Matériel : Partition + Accès audio
Violin Play-Along Volume 42-The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music listen to the demonstration tracks to hear how the Violin should sound and then play along using the separate backing tracks. The purchase price includes online access to audio for download or streaming.This volume features eight songs: Fiddle Faddle • Holiday for Strings • Hymne a L'Amour • Mr. Lucky • The River Seine (La Seine) • Song from a Secret Garden • Spartacus - Love Theme • Tara's Theme (My Own True Love).
SKU: FG.55011-824-9
ISBN 9790550118249.
Mikk o Heiniö's Alla madre (2007) abandons the traditional virtuoso concerto concept: here a large orchestra engages in dialogue with a solo violin. The first movement is called Arrivo, “Arrival: the soloist literally arrives later, and by degrees, playing his/her first two solos offstage. Even then the orchestra continues to take the initiative for a long time. Not until the second movement, entitled Aura, “Air or Wind, does the initiative pass to the solo violin as it sets light to notes in the orchestra harmony like individual lamps. And not until the end of the second movement and the beginning of the third does the solo violin play completely on its own. The title of the first movement, “Arrival, underlines the event, the dramaturgy, whereas that of the second movement, “Aura, alludes to the texture and the shimmering space. The third movement is the most strongly emotional, as the name Carezza, “Caress suggests.This product includes the solo part and the piano reduction (B4 sized).The orchestral material is available from the publisher. The orchestration: 3(III+picc)3(III+ca)3(III =bcl)3(III=cfg)-4331-13-h p-str.
SKU: BA.BA09099-92
ISBN 9790006565733. 31 x 24.3 cm inches. Key: E minor. Preface: Larry R. Todd.
Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (Eng/Ger).
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.239841
ISBN 9781780382531.
This collection of 50 popular tunes has been carefully arranged and graded to provide attractive repertoire for young violinists. The familiarity of the material will stimulate pupils' enthusiasm and encourage theirpractice.The technical demands of the solo part increase progressively up to the standard of Associated Board Grade 3. The piano accompaniments are simple yet effective and should be within the range of most pianists.
SKU: HL.284155
90.0x12.0 inches.
Solo Violin part from Oliver Davis' Flight Concerto.
SKU: BT.MUSAM34851
ISBN 9780711904347. English.
The only piano course based throughout on today's popular songs and famous light classics. Easy to follow text and clear demonstration diagrams. Book Four introduces you to the piano pedals which add colour to yourplaying,syncopation, left hand fills, plus songs in the style of Boogie-Woogie, Modern Blues and Rock 'n' Roll. You will also learn to play in several new keys.
SKU: HL.48181655
UPC: 888680848422. 9x12.25 inches.
“Maur ice Hauchard (1870-1957) was a French violinist and composer. As a minor composer, often in the shadow of his contemporary, Maurice Ravel, much of Hauchard's music is not widely known. However, his First Concert Solo for Violin and Piano provides excellent preparation for the classical concertos. As an excellent, versatile musician Hauchard loved his art and remains one of the greatest contributors to music education. First Concert Solo is part of a series of modern concert solos for the Violin, intended for young violinists. The First Concert Solo</strong is Allegro in tempo and makes use of a variety of techniques. All violinists seeking to play the large concertos of the repertoire should play this delightful Hauchard work to ensure progression.&rdquo.
