Living Breath of God

SKU: HL.35030628

UPC: 888680092955. 5x5 inches.

A modern hymn classic from Keith and Kristyn Getty, this engaging tune and profound text is a paean of faith for the church. Useful as a congregational moment and equally at home in this choral adaptation, this is a welcome addition to songs that celebrate the ministry of the Holy Spirit in our lives. Arranged with reverence to the dignified stylings of the original, the voices have chorale-styled harmonies that are easily learned, giving directors time to work on creating clarity in this fine lyric. Score and Parts (fl, ob, cl, bn, hn 1-2, perc, vn 1-2, va, vc, db) available on CD-ROM and as a digital download.

SKU: HP.9116

UPC: 763628191160.

Eight Contempory Christian Songs This collection of eight flute solos is filled with popular contemporary songs that cover many Sundays of the church year including, Christmas, Lent, Pentecost, and general worship occasions. Featuring well-developed piano accompaniments and creative flute writing for intermediate to advanced players these settings are sure to enhance your worship.

SKU: CF.CM9563

ISBN 9781491153635. UPC: 680160911134. 6.75 x 10.5 inches. Key: G minor. Latin, English. Hidegard Von Bingen transcribed by Michael John Trotta.

Trotta's composition is an energetic reimagining of timeless text and tune from the 12th century poet, composer, and philosopher Hildegard of Bingen. The marriage of the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works) creates an entirely new work that expresses themes of empowerment. There is a reflective sense of the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.
This commissioned work for womens choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women’s choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment.An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish.I am the great and fiery force,That breathes life into all things:I am what awakens and supports lifeAnd enkindles all living thingsI am the great and fiery force,That breathes life into all things:Everything in the cosmosIs encircled with my wisdom.I am the beauty in the fields,The force, that moves like a graceful windI shine in the waters, and burn in the sun,Glimmering in the stars.Caritas abundat in omnia (Grace abounds for everyone)[Liber Divinorum Operum (The Book of Divine Works), I.I.2].

SKU: PR.446413360

UPC: 680160667321. 9 x 12 inches.

Pranaya ma is a musical meditation for both orchestra and audience, intended for the opening of a concert program. The three pitches that are the basis of the entire work were first heard by me as music floating in the ether. These pitches are passed from one instrument to another in the orchestra and transposed. Their rhythm is based solely on the timing of the breath of each individual player. The first two notes are played as the string players and percussionists exhale, while the third note is played on the inhale. Wind and brass players divide the three notes between each pair, one player taking the first two notes and then cuing the other player for the third note, and so on in a cycle. The overall result might sound like a community of living, breathing organisms. It may require some patience to get used to the aural subtleties and nuance of detail over time, just like being in a very dark room and waiting for your eyes to adjust to see what is there. These words of the early French philosopher, Nicolas Malebranche supply an epigraph for the piece: Attention is the natural prayer of the soul. Pranayama was completed in 2015 and is an expansion of one of the movements of an earlier work, Twilight Streams for cello and guitar. It is dedicated to Paul Haas, who imaginatively suggested the idea of rewriting if for orchestra and who premiered the work with the Symphony of Northwest Arkansas.

David Leisner

SKU: PR.44641336L

UPC: 680160667338. 11 x 17 inches.

Pranaya ma is a musical meditation for both orchestra and audience, intended for the opening of a concert program. The three pitches that are the basis of the entire work were first heard by me as music floating in the ether. These pitches are passed from one instrument to another in the orchestra and transposed. Their rhythm is based solely on the timing of the breath of each individual player. The first two notes are played as the string players and percussionists exhale, while the third note is played on the inhale. Wind and brass players divide the three notes between each pair, one player taking the first two notes and then cuing the other player for the third note, and so on in a cycle. The overall result might sound like a community of living, breathing organisms. It may require some patience to get used to the aural subtleties and nuance of detail over time, just like being in a very dark room and waiting for your eyes to adjust to see what is there. These words of the early French philosopher, Nicolas Malebranche supply an epigraph for the piece: Attention is the natural prayer of the soul. Pranayama was completed in 2015 and is an expansion of one of the movements of an earlier work, Twilight Streams for cello and guitar. It is dedicated to Paul Haas, who imaginatively suggested the idea of rewriting if for orchestra and who premiered the work with the Symphony of Northwest Arkansas.

David Leisner

SKU: HP.9041

UPC: 763628190415.

Famil iar praise song by Keith Getty & Stuart Townend This Keith Getty and Stuart Townend song is useful anytime of the year and especially for Pentecost Sunday. Lloyd Larson's masterful setting features an elegant piano accompaniment and optional cello part. Set in three verses, the first is a prayer for personal renewal, the second is a prayer for the gifts of the Spirit to show Christ in all I do, and the third is for the universal church to hunger for your ways.

SKU: HP.C6283

UPC: 763628162832.

Famil iar praise song by Keith Getty & Stuart Townend This Keith Getty and Stuart Townend song is useful anytime of the year and especially for Pentecost Sunday. Lloyd Larson's masterful setting features an elegant piano accompaniment and optional cello part. Set in three verses, the first is a prayer for personal renewal, the second is a prayer for the gifts of the Spirit to show Christ in all I do, and the third is for the universal church to hunger for your ways.

SKU: HP.8960

UPC: 763628189600.

Famil iar praise song by Keith Getty & Stuart Townend This Keith Getty and Stuart Townend song is useful anytime of the year and especially for Pentecost Sunday. Lloyd Larson's masterful setting features an elegant piano accompaniment and optional cello part. Set in three verses, the first is a prayer for personal renewal, the second is a prayer for the gifts of the Spirit to show Christ in all I do, and the third is for the universal church to hunger for your ways.