SKU: BT.CMP-0634-02-140
Any list of Mozart's greatest works should include this overture. Loved by millions, Mozart's Magic Flute is remarkable for so many reasons and worthy of study by every musician! Why should we deny young band students the joy of playing Mozart just because they don't happen to use a bow on their instruments? Mozart belongs to Everyone! Skillfully brought to the concert band stage by an arranger who works with young bands daily, this somewhat shortened version of the enigmatic Overture is accessible to young bands, but retains a great deal of authenticity. There is added versatility built into this arrangement. A nice performance is possible by using a completeWoodwind section and a Timpanist only. Inspiring!>/I>
SKU: BT.CMP-0634-02-040
SKU: BT.DHP-0910248-140
De première van Die Zauberflöte (The Magic Flute) vond plaats in 1791. De held van het sprookjesachtige verhaal, Tamino, trotseert met behulp van de toverfluit verschillende gevaren op weg naar het licht. Tijdens zijnreis ontmoet hij Pamina, op wie hij verliefd wordt. Mozart componeerde de ouverture van deze opera twee dagen voor de eerste uitvoering. Ze begint met een adagio, gevolgd door een fuga-achtig allegro waarin het begin van het stukin herinnering wordt geroepen. Mozart op zijn best!Die Zauberflöte ist Mozarts letzte Oper und zugleich die populärste, heute noch am häufigsten gespielte. Sie wurde nicht wie die übrigen Opernwerke für ein Hoftheater, sondern als Auftragsarbeit für eine Vorstadtbühne komponiert. Quelle der Inspiration waren u. a. arabische Märchen. Die Ouvertüre schrieb Mozart erst zwei Tage vor der Uraufführung, was dem andauernden Erfolg der Oper keinen Abbruch tat. Gerard Posch setzte sie nun auf leicht spielbare, dem großen Meisterkomponisten dennoch würdige Weise für Blasorchester um.Inspiré d’un conte de fée oriental, l’opéra Die Zauberflöte relate l’histoire de Tamino qui, protégé des dangers par une fl te enchantée, traverse des épreuves difficiles avant d’être accepté par les forces de la Lumière. Au courant de son périple, il retrouve Pamina dont il tombe éperdument amoureux. Mozart a composé l’ouverture de son dernier opéra deux jours avant la première. Elle débute avec un adagio suivi d’un allegro écrit sous la forme d’une fugue. Le passage central développe successivement trois groupes d’accords qui rappellent les premières mesures de l’ouverture.
SKU: CL.026-4371-01
A unique collection of great Mozart themes made playable for bands with limited or less than ideal instrumentation. From the opening theme of the Magic Flute to the rousing conclusion of the famous Symphony #40 in G Minor, this lively, yet very playable, arrangement will keep your audience engaged and give your performers a real sense of accomplishment. Wonderful!
About Build-A-Band Series
The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.)
SKU: BR.PB-4824
ISBN 9790004206256. 9 x 12 inches.
Duration: full eveningText by Emanuel SchikanederPlace: EgyptCharacters: Sarastro (bass) - Tamino (tenor) - Speaker (bass) - 1st Priest (speaking part) - 2nd Priest (tenor) - 3rd Priest (speaking part) - Queen of the Night (soprano) - Pamina (soprano) - 1st Queens Lady (soprano) - 2nd Queens Lady (soprano) - 3rd Queens Lady (alto) - 1st Boy (soprano: boys voice) - 2nd Boy (soprano: boys voice) - 3rd Boy (alto: boys voice) - Papageno (baritone) - Papagena (soprano) - Monostatos (tenor) - 1st Man in Armour (tenor) - 2nd Man in Armour (bass) - 3 Slaves (speaking parts) - Dance of the Moors (ballet)Since only the German original version of this work is available, we have supplied only a German-language commentary.
SKU: BR.EB-208
ISBN 9790004160152. 7.5 x 10.5 inches.
Duration: full evening Text by Emanuel Schikaneder Place: Egypt Characters: Sarastro (bass) - Tamino (tenor) - Speaker (bass) - 1st Priest (speaking part) - 2nd Priest (tenor) - 3rd Priest (speaking part) - Queen of the Night (soprano) - Pamina (soprano) - 1st Queens Lady (soprano) - 2nd Queens Lady (soprano) - 3rd Queens Lady (alto) - 1st Boy (soprano: boys voice) - 2nd Boy (soprano: boys voice) - 3rd Boy (alto: boys voice) - Papageno (baritone) - Papagena (soprano) - Monostatos (tenor) - 1st Man in Armour (tenor) - 2nd Man in Armour (bass) - 3 Slaves (speaking parts) - Dance of the Moors (ballet) Since only the German original version of this work is available, we have supplied only a German-language commentary.
SKU: KJ.WB233F
This dashing work in one of Wolfgang Amadeus Mozart's more frequently heard German Dances (K. 605, No. 3), which he specifically titled The Sleigh Ride. The composition was originally written during the last year of Mozart's life in 1791. That year was one of his more productive years, composing other well known masterpieces such as The Magic Flute, Piano Concerto in B-Flat Major, The Concerto for Clarinet, and his very last composition, the Requiem which he finished only twelve of the fifteen sections before his death. German Dance captures the wonderful melodies, lively rhythms, and ingenious colors of Mozart's style. This is a charming arrangement with three separate bell parts bringing forth the festive sound of ringing sleigh bells. Arranged to re-create classical scoring, this joyful programmatic piece will be a favorite with young musicians and audiences alike.
