Missa In C Kv 167 (Trinitatis)

SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones]

SKU: CA.4061511

Trinitatismesse. Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Trinitatis-Messe) Rev.2002. Sacred vocal music, Masses, Latin, Trinity. Single Part, Violin 1. Composed 1773. KV 167. 16 pages. Duration 28 minutes. Carus Verlag #CV 40.615/11. Published by Carus Verlag (CA.4061511).

ISBN 9790007073589. Key: C major. Language: Latin.

Score available separately - see item CA.4061500.

SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones]

SKU: CA.4061509

Trinitatismesse. Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. 1x 40.615/21 oboe 1, 1x 40.615/22 oboe 2, 1x 40.615/31 clarino 1, 1x 40.615/32 clarino 2, 1x 40.615/33 trumpet 1, 1x 40.615/34 trumpet 2, 1x 40.615/35 trombone 1, 1x 40.615/36 trombone 2, 1x 40.615/37 trombone 3, 1x 40.615/41 timpani. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Trinitatis-Messe) Rev.2002. Sacred vocal music, Masses, Latin, Trinity. Set of Orchestra Parts. Composed 1773. KV 167. 60 pages. Duration 28 minutes. Carus Verlag #CV 40.615/09. Published by Carus Verlag (CA.4061509).

ISBN 9790007073572. Key: C major. Language: Latin.

Score available separately - see item CA.4061500.

SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones]

SKU: CA.4061513

Trinitatismesse. Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Trinitatis-Messe) Rev.2002. Sacred vocal music, Masses, Latin, Trinity. Single Part, Cello/Double Bass. Composed 1773. KV 167. 12 pages. Duration 28 minutes. Carus Verlag #CV 40.615/13. Published by Carus Verlag (CA.4061513).

ISBN 9790007073602. Key: C major. Language: Latin.

Score available separately - see item CA.4061500.

SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones]

SKU: CA.4061500

Trinitatismesse. Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Trinitatis-Messe) Rev.2002. Sacred vocal music, Masses, Latin, Trinity. Full score. Composed 1773. KV 167. 80 pages. Duration 28 minutes. Carus Verlag #CV 40.615/00. Published by Carus Verlag (CA.4061500).

ISBN 9790007089290. Key: C major. Language: Latin.

Orchestra SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones]

SKU: CA.4061507

Trinitatismesse. Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Trinitatis-Messe) Rev.2002. Sacred vocal music, Masses, Latin, Trinity. Study score. Composed 1773. KV 167. 80 pages. Duration 28 minutes. Carus Verlag #CV 40.615/07. Published by Carus Verlag (CA.4061507).

ISBN 9790007073855. Key: C major. Language: Latin.

Score available separately - see item CA.4061500.

(Trinitatismesse). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones]. This edition: Paperbound. C-Dur (C major). Stuttgart Urtext Edition. German title: Missa in C (Trinitatis-Messe) rev.2002. Latin Masses, Trinity. Vocal score. Language: Latin. Composed 1773. KV 167. 72 pages. Duration 28 minutes. Published by Carus Verlag

SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones]

SKU: CA.4061549

Trinitatismesse. Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Trinitatis-Messe) Rev.2002. Sacred vocal music, Masses, Latin, Trinity. Single Part, Organ. Composed 1773. KV 167. 24 pages. Duration 28 minutes. Carus Verlag #CV 40.615/49. Published by Carus Verlag (CA.4061549).

ISBN 9790007073619. Key: C major. Language: Latin.

Score available separately - see item CA.4061500.

SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones]

SKU: CA.4061505

Trinitatismesse. Composed by Wolfgang Amadeus Mozart. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Trinitatis-Messe) Rev.2002. Sacred vocal music, Masses, Latin, Trinity. Choral Score. Composed 1773. KV 167. 28 pages. Duration 28 minutes. Carus Verlag #CV 40.615/05. Published by Carus Verlag (CA.4061505).

ISBN 9790007073565. Key: C major. Language: Latin.

Score available separately - see item CA.4061500.

Continuo realization (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-11

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 60 pages. Duration 60'. Breitkopf and Haertel #OB 5589-11. Published by Breitkopf and Haertel (BR.OB-5589-11).

ISBN 9790004344170. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violin 2 (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-16

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 36 pages. Duration 60'. Breitkopf and Haertel #OB 5589-16. Published by Breitkopf and Haertel (BR.OB-5589-16).

ISBN 9790004344200. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Double bass (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-27

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 28 pages. Duration 60'. Breitkopf and Haertel #OB 5589-27. Published by Breitkopf and Haertel (BR.OB-5589-27).

ISBN 9790004344231. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Continuo (figured) (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-12

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 36 pages. Duration 60'. Breitkopf and Haertel #OB 5589-12. Published by Breitkopf and Haertel (BR.OB-5589-12).

ISBN 9790004344187. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Woodwinds (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-30

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Set of parts. 108 pages. Duration 60'. Breitkopf and Haertel #OB 5589-30. Published by Breitkopf and Haertel (BR.OB-5589-30).

ISBN 9790004344248. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violin 1 (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-15

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 36 pages. Duration 60'. Breitkopf and Haertel #OB 5589-15. Published by Breitkopf and Haertel (BR.OB-5589-15).

ISBN 9790004344194. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.PB-5589

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; Softbound. Partitur-Bibliothek (Score Library). Mass; Baroque. Full score. 316 pages. Duration 60'. Breitkopf and Haertel #PB 5589. Published by Breitkopf and Haertel (BR.PB-5589).

ISBN 9790004213995. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violoncello (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-23

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 60'. Breitkopf and Haertel #OB 5589-23. Published by Breitkopf and Haertel (BR.OB-5589-23).

ISBN 9790004344224. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Viola (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-19

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 60'. Breitkopf and Haertel #OB 5589-19. Published by Breitkopf and Haertel (BR.OB-5589-19).

ISBN 9790004344217. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Chorus (with soloists) and piano (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.EB-8909

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Matthias (KlA) Grunert. Choir; Softbound. Edition Breitkopf. Mass; Baroque. Piano/Vocal Score. 108 pages. Duration 60'. Breitkopf and Haertel #EB 8909. Published by Breitkopf and Haertel (BR.EB-8909).

ISBN 9790004185759. 7.5 x 10.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive. Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung) Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

( in honorem sanctissimae trinitatis ). By Josef Gabriel Rheinberger. Edited by Wanger, Harald. For SATB Choir. Missa brevis, Latin. Score. Language: Latin. Composed 1880. 117. 20 pages. Duration 19 min

Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Paul Horn. For SATB choir, 2 oboes, 2 clarinos/trumpets, 2 trumpets, timpani, 2 violins, basso continuo, [3 trombones]. Stuttgart Urtext Edition. German title: Missa in C (Trinitatis-Messe) rev.2002. Latin Masses, Trinity. Complete orchestral parts. Language: Latin. Composed 1773. KV 167. Duration 28 minutes. Published by Carus Verlag