Method for the Recorder - Part 2

Par . Both volumes of Easier Together - Recorders contain short and easy duos that can be performed by beginners either with their teachers or with more advanced learners. The pieces progress gradually from easier ones to more difficult works. This collection of recorder duos can also, with some supplementary material, be used as a recorder method. In these volumes, the musical experience of two-part playing is further enriched by the use of different recorder types: where indicated, the lower part can be played not only on soprano recorder but also on alto, tenor, or even sopranino recorder. Some pieces include harmonic indications, so an accompaniment can be improvised alongside the two recorder parts. The process of learning and practising is additionally supported by a fingering chart and articulation marks for tonguing, with new musical elements highlighted in the score. Trombone and recorder teacher Péter Perényi (b. 1954) was for many years the head of the wind department at the Bence Szabolcsi Music School in Budapest. He has held several training courses for recorder teachers, and the recorder gatherings he organised in Budapest gave rise to the National László Czidra Recorder Competition. He is the author and editor of several publications on wind pedagogy, including methods for trombone and recorder. / Date parution : 2022-12-12/ Recueil / 2 ou Flûtes à Becs

Volume 2-Sing on Sight is a comprehensive sight-singing method by Audrey Snyder. Volume Two builds on the skills established in Volume One and moves step by step to full choral sight-singing. The recorded accompaniments include awide variety of styles from classical to contemporary and folk music to pop and jazz. Exercises are written so that two or more lines may be sung simultaneously so students gain sight-singing independence and develop theirpart-singing skills. With just a few minutes a day Sing on Sight can help your choirs learn to read music and have fun in the process! Student and Teacher Editions available separately: both Unison/2-Part Treble and2-Part/3-Part Mixed. Accompaniment CD (coincides with both voicings) also available. Classroom Kits include 25 Student Books 1 Teacher Edition and 1 Accompaniment CD.

Par SUZUKI SHINICHI. Soprano Recorder Part. Learn with this progressive world wide method. / Niveau : Débutant / Pédagogie / Méthode / Flûte à Bec Soprano

Par ABENDROTH YASMIN. Ecole enregistreur pour enfants (6 ans et plus). Apprendre à jouer de l'enregistreur rendue facile avec enregistreur livre du VOGGY. À partir de zéro, que vous apprendrez tout ce que vous devez savoir sur votre nouvel instrument. Il y a des chansons et des exercices composés spécialement pour cet ouvrage pour vous aider à surmonter les problèmes techniques possibles. Tout ce que vous devez apprendre est présenté de manière facile à comprendre pour vous assurer que vous ne perdez jamais de plaisir et motivation pour continuer la musique de l'aventure. Vous trouverez aussi beaucoup de chansons les plus populaires et belles et de chansons pour enfants arrangés pour enregistreur en c. Il n'y a même une annexe des conseils sur la pratique, prendre soin de votre enregistreur et doigté diagrammes illustrant toutes les notes sur votre enregistreur. / Niveau : Débutant / Children's - Methods / Méthode / Flûte à Bec Soprano

Par . Both volumes of Easier Together - Recorders contain short and easy duos that can be performed by beginners either with their teachers or with more advanced learners. The pieces progress gradually from easier ones to more difficult works. This collection of recorder duos can also, with some supplementary material, be used as a recorder method. In these volumes, the musical experience of two-part playing is further enriched by the use of different recorder types: where indicated, the lower part can be played not only on soprano recorder but also on alto, tenor, or even sopranino recorder. Some pieces include harmonic indications, so an accompaniment can be improvised alongside the two recorder parts. The process of learning and practising is additionally supported by a fingering chart and articulation marks for tonguing, with new musical elements highlighted in the score. / Date parution : 2022-07-20/ Recueil / 2 Flûtes à Bec

