SKU: HL.14065671
Voir toutes les partitions de Ralph Vaughan Williams
SKU: HL.35025372
UPC: 747510032656. 5.0x5.0x0.15 inches.
This volume continues the classical piano feel of Well-Tempered Praise with tremendous concert arrangements of famous hymn tunes and get down versions of beloved gospel songs. Seasonal selections for Christmas and Easter round out this collection. Includes: Praise to the Lord, the Almighty * Higher Ground * Alfred Burt Carol Medley * How Majestic Is Your Name * and more.
SKU: LO.10-5661L
ISBN 9780787776367.
Perf ect for Easter morning, this joyous 6/8 melody practically bounces off the page! Based on the famous passage from I Corinthians (O death, where is your sting?), Lloyd Larson has used his formidable abilities to craft both exquisite words and music. Adding to the sense of celebration and praise, Lloyd deftly incorporates Beethoven’s immortal ODE TO JOY theme into the mix as well. An optional two octave handbell part is available, as well as an alternate two-part voicing.
SKU: LO.10-5662L
ISBN 9780787776374.
Perf ect for Easter morning, this joyous 6/8 melody practically bounces off the page! Based on the famous passage from I Corinthians (O death, where is your sting?), Lloyd Larson has used his formidable abilities to craft both exquisite words and music. Adding to the sense of celebration and praise, Lloyd deftly incorporates Beethoven’s immortal ODE TO JOY theme into the mix as well. An optional two octave handbell part is available, as well as an SATB voicing.
SKU: HL.48024085
ISBN 9781784541224. UPC: 888680712150. 8.25x11.75x0.398 inches. Hawkes Pocket Scores 1538.
First publication of Finzi's orchestral versions of: Lo, the full, final sacrifice op 26 - festival anthem for chorus & orchestra (14 minutes); Magnificat op 36 - for soloists (ad lib), chorus & orchestra (9 minutes); God is gone up op 27 - anthem for chorus, string orchestra & organ (4 minutes); Let us now praise famous men op 35 - choral song for tenors & basses (or sopranos & altos), string orchestra & piano (3 minutes). The first three works as listed are, in their original organ versions, established in the English cathedral repertoire. Lo, the full, final sacrifice was orchestrated for the 1947 Gloucester Three Choirs Festival, thus bringing the work into the mainstream British choral society repertoire. The preface by Andrew Burn (Finzi Trust) gives details of the commission, composition and orchestration of each work.