SKU: BR.KM-2516
ISBN 9790004502938. 11.5 x 16 inches.
Der Komposition gehen keine aussermusikalischen Eindrucke voraus, sondern sie konzentriert sich auf innermusikalische Uberlegungen, weshalb es nicht leicht ist, uberhaupt Worte fur sie zu finden. In einem losen Zyklus, den ich in den nachsten Jahren fortsetzen mochte, will ich mich auf das Phanomen der innermusikalischen Bindungen konzentrieren sowie auf ihr Gegenuber, die Einschnitte, Trennlinien oder Kontraste. Jenseits der Tonalitat stellt sich mit jeder neuen Komposition auch die Frage erneut, was zwei Klange zusammenhalten kann, was Ferne und Nahe bedeuten, was das Lose ist und was das Gebundene. Stehen solche Uberlegungen in meinen anderen Kompositionen im Dienste anderer Visionen, so will ich ihnen hier wie ein Geologe auf den Grund gehen.Immer wieder ziehen sich Linien durch die Musik, im konkreten Sinne melodischer Phrasen, aber auch im allgemeinen Sinne der Weiterfuhrung von Klangcharakteren. So unterliegt die Musik permanenten Wandlungen, gehalten von imaginaren Faden, die sich auch verknoten, vernetzen oder vervielfaltigen konnen. Gleichzeitig gibt es auch Einschnitte, scheinbar losgeloste Geschehnisse, die wie unbegrundet hineinplatzen, und dennoch vergleichbar mit einem Stein in einem Fluss ihren Einfluss auf den Verlauf des Ganzen nehmen.Liaison - der Titel beschreibt zwei Seiten dieses Projektes, namlich einerseits die Bindung als innermusikalisch fokussiertes Thema, andererseits den Antrieb, sich mit einem solch basalen Phanomen der Musik erneut zu beschaftigen: die Liaison als Liebesbeziehung, in der die einfachsten Dinge doch wieder zu einem Ratsel werden konnen.(Isabel Mundry).
SKU: LM.26589
ISBN 9790230965897.
Etud e No. 6 (Mordants) - Etude No. 7 (Barres et liaisons) - Etude No. 8 (Tremolos) - Etude No. 9 (Positions transversales) - Etude No. 10 (Enchainements d'accords).
SKU: HL.14041880
ISBN 9781847723659. 9.0x12.0x0.246 inches.
Step back in time and play these superb solo piano arrangements of forty memorable themes from 20 classic costume dramas. With evocative moods and romantic themes from popular films such as Dangerous Liaisons, Pride and Prejudice,Elizabeth and The Age of Innocence.
SKU: HL.49004865
ISBN 9781423413134. UPC: 073999276947. 6.0x9.0x0.366 inches.
Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations. The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations. The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations. The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations. The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations. The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.
SKU: GI.G-10067
ISBN 9781622774265.
A Course in French Lyric Diction by author Deborah Williamson is a complete and comprehensive guide to French pronunciation, articulation, inflection, flow, and vocalization for singers and teachers of singing—ideal for any collegiate diction course. Available in both an instructor’s edition and a student edition, Williamson offers an overview of French lyric diction that addresses the language’s distinctive elements, information on syllabification, stressing, word rhythm, accent and other diacritical marks, and vocalic harmonization. In the sections on vowels, consonants, and liaison and elision, the author explores the nuances of French pronunciation, along with its unique challenges for the singer. Williamson presents vowels first by sound and then by letter, and organizes consonants by letter. All pronunciation is precisely transcribed into the International Phonetic Alphabet (IPA), an essential tool used extensively throughout the book. Williamson also provides a review of relevant IPA at the beginning of the book. For each section of the book, the author provides numerous practice worksheets so that students may apply newly acquired skills and knowledge to French text from the standard art song and operatic repertoire. The separate instructor’s edition provides all of the answers in red for quick reference, as well as reproducible materials for in-class use, including a sample syllabus, assignment sheet, test review sheets, two tests, an oral exam, and a final exam. A Course in French Lyric Diction is an expert resource that will facilitate the mastery of French diction and transform the study of diction from a pedantic, syllabic production of language into an expressive communication of the text, a worthy goal for students and teachers alike. Deborah Williamson is Professor of Voice at Baylor University and has taught French diction at the university level for more than twenty years.