Novello New Choral Series-A Gaelic Blessing is a simple and catchy piece by Craig McLeish. This piece will be particularly useful for school junior and community choirs and a tuneful introduction to singing simple contrapuntal lines.The second soprano part repeats the tune at bar 33 and should dominate here; the first sopranos and altos should support appropriately. Ease and beauty of tone should be of paramount importance throughout.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to moreexpansive yet accessible repertoire in an exciting variety of styles.Craig McLeish began his musical life as a chorister at St Paul’s Cathedral under Barry Rose. He began composing at the age of ten and his preces and responses for four trebles are still in the repertoire. After a degree at York University he returned to London to study at the Guildhall and sang again at St Paul’s as a tenor. At the time he also arranged and copied music for West End shows such as Les Miserables and Miss Saigon and played bass guitar for various groups. This led to a spell in the cult pop band ‘Fat & Frantic’ who shaved the top 100 twice with the whimsical anthem Last night my wife hoovered my head. He also worked as musical assistant for David Heneker (Half a Sixpence) and David Fanshawe (African Sanctus).In 1992 Craig became director of the Methodist Association of Youth Clubs Orchestra and Singers performing concerts throughout the UK and becoming involved in a number of recordings and BBC broadcasts. During this time he arranged more than 250 orchestral scores ranging from Queen to Calamity Jane Stravinsky and Stevie Wonder. Alongside this he began arranging and writing songs for children’s collections (Big Blue Planet Love Shone Down) and producing recordings and string arrangements for various artists (Sheila Walsh

Par MC CASKILL MIZZY. A well-written, easy, step-by-step method for learning tinwhistle. Contains big notes, illustrations, and a wealth of wonderful children's songs carefully scored and graded for the D tinwhistle. Written partially in easy-play notation, where the letter names of the notes are written inside the note heads, and partially in large standard notation. The play-along recordings contains every song in the book and serves as a guide to insure accuracy of interpretation and ease of learning. All record examples include solo whistle with multi-instrumental back-up. / Niveau : Débutant / All Styles - Methods / Méthode / Tin Whistle

Par ZEIDLER FRANZ. Texte du débutant un très populaire qui présente une méthode étape par étape d'instruction d'enregistreur soprano (descant) appuyée par des études soigneusement écrits, des exemples et des chansons. Cet ouvrage est conçu pour répondre à la demande pour une méthode claire, facile à comprendre et pédagogiquement bien construite, sous une forme adaptée à l'enseignement en salle de classe et de cours particuliers. Il peut être utilisé en classe avec la compagne de s'amuser avec les flûte Alto. / Niveau : Débutant / All Styles - Methods / Méthode / Flûte à Bec Soprano

aus 'Der getreue Musikmeister' für Altblockflöte und Basso continuo-Score lightly realised with figured Bass: 2 playing scores (Recorder and Basso Continuo).'Der getreue Musikmeister' (The faithful Music Master) occupies a special place in the history of musical publications since as far as we know it was the first regularly appearing musical periodical. A 'Lection' or lesson was published every two weeks in the form of a four-page leaflet presenting Vocal and Instrumental music in various scorings. Twenty-five of these leaflets are still extant today bound as a volume with a preface and index.The Recorder part of the Sonata in F major is notated throughout in the French Violin clef (g' on the first line). Thismethod of notation had become customary towards the end of the 17th century. It reduced the number of ledger lines necessary for the upper octave of the recorder which was frequently used at that time. The present edition omits arbitrary alterations of the musical text; the notation of this edition has only been altered to conform to modern conventions.

Par BAY WILLIAM. William Bay et Mike Buerk vous enseignent, d'une manière étape par étape, comment jouer l'enregistreur soprano ou descant. Les signatures de temps, objets tranchants et appartements et toutes les notes de base sont enseignées. En outre, vous serez capable de jouer avec plusieurs chansons de grand enregistreur, allant dans le style du classique de ballades irlandaises à ragtime Jazz blues ! Pour en savoir plus 70 enregistreur solos ! / Niveau : Débutant / All Styles - Methods / Méthode / Flûte à Bec Soprano

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Cette Méthode de Luth Baroque peut vous donner les bases techniques et musicales nécessaires à l?obtention d?une structure assez solide et complète du jeu du luth baroque. Et c?est là tout l?enjeu et le défi de l?écriture de cet ouvrage : donner, au plus grand nombre de passionnés, l?opportunité de s?exprimer à travers le luth baroque, et ce, indépendamment de leur niveau d?apprentissage. Notre livre est destiné non seulement à celui qui n?a jamais joué d?un instrument de musique, mais aussi au guitariste avisé qui veut s?initier aux mystères du luth baroque !

Mode d?emploi

Notre Méthode de Luth Baroque est divisée en trois parties.

