SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: AP.46660
UPC: 038081532752. English.
A march written predominately in a minor key? Crazy! This unique and fun-to-play march explores the tonal centers of F minor and D-flat major. Chock-full of rhythmic and dynamic elements, this is a great teaching piece that will be an exciting component of any concert or contest program.
SKU: AP.46660S
UPC: 038081532769. English.
SKU: HL.14030247
ISBN 9788759855423. English-French.
Chr istian August Sinding, born in 1856, studied music in addition to his academic studies throughout his school years, taking violin with Gudbrand Bohn and music theory with L.M. Lindeman, one of the most important musicians in Christiana (later renamed Oslo). In 1874 he followed the path of his famous countryman Edvard Grieg by going to Leipzig to study. There, his violin teacher was Schradieck and his theory and composition teacher was Jadassohn. It became obvious that his major talent was for composition, so he gave up his violin studies in favor of it. Piano sonata written in 1909.
SKU: MB.93235M
ISBN 9780786692781. 8.75 x 11.75 inches.
The most widely used beginning bass method available. Presents note reading, solo playing, and chord arpeggio studies. Included are handy charts of arpeggios featuring major, minor, augmented, diminished, seventh chords, and even upper harmonic extensions. Applicable to any style of music, this method has gained acceptance as the foundational text for electric bass study. Includes access to online audio and video.
SKU: HL.14031816
8.5x11.75x0.3 inches.
Though conceived as four separate movements, my second string quartet has a single motif which is common to them all. This is the three-note Muss es sein? from Beethoven's last quartet, Op. 135. But whereas Beethoven's theme is notated G E A flat, thus giving it an F minor connotation, I have sued an alternative spelling - G E G sharp - which suggests an ambiguous E minor-major. This ambiguity, in fact, becomes the tonal basis of the whole work, only to be resolved at the end of the final movement. Each movement begins with a variant of the basic motif on the cello. The first has the original form of the theme, while the second has a majorised version which is also expressed as a chord. The third movement, with its scherzoid middle section, reverts to the major-minor ambiguity of the first, and the finale begins with the majorised version as an ostinato accompaniment on pizzicato cello. The slow movement is sub-titled In memoriam DSCH and concludes with a quotation of Shostakovich's motto - D E flat C B - which is basically the same as Beethoven's with the addition of one note. This is not to imply that the work contains no other thematic material. One important theme, a rising fifth and a second, is also common to three of the movements, and is ultimately derived from my first quartet, Op. 1 of 27 years earlier, to which this second contribution to the form is in many ways like a sequel. Like the earlier work, too, this quartet is dedicated to my wife.
