15 Minutes Late

Format : Classique, PAL Langue : Français, Espagnol, Allemand, Anglais Région : Toutes les régions Rapport de forme : 1.77:1 Nombre de disques : 1 Studio : Opus Arte Date de sortie du DVD : 22 avril 2010 Durée : 110 minutes

Par BYSTROM BRITTA. Later the Same Day’ (2021) is a work for two soprano saxophones by Britta Byström. The work is 8 minutes long and was first performed May 1, 2021 by Anders Paulsson/ Répertoire / 2 Saxophones Soprano

A Do-It-Yourself Musical Program-Celebrate falling leaves marching bands harvest patriotism and the message of Veterans Day with this creative program resource packed with materials and suggestions to customize your own show and involve students in the processof putting on a show! Perfect to perform in late October or November this program package has it all – piano/vocal arrangements reproducible vocal lines and connecting narration highlighted teaching concepts and tips specialty dances costuming and staging tips and optional instrument parts. There are also suggestions for related activities to extend across the curriculum for learning that lasts! There are special graded songs forK-1 2-3 and 4-6 but you may use any of the songs for any grade level depending on your singers' abilities. The whole program is approximately 30 minutes in length. If you want a longer program include songs your students havelearned in music class; or if a shorter program suits your needs cut some of the songs. It's your show! Recorded CD accompaniments are also available separately or can be purchased with the Teacher Edition in the dollar-savingClassroom Kit. Available separately: Teacher Edition Accompaniment CD Classroom Kit (Teacher and Accompaniment CD). Duration: ca. 30 minutes. Suggested for grades K-6.

Four Double Basses. Eight well-known Christmas carols in a new guise. Score and parts.The Programme of Christmas Carols was first performed in New Orleans in 1976. In its original version the players were required to wear Dickensian costume and a seasonal narrative preceded each of the carol arrangements. The texts appear below.Duration without text: c.20 minutesDuration with text: c.45 minutesIntroduction by Robert RoheThe introductory text assembled with the kind assistance of Father Peacock of Loyola University of New Orleans was designed for use where the receptivity of the audience warrants. So little is known about thebeloved Christmas carols it is fitting that a brief sketch of the carols' past be used to enhance the familiar music.If desired the introductory text may be omitted at the discretion of the performers.The brief text preceding each carol should be used to acquaint the audience with what to expect from a quartet that will be playing the unexpected. The text also will pace the program and will extend performance time to around 45 minutes.In performance the bass viol quartet of New Orleans wore peaked caps and turtle necked sweaters to simulate the street performers of Dickens' time. The choice of four string basses for this program was to bring the closest relatives of the true viol into play.History and development of the Christmas CarolThe celebration of the birth of Jesus Christ has been observed for nearly 2 000 years through the ritual of the Christian Church with part of that ritual being devoted to celebration in song. In those early days church music was sung only no musical instruments taking part in the service.The type of song used by the church had the name 'plain-song'. It was a single line of melody plain and unadorned sung by one or more voices. By the year 1660 A.D. it had developed a second name 'The Gregorian Chant' after Pope Gregory who encouraged the use

Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano

Par PART ARVO. It takes 75 minutes to relate the story of the Passion according to the Latin of St John's Gospel; Pärt uses solo singers for the roles of Pilate and Christ, and a group of four soloists (soprano, counter tenor, tenor and bass) for the Evangelist, together with a small chorus. Understatement is all: the instrumental accompaniment is confined to a quartet of woodwind and strings that underpins the Evangelist quartet, and an organ to support the remaining singers. Each distinct group has its own scraps of melodic material, which are constantly varied and repeated. Everything proceeds in rhythmic unison, so that the effect js ritualistic and highly austere. (Andrew Clements, Financial Times, 12. 6. 1986) Arvo Pärts 'Passio Domini nostri Jesu Christi secundum Joannem' relates the story of the Passion according to the Latin of St John's Gospel./ Répertoire / Solistes, SATB Choeur et 4 Instruments

John Luther Adams' Five Athabascan Dances for Harp and Percussion. Duration: 16 minutes. 'These pieces are inspired by the music and spirit of the Athabascan people ofAlaska's boreal forest. The first and third dances are based on songs by Joe Beetus a Koyukon elder from the village of Huslia. The second dance is based on a short traditional song of the Dena'ingpeople of the Kenai Peninsula as remembered by the late Peter Kalifornsky and transcribed by the late Thomas F. Johnston. In their original setting these melodies would be sung in unison with no harmony orcounterpoint. Working as a composer in the Western tradition I have extended and transformed them in many ways. I have 'borrowed' and 'set' these melodies with permission and with the hope that my treatment ofthem conveys my profound respect for their origins. The second and third pieces are derived from my setting of poems by Adeline Peter Raboff written in the dialect of her Gwich'in people who inhabit the countryfrom Arctic Village to Old Crow. I offer this music as a gesture of respect to the first peoples of the Northern Interior and the Kenai Peninsula.' - John Luther Adams

