Let Me Tell You (Vocal Score)

Remplir la partition vocale du Rogers et Hammerstein musicale populaire. Comprend la réduction pour Piano de pièces instrumentales. / Voix / 200 pages / Partition

Complete vocal score of the whole show, including libretto. Includes 'Standing On The Corner', 'My Heart Is So Full Of You' and 'Don't Cry'. / Voix Et Piano

Twenty sensational songs from the hottest tickets in town. All the showstoppers from Cats, Les Miserables, Evita, Chess, and seven more of the West End hit musicals. / Piano/Vocal/Guitare (PVG) (Avec Grille D'Accords)

Avec la partition répertoriée sous l'ISMN 73999124019 voilà tous les amateurs de Chant/Vocal/Choeur qui vont être comblés. Commandez cette partition musicale Auteurs Divers de style Variété Internationale Et Divers composée par HLW00312401 dès aujourd'hui et dans moins de 7 jours, elle sera entre vos mains. / Voix / 176 pages / Partition

Par VERDI GIUSEPPE. Verdi's penultimate opera and tragic masterpiece, Otello. With an inspired libretto by Arrigo Boito, this adaptation of Shakespeare's Othello is a true masterpiece! Technically and aesthetically, in the mastery of orchestration, harmony and vocal writing, this work represents a profound leap forward from earlier Verdi triumphs, an example of his brilliant compositional powers. Definitive Ricordi edition. / Opéra-opérette / Répertoire / Opéra Full Score

The Life Of C.S. Lewis In The Planets Of The Middle Ages-The Seven Heavens - The Life Of C.S. Lewis In The Planets Of The Middle Ages is a work by James Whitbourn for SATB Chorus and Orchestra. The piece was commissioned by the Belfast Philharmonic Society onthe occasion of their 140th Anniversary Season 2014-5 and first performed in the Ulster Hall on 30th May 2015 by Belfast Philharmonic Choir. The work lasts around 31 minutes and this is the VocalScore. This Vocal Score is compatible with both the Orchestral version and the Chamber Ensemble version. The libretto is a 'musical portrait of C.S. Lewis' viewed through thelens of the seven heavens of the pre-Copernican model of the solar system in which Lewis had a deep interest. The seven movements follow these seven planets which also correspond to the days of the week telling the story ofLewis's life. The text itself is drawn from a variety of sources including the Orphic hymns Psalms Shakespeare Shelley C.S. Lewis himself and others. 

What was originally conceived as a short school concert piece soon became one of the best loved musicals of all time being performed in schools and theatres all over the world by amateur and professional groups alike.Joseph And The Amazing Technicolor Dreamcoat retells the biblical story of Joseph’s life from childhood on a farm to jail and slavery and ultimately to power and fame. This popular musical contains many memorable songs including Any Dream Will Do and Close Every Door. Available here is the Full Vocal Score of the musical with all the solo and choral parts and a piano accompaniment.

À travers plus de mille pages, l?intégralité des musiques et des textes, entièrement transcrits dans leur version `Rock` des 203 chansons qu?ils ont écrites et enregistrées en tant que Beatles ainsi que neuf autres écrites par d?autres auteurs et qu?ils ont interprétées à leurs débuts. Toutes sont transcrites avec des portées séparées pour les parties vocales, chaque guitare (en tablature et notation standard) et tous les autres instruments...Une collection essentielle des Beatles.

The Lass Of Richmond Hill was first composed in 1790 for SATB choir. It has been transposed to the key of C Major and arranged with a Piano reduction by the English composer and conductor Henry Leslie(1822-1896) who was well known for supporting amateur choral groups. The lyrics were written by Leonard McNally (1752-1820) and tell the story of a girl who lives on Richmond Hill whose ?charms all other maids?surpass?.James Hook (1746-1827) was a British composer organist and harpsichordist. He was born in Norwich but spent his working life in London teaching giving recitals and composing operas and other vocalworks. His music was often performed at both Drury Lane and Covent Garden.

“Wee Willie Winkie” is a well known Scottish nursery rhyme which has been sung to Scottish children from the 1840's to the present day. It tells the story of a wee boy running through the dark streets in his nightgown visiting all of the houses to tell the children to go to bed and get to sleep. This fun and simple setting employs the Scottish folk song “Coulter's Candy” and “Three Blind Mice” in the chorus.Duration: CA. 2 minutes

Remember Bethlehem was conceived after a conversation on the works of the late story-telling songsmith Jake Thackray. Thackray’s sometimes bawdy sometimes satirical and often hilarious lyrics are delivered in a lugubrious baritone and underpinned by a strong Yorkshire accent that led him to be dubbed the “North Country Noel Coward”. In his Remember Bethlehem heshows a more tender side and tells a story devoid of expletives and cutting social commentary of a “shabby little country girl” completely broken by the ardours of her journey arriving in Bethlehem as a distrusted foreigner to give birth to baby boy called Jesus. Whatstruck and moved me most about Thackray’s telling of the Nativity Narrative is the way he normalizes Mary. Rather than retrospectively beatifying her - telling her story full in the knowledge of the extraordinary thing she did (as most nativity stories do) – Thackray’s portrayal of her as young afraid and cold makes her achievement all the more astonishing. Indeed so out-of-the-ordinary is the gift given by this apparently ordinary girl that no one and no thing can ever forget it: “Even the stony old hills […] your shaggy old trees […] the sulky old sun Remembers Bethlehem.” My carol of the same name adapts a similar approach to telling Mary’s story. Musically I have only thinly veiled my affection for Peter Warlock’s miniature masterpiece Bethlehem Down and evidence of this can be seen not only in the choice of key triple metre and strophic setting but also in the resemblance of some of the cadential figures. A final strand of influence comes once more from Yorkshire and specifically Charlotte Brontë’s novel Jane Eyre. My wife is a literature scholar and pointed out to me the parallels between Mary’s plight in Thackray’s story and a scene from the novel in which Jane is lost up on the moors. Through her distrust of man she feels outcast and