Master Chorus Book II, Orchestration Book 14, Synthesizer

SKU: LP.OR-5013

UPC: 765762139404.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Book 13 includes parts for a variety of bass instruments: cello, string bass, bass trombone, tuba, baritone (euphonium) treble or bass clef, ba.

SKU: LP.OR-5014

UPC: 765762139503.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Book 14 for synthesizer is a reduction of string parts. Set your instrument to string setting to fill in missing or weak string parts. Useable.

SKU: LP.OR-5012

UPC: 765762139305.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Includes viola part (alto clef) and a substitute part for violin three. Useable with any combination of instruments or with any size of group,.

SKU: LP.OR-5001

UPC: 765762138209.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Includes both melody and accompaniment lines. Useable with any combination of instruments or size of group, from praise band to full orchestra.

SKU: LP.OR-5002

UPC: 765762138308.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Includes both melody and accompaniment lines. Usable with any combination of instruments or size of group, from praise band to full orchestra.

SKU: LP.OR-5009

UPC: 765762139008.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. A variety of standard percussion instruments are used in these arrangements (timpani, snare drum, cymbols, tamborine, bells, etc.) The melody l.

SKU: LP.OR-5006

UPC: 765762138704.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Includes both melody and accompaniment lines. Useable with any combination of instruments, or any size of group, from praise band to full orche.

SKU: LP.OR-5003

UPC: 765762138407.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Includes both melody and accompaniment lines. Useable with any combination of instruments, or any size of group, from praise band to full orche.

SKU: LP.OR-5011

UPC: 765762139206.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Includes both melody and accompaniment lines. Useable with any combination of instruments or with any size group, from praise band to full orch.

SKU: LP.OR-5010

UPC: 765762139107.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Rhythm charts include chord symbols and melody lines for use by guitar, bass, and piano. Useable with any combination of wind and/or string ins.

SKU: LP.OR-5005

UPC: 765762138605.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Includes both melody and accompaniment lines. Useable with any combination of instruments, or size of group, from praise band to full orchestra.

SKU: LP.OR-5007

UPC: 765762138803.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Includes both melody and accompaniment lines. Useable with any combination of instruments, or with any size of group, from praise band to full.

SKU: LP.OR-5008

UPC: 765762138902.

Excel lent for use as accompaniment to 100 contemporary and traditional choruses found in MASTER CHORUS BOOK II. Includes both melody and accompaniment lines. Useable with any combination of instruments, or with any size group, from praise band to full orc.

SKU: LP.OR-5000

UPC: 765762138100.

Orche strations to accompany 100 popular choruses. This volume draws together the best praise and Scripture songs, contemporary choruses, and gospel selections from many different sources. Conductor's score.

SKU: GI.G-9739

ISBN 9781622773398. English.

The Renaissance era, lasting from the mid 1400s to about 1630, is one of the most distinctive and revolutionary periods in the arts, and music is no exception. Composers like Dufay, Josquin, Tallis, Victoria, Palestrina, Gabrieli, Praetorius, and Byrd were visionaries whose transformational music developed alongside the paintings and sculptures of Botticelli, da Vinci, Michelangelo, and Raphael. In this remarkable book, a companion to Performance Practices in the Classical Era and Performance Practices in the Baroque Era, noted scholar and conductor Dennis Shrock draws from primary sources to document and explain authentic performance practices of Renaissance era music—in many cases eye opening and rarely employed today. Insightful chapters cover topics including vocal and instrumental sound, tempo, articulation, phrasing, ornamentation, and expression. Like a restorer uncovering the original brilliance of the ceiling of the Sistine Chapel, Shrock’s work reveals the rich and colorful nature of this wonderful music as originally intended. Performing Renaissance Music—together with Shrock’s companion recording Renaissance Reborn—is an insightful, colorful, and comprehensive portrait, certain to assist anyone who seeks to better understand the music of the great Renaissance composers. This book is a vital resource for any conductor, performer, or aficionado of Renaissance music. Dennis Shrock is author of six books published by GIA: Performing Renaissance Music (2018), Performance Practices in the Baroque Era (2013), Performance Practices in the Classical Era (2011), Handel’s Messiah: A Performance Practice Handbook (2013), Music for Beginning Conductors (2011), and A Conductor’s Guide to Choral/Orchestral Repertoire, co-authored with James Moyer (2017). In addition, Dr. Shrock is author of three books published by Oxford University Press: Choral Repertoire (2009), Choral Scores (2015), and Choral Monuments (2017). Dr. Shrock has held faculty positions at Boston University, Westminster Choir College, the University of Oklahoma, and Texas Christian University, and has had residencies at Baylor University, the University of Southern California, the University of Mississippi, and Yale University. He has also served as Artistic Director of the Santa Fe Desert Chorale and Canterbury Choral Society of Oklahoma City, Interim Conductor of the Dallas Symphony Chorus, and Editor of The Choral Journal. In addition, he has been a frequent All-State conductor and lecturer at conferences of the American Choral Directors Association. He has received a number of awards and recognitions for his work. The City of Santa Fe declared December 22, 2003 “Dennis Shrock Day,” Westminster Choir College granted him an “Alumni Merit Award,” the state of Oklahoma conferred on him a citation for “Contributions of Excellence,” and the University of Oklahoma granted him two “Distinguished Lectureships” and named him a “Presidential Professor.” Dr. Shrock received a bachelor’s degree in music education from Westminster Choir College and both master’s and doctoral degrees in choral conducting from Indiana University. The cover artwork is a depiction of monks singing the office from a Gradual illuminated in the 1440s and used by the Olivetan Benedictines.

SKU: ST.D100

ISBN 9790220223365.

Alth ough the musical archives of the world have yielded up their fair share of 'lost' or forgotten early works by the great composers, few might be regarded with more surprise and excitement than A Cambridge Mass by Ralph Vaughan Williams. It was completed in 1899 shortly before his 27th birthday and was successfully submitted for the Cambridge degree of Doctor of Music, but remained unperformed and unpublished till now.

The work that has emerged from more than a century of obscurity is indeed a remarkable achievement, lasting 45 minutes and written for full orchestra, double chorus and SATB soloists. A setting of the Credo, Sanctus, Hosanna and Benedictus of the Mass, with an orchestral Offertorium as its second movement, this richly prescient musical outpouring shows the young composer's mastery of complex counterpoint no less than of bold melodic writing and striking orchestral gestures.

By far the largest of VW's works predating A Sea Symphony of 1909, A Cambridge Mass already exhibits a command of large choral forces, inspired in part by the example of Verdi's Requiem, which the composer had recently encountered, and which influenced him profoundly. While there are also echoes of Bach, the Viennese classical masters and of Brahms and Dvorak, the current and pulse of the music, and the grand conception, are unmistakably those of Vaughan Williams himself.

Orchestral material available for rental (Ref. HL399).

SKU: HL.14005425

This work for soprano, tenor and baritone soloists, chorus and orchestra was commissioned by the National Confederation of Music Societies to celebrate its Jubilee in 1985, with funds made available by the Arts Council of Great Britain. The first performance was given in London on 13th April 1985 by the London Symphony Chorus (chorus master Simon Joly) and the City of London Sinfonia conducted by Richard Hilcox. The title of this work refers not only to the use of the words of St John the Divine, but also to the four poems that are set alongside them. These poems are all visionary and revelatory and deal either directly or by suggestion with ideas of St John. Vocal score with piano reduction of the orchestral parts.