Line Games

Par VINCENT RANDY. Line Games is an organized series of practical studies for the development of single-note guitar technique and jazz vocabulary simultaneously. Many examples are transcribed from the recorded solos of great jazz guitarists, giving guitarists the tools to develop complete fluency in creating similar lines on their own! / Methods and Tutors / Etude / Guitare

Description Hit Session 6 Hit Session 6 is the latest sequel of the Bosworth Hit Session series. Contains many up to date chart hits. Spiral binding. Each songs is noted twice - as melody line, lyrics and chords, and as lyrics and chords. Songlist A Thousand Years Aka...What A Life! Altes Fieber Anti Hero Born And Raised Born To Die Bridge Of Light Brighter Than The Sun Burn It Down Call Me Maybe Called Out In The Dark Can?t Stand The Silence Candy Castle Of Glass Chicago Decode Django Domino Don?t Gimme That Drive By Eiserner Steg Euphoria Every You Every Me Everybody?s Changing Everything At Once Feeling Good Foolin? Für Keine Kohle Dieser Welt Geronimo Gonna Fly Now Halo Hang On Sloopy Hangover Heart Skips A Beat Hey There Delilah Himmel Auf I Don?t Want To Miss A Thing I Follow Rivers I Will Wait I Won?t Let You Go I?ll Be There For You Ich Geh In Flammen Auf Ich Laufe If I Had A Gun In The Air Tonight Jar Of Hearts Je veux Leave Out All The Rest Lichter der Stadt Lied von den Vergessenen Little Numbers Little Talks Locked Out Of Heaven Meine Sache Moon River Move In The Right Direction Moves Like Jagger New Age No Light, No Light Nordpol / Südpol Not Fair Nur in meinem Kopf One Day / Reckoning Song One More Night Out Of Reach Over The Rainbow Paradise Part Of Me Payphone People Help The People Read All About It Rumour Has It Secrets Set Fire To The Rain Shake It Out She?s Always A Woman Skyfall So This Is Goodbye Songs Für Liam Spinner Stardust Stay Summertime Sadness Supermassive Black Hole Tage Wie Diese The A Team Too Close Too Lost In You Torn Up Video Games Waitress We are the people What A Man Wie Soll Ein Mensch Das Ertragen Will You Still Love Me Tomorrow Wonderful Wovon Sollen Wir Träumen Wunder Yeah Right

For Piano and Violin.Composed for Hilary Hahn Avner Dorman's inspiration for Memory Games is the classic 1980’s memory game ‘Simon.’ The original game has four colored buttons each with a distinct sound and a light bulb behind it. The machine illuminates and sounds a string of notes at random; the players have to repeat the patterns. Several rounds of Simon are played throughout Memory Games so to speak making it resemble a Passacaglia (or variations on a bass line).'Avner Dorman’s labyrinthine Memory Games based on the memory game Simon...offered gorgeous and palatable social and historicalcommentary.' -- Erica Zora Wrightson Los Angeles Times

Tagebucheintragungen, persönliche Botschaften. Par KURTAG GYORGY. The piano series entitled Games, written from 1973 onwards, was conceived as a piano method. As the years went by, the series lost its didactic character, at it came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well.Tenth volume is divided into two parts: In the first half, earlier, hitherto unpublished pieces line up from Suite, written in 1943, to the 1980s, providing insight into the development of Kurtág's musical language. The second half includes pieces composed between 2002 and 2011. The movements, often aphorismic in their briefness, hide associations with various aspects of European music history. Many of them are hommage or in memoriam pieces, or subjective personal messages to friends, colleagues, and beloved family members - and thereby to all music-loving people. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way./ Etude / Piano

Travel back in time with Prehistoric Piano Time and encounter an entertaining mix of 20 dinosaur pieces games and puzzles pitched at around the level of Piano Time 2. Lively full-colour illustrations introduce each of the friendly monsters that inhabit the volume. Prehistoric Piano Time is guaranteed to capture the imagination of any youngster and as you would expect from Pauline Hall all the material has a solid musical and tutorial basis as well as being tremendous fun!

Five levels of exciting and highly effective games that reinforce students' learning of lines and spaces key signatures rhythmic patterns five finger tune-ups chords and more. An invaluable resource for teachers as well as parents!

Bastien Theory Boosters will launch your students to new heights of theory success. Each activity book focuses on a single theory concept using puzzles mazes games riddles and more to fuel your students' naturallove of learning and the enjoyment of mastering their instrument. Lines And Spaces Note Speller expands students' note mastery to twenty-four notes on the grand staff while continuing to emphasize therelationship between notes on the staff and keys on the Piano.

Practice Makes Perfect takes you through all the various aspects of playing your instrument clearly helpfully and progressively. It's full of useful advice simple tunes exercises practice tips studies listening games and projects all designed to show that mastering technique shouldn't be boring - and can really be fun!

Designed to build confidence and ability the Piano Time Sight-Reading books are also enormous fun interspersing lots of short structured exercises with puzzles and games. The material is simple imaginative and clearly laid out. This is the first book in the series and introduces the basic principles and the Golden Rules of sight-reading.

A serious Piano tutor that encourages you to learn at your own pace rather than promising hurried instant solutions. Suitable for beginners both young and young at heart the pieces are entertaining and backed up by games theory puzzles and duets. The illustrated colourful pictures enhance the musical material which all young children will enjoy learning from.

Choose which notes students need to learn or review the most while emphasizing the relationship between notes on the staff and notes on the keyboard.Bastien Theory Boosters will launch your students to new heightsof theory success. Each activity book focuses on a single theory concept using puzzles mazes games riddles and more to fuel your students' natural love of learning.

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.