The Violin Concerto was commissioned by Stiftung Schleswig-Holstein Musik Festival. It was first performed by Gidon Kremer (violin) and the Schleswig-Holstein Musik Festival Orchester conducted by DennisRussell Davies at the Musikhalle Hamburg Germany on 29 August 2003. Interpolated within this one-minute-one-movement layout is a recurrent refrain where the soloist articulates one of the basic harmonic foundations of anumber of the one minute sections (six dominant 7ths - on E F sharp C A B D) in an undisguised Bachian fashion. The slow arpeggios in the later variants of the refrain not unexpectedly find themselves sharing a bed with theopening of Berg's Violin Concerto. Nyman has effectively adopted Berg's orchestral template with two exceptions - the omission of the alto Saxophone and replaced Berg's Percussion section with Marimba and Vibraphone mallet instruments which intertwine with the soloist in the Concerto. Alban Berg's Violin Concerto was dedicated to 'the memory of an angel' Manon Gropius. Nyman's Concerto was dedicated to the memory of DanielToscan du Plantier a friend and neighbour - in Nyman's words 'certainly no angel but a major figure in the recording and film industries'. Arranged for solo Violin and Piano accompaniment the duration of thiswork is approximately: 25 minutes.

A Holiday Musical for Young Singers-A Holiday Musical for Young Singers. It's holiday time and the clock is ticking! The elves are happily bustling around putting the final touches on the presents that Santa will soon be delivering to children all around the world. Everyone is excited - except for lead elf Carol. Holiday Time? Big deal! Carol is the definition of the word grump. In the dictionary under the word grump there are no words just Carol's picture! Join the fun as the ghosts of holiday past present and future each pay a visit to Carol and help her see why holiday time IS a big deal and that it's never too late to change! This delightful 30-minute holiday musical features 6 songs for unison voices withoptional harmony and a script with 20 speaking parts easily adapted to casts of varying sizes. The Teacher Edition includes piano/vocal arrangements choreography dialog and helpful production guide. Singer books provide vocal lines and dialog. Top off your performance with the professionally-produced orchestrations on the Performance/Accompaniment CD. Available: Teacher Edition Singer Edition 5-Pak Preview CD (with vocals) Perf/Accomp CD. Performance Time: Approx. 30 minutes. For Gr. 3-6.

A Holiday Musical for Young Singers-It's holiday time and the clock is ticking! The elves are happily bustling around putting the final touches on the presents that Santa will soon be delivering to children all around the world. Everyone is excited - except forlead elf Carol. “Holiday Time? Big deal!” Carol is the definition of the word “grump”. Join the fun as the ghosts of holiday past present and future each pay a visit to Carol and help her see why holidaytime IS a big deal and that it's never too late to get the holiday spirit! This delightful 30-minute holiday musical features 6 songs for unison voices with optional harmony and a script with 20 speaking parts easily adapted tocasts of varying sizes. The Teacher Edition includes piano/vocal arrangements choreography dialog and helpful production guide. Singer books provide vocal lines and dialog. Top off your performance with theprofessionally-produced orchestrations on the Performance/Accompaniment CD. Available: Teacher Edition Singer Edition 5-Pak Preview CD (with vocals) Perf/Accomp CD. Performance Time: Approx. 30 minutes. For Gr. 3-6.

Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.But before that great work in his use of Englsh folksongs Gnostic texts and these Vedic hymns one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In Savitri he makes use of modal styles bitonality austerity ofOrchestration in some places richness of texture in others and an ability to suggest Indian exoticism. The piece has a performance time of thirty minutes and has minimal staging requirements.

Full Score-The first feature film collaboration between Peter Greenaway and Michael Nyman made in 1983 following a major series of short/independent films they made together - including The Falls and A Walk throughH. A draughtsman is commissioned by a landowner in the late 17th century to make 12 drawings of his property. Every note of the score was derived from the music of Purcell and was written for the Michael NymanBand. This concert suite which was made in 2001 and first performed in Hanover was specially revised for an all-Nyman concert given by the composer and the BBC Concert Orchestra at the Royal Festival Hall Londonin June 2003. Written for Orchestra and Harpsichord the suite lasts approximately 16 minutes.