Matériel : Conducteur
SKU: CA.4079910
ISBN 9790007077891.
SKU: BT.EMBZ14505
English-German-Hungari an.
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: BT.EMBZ14505A
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: HL.50511054
ISBN 9790080132739. UPC: 073999110548. 7.5x10.5 inches. German, Latin. Ferenc Liszt; Janos Matyas.
Ger. Lat.
SKU: LM.PB224
ISBN 3137990002244.
BEET HOVEN : Adagio Cantabile - SCHUBERT : Ave Maria - MENDELSSOHN : Chanson de printemps - BRAHMS : Celebre valse - BEETHOVEN : Clair de lune - LISZT : 2e rapsodie hongroise - SCHUBERT : La Truite - CHOPIN : Nocturne en Mi bemol - LISZT : Reve d'amour.
SKU: BO.B.3651
Concerto Omaggio to Franz Liszt by Manuel Blancafort, for piano and orchestra. It is the first work that the composer undertook after the blow that supposed the Spanish civil war. In words of the same Blancafort, Finished the war, my first composition, once installed in Sarria, was the Omaggio Concert, finished and released in 1944. It is the most spectacular success in situ that has obtained a work of mine .The work was released day 1 of December of the 1944 by Maria Canals (piano) and the Barcelona Municipal Orchestra, conducted by Eduard Toldra. The composer and music critic Xavier Montsalvatge wrote in La Vanguardia: Blancafort, unconsciously, has been surrended by melody avoiding preciosities, giving free rein to the sincerity and to the simplicity of his feelings, and has created this magnificent concert, in which subjects and harmonization are impregnated of a deep elegance.It requires a group of complete symphony orchestra with soloist piano and it is 40 minutes long.
SKU: HL.49032987
ISBN 9783795704292. German.
Robert und Clara Schumann pflegten zeitlebens intensive Kontakte zu anderen Musikerpersonlichkeiten, seien es Komponistenkollegen, Musikerfreunde, Schuler oder Ratsuchende. Die in diesem Band versammelten Symposionsbeitrage konzentrieren sich nicht nur auf die namhaften unter ihnen, wie Brahms, Mendelssohn Bartholdy oder Liszt, sondern weiten die Untersuchungen auf jenen grossen Personenkreis aus, der sich aus der Befragung aller zeitgenossischen Quellen ergibt, angefangen von Schumanns Schwager Woldemar Bargiel bis hin zu der weithin unbekannten Komponistin Elise Muller.