La première partie, plutôt théorique, aidera à mieux comprendre la façon de jouer la musique écrite pour le luth baroque. Nous avons jugé indispensable d?avoir des connaissances élémentaires de solfège occidental mais aussi de la tablature (forme de notation musicale spécifique au luth). Ces connaissances, insuffisantes si étudiées de manière isolée, ont été enrichies d?un lexique des pièces instrumentales ainsi que de biographies de la plupart des compositeurs de musique pour luth baroque à 11 et 13 ch?urs.

En deuxième partie, nous avons dédié tout un chapitre à l?étude de la technique et de la production sonore du luth. Riche en photos et détails de toutes les étapes techniques que nous devrons franchir, ce chapitre est, sans aucun doute, le plus important de toute notre Méthode pour bien comprendre l?univers sonore du luth baroque ! Ensuite, nous vous proposons 21 exercices, tous d?un niveau élémentaire, mais progressifs, accompagnés de plusieurs pièces de musique. Vous allez d?abord jouer des mélodies pour ensuite ajouter les basses, et seulement après commencer à jouer les ornements.

En troisième partie, nous avons choisi près de 250 pièces pour luth baroque à 11 et 13 ch?urs. Ces pièces, divisées en trois niveaux, sont d?un degré de difficulté qui s?échelonne du niveau « débutant », « moyen » à « avancé ». Nous avons, tout comme à l?époque baroque, séparé ces pièces selon leurs tonalités et leur nom. Aussi, nous n?avons choisi que très peu de tonalités différentes, afin que le luthiste débutant puisse travailler l?essentiel de son instrument, au lieu de perdre son temps à essayer de s?accorder tout le temps et de jouer des morceaux bien trop complexes pour son niveau. Il n?y a pas de mauvaise musique mais, parfois, il y a de mauvais musiciens ! Faire de la musique n?est simplement pas jouer des notes et réaliser quelques acrobaties, souvent sans intérêt. Un musicien « mûr » se plaît le plus souvent à jouer une simple mélodie et à jouir des merveilles sonores de son instrument !

Nous espérons que cette méthode pourra aider ceux qui n?ont pas accès à un professeur (même si nous leur conseillons d?aller en voir un le plus régulièrement possible), mais aussi tous les professeurs n?ayant pas suffisamment de matériel pour faire travailler, d?une manière systématique, leurs élèves.
Bon courage à tous !
Miguel Yisrael - formerly Miguel Serdoura, now carrying the surname of his mother - was born in Lisbon, where he began his musical and artistic career, earning his Diploma in Classical Guitar in 1994. In 1995, he moved to Paris, where he studied the lute with Claire Antonini in the Early Music Department of the Conservatoire Supérieur de Paris - CNR. He also took part in several master classes in his discipline, with Rolf Lislevand and other prestigious artists. From 1999 to 2004, he completed his musical education at the Schola Cantorum Basiliensis in Basel, Switzerland with the grand maestro Hopkinson Smith.
As a soloist, Miguel Yisrael has given recitals in France, Portugal, United-Kingdom, Germany, Belgium, Switzerland, China and USA. In 2000, he took part in a television documentary devoted to the lutenist Hopkinson Smith, broadcast by Arte, Mezzo, Classica, RTBF and TSR. He currently lives and teaches baroque and renaissance lute in Paris, where he gives frequent concerts/lectures in the framework of the ?Musicien au Musée? program of the Musée de la Musique - Cité de la Musique in Paris.
Miguel Yisrael performs on lutes built by Cezar Mateus, Princeton, USA, and with strings from Mimmo Peruffo, Vicenza, Italy.
He recorded his first solo CD for the Dutch Label Brilliant Classics in 2008.

Alfred's Basic 5-String Banjo continues the Alfred Music tradition of easy-to-use, thorough, and enjoyable instruction for the absolute beginner. The basics of left- and right-hand picking are covered, including pinches, different kinds of rolls, and backup patterns. Basic left-hand techniques are introduced, including hammer-ons and slides, and chord diagrams are provided for both G-tuning and C-tuning. Important topics such as setting up the banjo, tuning, banjo heads, fingerpicks, strings, and capos are taught as well. Illustrations, diagrams, and photographs throughout the book make learning easy and fun. The accompanying CD includes 60 minutes of recordings performed by Dick Weissman that demonstrate all the exercises and songs in the book. Learning to play has never been more fun than with Alfred-s Basic 5-String Banjo -- the best choice for today's beginning banjo students. / Banjo