SKU: BO.B.3668
It was commissioned by Banda Municipal de Barcelona (Barcelona's municipal band) and performed for the first time on January 30th 2011 at L'Auditori de Barcelona (auditorium of Barcelona).This concert is divided into three movements. The first, bearing the name of Preludi (Prelude), is slow and mysterious, with two alternating subject matters flowing gently. It is only towards the end that a rapid cadence of the piano leads to an orchestral tutti which will gradually fade within the general atmosphere.The second movement is a Scherzo-Cadenza, always in a bar of 6/8, based on triplets and twangs but also tied at the most expressive moments. The piano and the wind and percussion instruments embark in a contrapuntal dialogue in which a burlesque character alternates with forceful moments. The movement ends subtly, with a long scale flowing from a low to a high pitch.A cadence of the piano serves as a liaison with the third movement, an Allegro molto, the longest and most complex of the whole concert. This movement is clearly virtuosic and it consists of three main subject matters which alternate and blend. The atmosphere is lively and unmistakably burlesque, although there are three thoughtful moments in which it becomes mysterious. The coda is fast, bright and clearly conclusive.
SKU: BT.DHP-1174988-400
ISBN 9789043152846. French.
Easy Steps est une méthode en deux volumes qui contient tous les éléments nécessaires lâ??initiation au saxophone. Richement illustrée, elle offre des exercices pour stimuler la formation auditive et le jeu dâ??ensemble, de nombreux morceaux,des jeux musicaux et bien plus encore. Les CD fournis comportent des accompagnements pour toutes les pièces, dont certaines sont également enregistrées en version complète permettant dâ??entendre le résultat voulu. Lâ??abondance des ressources proposéesici garantit le succès des cours du professeur. Lâ??accès en ligne ce matériel est inclus dans le prix du présent ouvrage.
SKU: A3.9781860963988
ISBN 9781860963988. 12 x 8 inches.
An essential resource for instrumental and singing teachers who teach pupils in groups. Discussed various approaches to group work in a sensible straight-forward manner. Deals with issues central to group teaching including group dynamics lesson planning monitoring progress maintaining motivation and teaching mixed ability classes. Examines links between instrumental lessons and the school curriculum and provides advice about liaison with schools and other administrative bodies. Includes plenty of practical creative strategies that will help all pupils fulfil their potential. Celebrates the value of group teaching in todays music curriculum.
SKU: BT.DHP-1094677-401
ISBN 9789043131391. 9x12 inches. English-German-French-Dut ch.
Zu diesem außergewöhnlichen Solowerk für Bassposaune ließ sich der französische Komponist Aulio von einem der berühmtesten mythologischen Bücher inspirieren: den Metamorphosen des griechischen Dichters Ovid. Aulio vertonte die darin enthaltene dramatische Geschichte von Phaeton, der sich den Wagen seines Vater Helios, dem Sonnengott, auslieh und bei seinem Himmelsritt beinahe die ganze Welt in Brand setzte. Trombone basse solo / Ensemble instrumental : Fl te traversière • Cor anglais • Petite Clarinette en Mib • Cor en Fa • Harpe • Contrebasse • Piano / Percussions : Vibraphone • Cloche tube (Do#) • Fouet • Crécelle • Petit gong chinois ascendant. / PHAETHON : Le poète latin Ovide [43 av. J.-C./17 après J.-C.] a consigné dans ses Métamorphoses, véritable texte fondateur de la mythologie classique, quelques-unes des légendes antiques les plus immortelles dont le mythe de Phaethon et le char solaire. Né d’une liaison entre l’Océanide Clymène et Hélios (le Soleil), Phaethon entretient des doutes sur sa filiation divine. Il décide alors de se rendre au palais du Soleilpour obtenir confirmation de son lignage. Le Soleil l’accueille en fils et s'engage, par un serment qu'il ne peut rompre, lui accorder la faveur de son choix pour prouver sa paternité. Phaethon lui demande de le laisser conduire le char solaire durant un jour. Lié par son serment, Hélios sait qu’il doit honorer sa promesse. Il tente vainement de dissuader son fils, invoquant son jeune ge, sa condition de mortel et le caractère surhumain de la t che. Sourd aux paroles de son père, Phaethon prend les rênes et les quatre coursiers du Soleil s’élancent dans les cieux. Très vite, il perd le contrôle de la situation. Le char dévie alors de sa course habituelle. Phaethon, complètement perdu, assiste impuissant la ruine et la dévastation qui se répand partout sur la terre. Alors que l’univers entier est en flammes, Jupiter, pour éviter la destruction du monde, foudroie le jeune Phaethon et arrête la course du char. Le corps embrasé du fils du Soleil est précipité travers l'espace et tombe dans le fleuve Éridan, où les Na ades de l'Hespérie lui dressent un tombeau et une épitaphe : « Ci-gît Phaethon, qui fut l'aurige du char de son père ; Il ne put le maîtriser, mais sa grande témérité le perdit. » / Phaethon est une commande de Frédéric Potier - trombone basse solo de l’Opéra national de Paris et professeur au CNSM de Lyon.