About Standard of Excellence in Concert
Th e Standard of Excellence In Concert series presents exceptional arrangements, transcriptions, and original concert and festival pieces for beginning and intermediate band. Each selection is correlated to a specific page in the Standard of Excellence Band Method, reinforcing and expanding skills and concepts introduced in the method up to that point. Exciting parts with extensive cross-cueing are presented for every player. Accessible ranges, appropriate rhythmic challenges, and creative percussion section writing enhance the pedagogical value of the series.Sold individually, each In Concert selection includes a full Conductor Score and enough student parts for large symphonic bands. Each student part also includes correlated Warm-Up Studies. The Conductor Score comes complete with rehearsal suggestions, a composer biography, program notes, a rehearsal piano part, several ready-to-duplicate worksheets and a duplicable written quiz.
SKU: PR.416414510
ISBN 9781598068191. UPC: 680160611379. 9x12 inches.
The enigmatic title of Roger Zare’s overture is an anagram of Zauberflöte — the work is based on Mozart’s The Magic Flute, breaking down themes from the opera’s overture as well as the Queen of the Night aria, and spinning them out of control. Zare’s charming and clever work includes an “Overt Metrical Fugue,†(a serendipitous anagram of Magic Flute Overture) using a subject that mashes up all of the disassembled Mozart motives. After the fugue runs its course, Zare quotes small but recognizable parts of the overture almost verbatim, but only from the players farthest away from the conductor to create a disembodied sound.This work is based on Mozart’s overture to The Magic Flute, breaking down the themes and motives from that overture as well as the famous Queen of the Night aria, “Der Hölle Rache,†and spinning them out of control. While the title seems to be nonsense, it is actually an anagram of “Zauberflöte.â I’m sure that Mozart would have appreciated the humor in this work, even though the harmonic language is quite far removed from the Classical era. The piece opens with repeated E-flats, suggesting the beginning of the main theme of the Magic Flute overture, and it gradually expands outward chromatically, creating gritty dissonances. Other borrowed motives from Mozart creep their way in, as well as complex polyrhythms on the repeated notes. I imitate the structure of Mozart’s overture by writing a fugue (subtitled “Overt Metrical Fugue,†a serendipitous anagram of Magic Flute Overture) using a subject that mashes up all of the disassembled Mozart motives. Gradually, I work in references to the excessively high coloratura part of “Der Hölle Rache,†treating it as a second subject. After the fugue runs its course, I quote small but recognizable parts of the overture almost verbatim, but only from the players farthest away from the conductor tocreate a disembodied sound.
SKU: PR.41641451L
UPC: 680160611386.
This work is based on Mozarts overture to The Magic Flute, breaking down the themes and motives from that overture as well as the famous Queen of the Night aria, Der Holle Rache, and spinning them out of control. While the title seems to be nonsense, it is actually an anagram of Zauberflote. Im sure that Mozart would have appreciated the humor in this work, even though the harmonic language is quite far removed from the Classical era. The piece opens with repeated E-flats, suggesting the beginning of the main theme of the Magic Flute overture, and it gradually expands outward chromatically, creating gritty dissonances. Other borrowed motives from Mozart creep their way in, as well as complex polyrhythms on the repeated notes. I imitate the structure of Mozarts overture by writing a fugue (subtitled Overt Metrical Fugue, a serendipitous anagram of Magic Flute Overture) using a subject that mashes up all of the disassembled Mozart motives. Gradually, I work in references to the excessively high coloratura part of Der Holle Rache, treating it as a second subject. After the fugue runs its course, I quote small but recognizable parts of the overture almost verbatim, but only from the players farthest away from the conductor to create a disembodied sound.
SKU: BA.BVK01775
ISBN 9783761817759. 25.5 x 33 cm inches. Preface: Silke Leopold.
... yet should I be kissed by female lips, my health would be fully restored.Mozart's music was no less indebted to lofty artistic ideals than to ordinary human experience. His operas not only presentheavy couples from the upper classesbut lovers from the common walks of life. The colourful and natural figure of Papageno has always been a favourite with audiences. This aria accompanied by his glockenspiel, is one of the best-known arias in the history of music. Our facsimile edition presents the aria in Mozart's own handwriting using state-of-the-art techniques of color reproduction. Anyone who wants to bring Papageno to musical life can turn to the vocal score printed in the same volume. A little gem for bibliophiles and all lovers of music - to admire, perform, or give away.
SKU: HL.49002518
ISBN 9790220120466. UPC: 073999913347. 9.0x12.0x1.015 inches. English.
Like few other theatre worksThe Magic Flute, A Midsummer Night's DreamTippett's first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer's businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).
SKU: CF.PPS30
ISBN 9781491140390. UPC: 680160628452. 9 x 12 inches.
It is hard to believe that this impressive piece contains only the first 6 notes of the Bb scale and no rhythms more difficult than quarter notes in the winds. Year after year, composer Sean O'Loughlin works his magic to provide young band students with meaningful musical experiences, even after only studying the instrument for 10 weeks or less. Your very young students will sound like pros with this bold new piece and your audience will not be able to believe it.
SKU: HH.HH254-SOL
ISBN 9790708092087.
An important inspiration for this composition was the delightful variety of sound possessed by the flute, a variety that in recent decades has been investigated thoroughly by numerous contemporary composers and flautists, who have exploited it with magical effect, and which is able to realize successfully not only musical but also extra musical ideas.
SKU: HL.49045209
ISBN 9790001160650. 9.0x12.0x0.074 inches.
Composed for the 90th birthday of Gyorgy Kurtag, the only five-minute trio is characterized by a condensed, contemporary spirit of playing. The change between piccolo and alto flute, magical sound surfaces of the piano and the scordatura of the cello again and again lead to new combinations. The piece concludes, with a wink, with a gradual downward move in quarter-tone steps on the low string of the cello to the Contra G, the initial of the composer celebrating his birthday.
