilized in many cultures at least since the earliest days of recorded history. Ancient Greek musical modes were revived and explored during the Middle Ages, and are sometimes considered the fathers of the scales we use today in what is often labeled “tonal music,†or music rooted in Western European musical practices.Blessing of Light is an accessible introduction to modal harmony for mixed choirs. Modes are characterized by combinations of half or whole steps that form a unique scale. The Mixolydian scale in this piece, for example, is identical to the major scale with the exception of a lowered (or flatted) 7th scale degree. For ease of use in sight-reading, key signatures are indicated by the melodic tonal center with the chromatically altered lowered 7th. When introducing this piece, it may be beneficial for the conductor to begin with warm-ups or vocalizes utilizing the scales below.
SKU: AP.43466
UPC: 038081490069. English. Robert Croo.
A stunning treatment of the cherished English carol, incorporating familiar strains from Bach's Jesu, Joy of Man's Desiring. This adept, expansive arrangement is rewarding to sing and fully realizes the drama of the text. As expected from arranger Mark Hayes, the piano part is sumptuous, as is the colorful chamber orchestration.
About Alfred Choral Designs
Th e Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: JK.01299
Mark 16:6-7, Mosiah 16:7-9.
Arrange d for mixed chorus (SSAATTBB) and piano, from Richard Smith's Women of the Bible.This setting begins with the women visiting the tomb to anoint the Savior with oil and spices. They find the tomb empty and an angel there. Later, Mary sees the Christ and realizes He has risen.Composer: Richard W. Smith Lyricist: Barbara Tanner Difficulty: Medium-difficult / medium acc. Performance time: 5:00Reference: Mark 16:6-7, Mosiah 16:7-9.
SKU: PE.EP68578
ISBN 9790300759630. English.
Of Time and Passing (2016) is a cycle of three choral songs written specifically for the London-based ensemble, VOCES8, taking into consideration their versatilityand ability to beautifully intone a range of vocal colors with precision and grace.
The first song, I. Life, sets my translation of the poem A Vida by Brazilian poet Olavo Bilac (1865-1918), a poet I discovered while studying Brazilian Portuguese at the University of Michigan. I was drawn both to the simplicity of the text and to the possibilities of teasing out dual contrasting moods. In the beginning and end, this song explores a texture that is very much alive: wave-like contours, throbbing sounds, and plenty of flowing movement. Rising eighth-note motives in particular emphasize the fleetingness of life. But in the middle of the song, the listener is given a slowed-down atmosphere to savor life's beauty.
II. To Everything a Season capitalizes on VOCES8's ability to effectively interpret popular genres a cappella. This ancient text is taken from Ecclesiastes (dated around 300 B.C.) but I set it to a modern, rhythmically-regular and percussive pop-style idiom. Since popular music in whatever era is designedto appeal to a specific ?present time?, it is by its very nature ephemeral, and therefore seemed an apt metaphor to evoke the transitory nature of seasons.
III. Into Your Hands, confines the writing into no more than four parts, often with octave unisons.This creates a more direct and word-focused setting in which the Psalmist?s urgent words are placed at the forefront. Largely homophonic, this song is at times chorale-like, at times madrigal-like,finall y relinquishing it?s tension into peaceful rest, proclaiming ?You have redeemed me, O Lord, faithful God??
- Daniel Knaggs
SKU: GI.G-8920
UPC: 785147892007. English. Text by Jacque B. Jones.
Charming simplicity and delicate harmonic variety make this Christmas lullaby immediately appealing. Sung to the Christ Child, the anthem personalizes the Nativity experience for choirs and assemblies alike. Parts for C instrument and string trio are available.
SKU: SU.00220547
A comprehensive and unparalleled collection that brings together both familiar and lesser-known vocal and rhythmic exercises, vocalizes, and methods from the 18th, 19th and early 20th century by 19 pedagogical masters, including: Abt, Concone, Dannhauser, Lablache, Lamperti, Marchesi, Rossini, Sieber, Vaccai, and Viardot. Configured in alternate keys for all voice types; suitable for all technical levels Also includes: composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 3000+ pages
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