SKU: CF.BQ172
ISBN 9780825898648. UPC: 798408098643.
SKU: HL.48025079
ISBN 9783793143239. UPC: 196288059776. 9.0x12.0x0.157 inches.
The rhapsodic, almost ten-minute piece draws its charm from changing metres and various dramatic climaxes within an overall darkly overcast mood. The ballad of the title develops, after a melancholy introduction, from the yearning melodic circling of the clarinet over a flowing 5/8 rhythm of the accompaniment. The composition was written for the Ensemble Liaison and was recorded on their CD Epiphany.
SKU: HL.48025317
UPC: 196288175216.
The rhapsodic piece of almost ten minutes draws its charm from changing metres and various dramatic climaxes within an overall dark,overcast mood. The Ballade (ballad) of the title develops, after a melancholy introduction, from the yearning clarinet circling melodically over a flowing 5/8 rhythm. The composition was written for the Ensemble Liaison and recorded on their CD Epiphany. It is also available in a 2017 version without marimba (BB 3626).
SKU: HL.49007040
ISBN 9790001075404. 11.5x16.5x0.195 inches.
SKU: HL.14021531
9.0x12.0x0.154 inches. French.
Les caracteristiques de la guitare sont telles qu'il existe un nombre quasi-illimite de possibilites (positions, doigtes, techniques de liaison) pour jouer une meme phrase melodique. Cet ouvrage a donc pour but de donner quelques exemples de phrases et d'arrangements des Standards du Jazz issus de repertoire Swing et Be-Bop a l'aide d'un CD d'accompagnement. Vous trouverez dans cette methode deux types de themes et d'arrangements: * Les themes Be-Bop: Ils sont arranges pour deux guitares, une basse et une batterie. * Les themes Swing: Ils sont arranges pour guitare, basse et batterie. La guitare joue les accords et la melodie simultanement. The guitar idioms give an endless comnbination of fingerings, neck positions and legato techniques to play one single musical line. The purpose of this book is to provide examples of phrasing and arranging of swing and be-bop standards. You will find two types of tunes * Be-Bop tunes: These tunes are arranged for two guitars, a bass and drums. * Swing tunes: These are arranged for guitar, bass and drums. The theme and chords are played by one guitar only.
SKU: GI.G-10066
ISBN 9781622774258.
A Course in French Lyric Diction by author Deborah Williamson is a complete and comprehensive guide to French pronunciation, articulation, inflection, flow, and vocalization for singers and teachers of singing—ideal for any collegiate diction course. Available in both an instructor’s edition and a student edition, Williamson offers an overview of French lyric diction that addresses the language’s distinctive elements, information on syllabification, stressing, word rhythm, accent and other diacritical marks, and vocalic harmonization. In the sections on vowels, consonants, and liaison and elision, the author explores the nuances of French pronunciation, along with its unique challenges for the singer. Williamson presents vowels first by sound and then by letter, and organizes consonants by letter. All pronunciation is precisely transcribed into the International Phonetic Alphabet (IPA), an essential tool used extensively throughout the book. Williamson also provides a review of relevant IPA at the beginning of the book. For each section of the book, the author provides numerous practice worksheets so that students may apply newly acquired skills and knowledge to French text from the standard art song and operatic repertoire. The separate instructor’s edition provides all of the answers in red for quick reference, as well as reproducible materials for in-class use, including a sample syllabus, assignment sheet, test review sheets, two tests, an oral exam, and a final exam. A Course in French Lyric Diction is an expert resource that will facilitate the mastery of French diction and transform the study of diction from a pedantic, syllabic production of language into an expressive communication of the text, a worthy goal for students and teachers alike. Deborah Williamson is Professor of Voice at Baylor University and has taught French diction at the university level for more than twenty years. DOWNLOAD: French Lyric Diction PDFs.
SKU: BA.BA05557
ISBN 9790006497263. 33 x 26 cm inches. Language: German. Text: Josef Kupelwieser.
Compos ed in 1823 but not performed during his lifetime, Franz Schubert’s Fierabras is a “number opera†with spoken dialogue in the manner of opra comique. It is based on the medieval legends associated with Charlemagne, including that of Eginhard and Emma, and draws on the old French heroic epic (chanson de geste). Emma, the daughter of Charlemagne secretly loves the knight Eginhard who is not befitting of her rank. The heathen Moorish prince Fierabras who, after being defeated by Charlemagne, falls into French captivity and converts to Christianity, is also in love with Emma. His sister Florinda on the other hand loves the Franconian knight Roland who is being held prisoner by the Moors and whom she helps to escape. After several military conflicts where Charlemagne’s army finally conquers the Moors, the lovers reunite. Only Fierabras who is reprieved, renounces his love and accepts the liaison between Emma and Eginhard.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.48014985
UPC: 073999149852.
