SKU: GI.G-10637
UPC: 785147063711. English. Text Source: Psalm 31, Lectionary for Mass Scripture: Psalm 31.
The oppression, abuse, and suffering of Jesus on Good Friday is dramatically told through the blues idiom in this setting of Psalm 31. A strong statement of the finality of the crucifixion with opportunities for solo and keyboard improvisation.
SKU: GI.G-8764A
UPC: 785147876441. English. Text Source: Revised Order of Mass 2010, Lectionary for Mass
This new mass setting includes Duncan’s highly favored through-composed Gloria of the same name, and it does not disappoint. Beautiful in their simplicity, the congregational melodies of the Alleluia and eucharistic acclamations can be complemented by an optional soprano descant and B-flat or C trumpet part. The penitential act, Gloria, and Lamb of God also include SATB choral writing. Overall, this mass setting is bright, joyful, and uplifting. It will truly inspire your singing assembly.
SKU: HL.280394
Mass - for unison choir (SSA) and organ by Bendt Fabricius. From the preface: In the 1980s, I was an organist at Mosede Church, and I was so lucky here to have a talented girls' choir. This Mass for equal-voiced choir and organ is composed for my girls in Mosede. The Mass takes its textual starting point in the Roman Catholic High Mass in Latin with its five fixed liturgical links, Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In my fair, I have chosen to translate the texts into Danish, which means that the work, both by rehearsal and performance, has the special presence that an immediate understanding of a text will always evoke. The five rates can be listed either together or separately. The movements have different degrees of difficulty, so that Kyrie and Credo are the simplest to perform, while the other three movements make greater demands, both in terms of melody, rhythm and harmonics. A major challenge in the performance of the mass will be the obligatory organ voice, which constitutes a concerted element in relation to the choir voices. The organ voice is generally accompanying, but occasionally performs solo in a way that challenges and contrasts the choir voices. Bendt Fabricius 2018.
SKU: MN.56-0058
UPC: 688670220616. Latin.
Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This final movement of the Requiem is set for SATB chorus and two or three soloists. Lilting triads begin the movement. The “Lux Aeterna†is set for soloists with choir accompaniment. There is a restatement of “Lead, Kindly Light†from movement 4, transformed a bit, for soloist with choir accompanying, then the choir sings this material in unison in a powerful, climactic passage. “Requiem aeternum†from the first movement is heard again here with a gently pulsing accompaniment, and the work ends quietly “Luceat eis.†Duration 8:59.
SKU: CA.2707549
ISBN 9790007200091. Text language: Latin.
With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and part available separately - see item CA.2707500.
SKU: CA.2707508
ISBN 9790007200077. Text language: Latin.
SKU: CA.2707509
ISBN 9790007200084. Language: Latin.
With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score and parts available separately - see item CA.2707500.
SKU: CA.2707506
ISBN 9790007200060. Text language: Latin.
SKU: CA.2707500
ISBN 9790007142667. Language: Latin.
With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani.
SKU: CA.2707505
ISBN 9790007161613. Text language: Latin.
With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score available separately - see item CA.2707500.