SKU: BT.DHP-1094668-070
9x12 inches. English-German-French-Dut ch.
Instrumentation :Solo Bass Trombone FluteEnglish HornEb ClarinetF HornHarpPianoDouble BassPercussion:Vibraphone Tubular Bell (C#)Whip/SlapstickRatchet Small chinese Gong rising tone Trombone basse solo / Ensemble instrumental : Fl te traversière • Cor anglais • Petite Clarinette en Mib • Cor en Fa • Harpe • Contrebasse • Piano / Percussions : Vibraphone • Cloche tube (Do#) • Fouet • Crécelle • Petit gong chinois ascendant. / PHAETHON : Le poète latin Ovide [43 av. J.-C./17 après J.-C.] a consigné dans ses Métamorphoses, véritable texte fondateur de la mythologie classique, quelques-unes des légendes antiques les plus immortelles dont le mythe de Phaethon et le char solaire. Né d’une liaison entre l’Océanide Clymène et Hélios (le Soleil), Phaethon entretient des doutes sur sa filiation divine. Il décide alors de se rendre au palais du Soleilpour obtenir confirmation de son lignage. Le Soleil l’accueille en fils et s'engage, par un serment qu'il ne peut rompre, lui accorder la faveur de son choix pour prouver sa paternité. Phaethon lui demande de le laisser conduire le char solaire durant un jour. Lié par son serment, Hélios sait qu’il doit honorer sa promesse. Il tente vainement de dissuader son fils, invoquant son jeune ge, sa condition de mortel et le caractère surhumain de la t che. Sourd aux paroles de son père, Phaethon prend les rênes et les quatre coursiers du Soleil s’élancent dans les cieux. Très vite, il perd le contrôle de la situation. Le char dévie alors de sa course habituelle. Phaethon, complètement perdu, assiste impuissant la ruine et la dévastation qui se répand partout sur la terre. Alors que l’univers entier est en flammes, Jupiter, pour éviter la destruction du monde, foudroie le jeune Phaethon et arrête la course du char. Le corps embrasé du fils du Soleil est précipité travers l'espace et tombe dans le fleuve Éridan, où les Na ades de l'Hespérie lui dressent un tombeau et une épitaphe : « Ci-gît Phaethon, qui fut l'aurige du char de son père ; Il ne put le maîtriser, mais sa grande témérité le perdit. »Phaethon est une commande de Frédéric Potier - trombone basse solo de l’Opéra national de Paris et professeur au CNSM de Lyon -.
SKU: HL.333141
ISBN 9781568527628. UPC: 884088536169. 9.75x14.0x0.756 inches. Text by Dick Boak Foreword by Steve Miller Introduction by C.F. Martin IV.
Martin guitars are internationally revered, collected and played by performers, singers, songwriters and by legions of avid collectors and enthusiasts. This book features more than a hundred of Martin's most desirable guitars, including instruments belonging to Bob Dylan, Willie Nelson, Joan Baez, Sting and Eric Clapton. Dick Boak enthusiastically outlines his experiences as liaison in these collaborations. We also get a sneak preview of Martin's millionth instrument, due in 2004. Dick Boak is the head of artist relations and publicity at C.F. Martin & Co., collaborating with artists in the design of their Limited Edition and Signature Models. A prolific artist, luthier and musician in his own right, he is a founder of the Association of Stringed Instrument Artisans, and has organized numerous national instrument-making symposiums.
SKU: HL.48025318
UPC: 196288175377. 0.113 inches.
The rhapsodic piece of almost ten minutes draws its charm from changing metres and various dramatic climaxes within an overall dark,overcast mood. The Ballade (ballad) of the title develops, after a melancholy introduction, from the yearning clarinet circling melodically over a flowing 5/8 rhythm. The composition was written for the Ensemble Liaison and recorded on their CD Epiphany. It isalso available in a 2017 version without marimba (BB 3626).
SKU: UT.XXS-70
ISBN 9790215318212. 9 x 12 inches.
SKU: MA.EMR-44985
Scotland / Fleas Jumping / There Is A Green Hill Far Away / Cadet Rousselle / Dangerous Liaisons / Sadness / Toys' Procession / Home On The Range / The Blue Danube / Can-Can / Farther and Farther / Going Up / The King of Sliding / Swanee River...
SKU: MA.EMR-47497
