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Missa 'Te Deum Laudamus' A 2 Voci Pari Con Org. Bassi
7.40 EUR
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Missa In C (MOZART WOLFGANG AMADEUS)
42.90
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
42.90 EUR - vendu par LMI-partitions
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Missa In C (MOZART WOLFGANG AMADEUS)
18.90
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
18.90 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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Missa In C (MOZART WOLFGANG AMADEUS)
50.40
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
50.40 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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Missa In C (MOZART WOLFGANG AMADEUS)
20.80
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
20.80 EUR - vendu par LMI-partitions
Délais:
En Stock
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Détails
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Missa In C (MOZART WOLFGANG AMADEUS)
16.70
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
16.70 EUR - vendu par LMI-partitions
Délais:
2-5 jours - En Stock Fournisseur
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Missa In C (MOZART WOLFGANG AMADEUS)
8.90
Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
35.30
Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Clavier
[Partition]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Mass B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
17.98
Mass B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
Piano seul
[Partition]
Barenreiter
Par BACH JOHANN SEBASTIAN. L'Edition (NBA) Volume New Bach de la Messe de JS Bac...
(+)
Par BACH JOHANN SEBASTIAN. L'Edition (NBA) Volume New Bach de la Messe de JS Bach en si mineur BWV 232 est l'édition définitive des générations de chanteurs et de musiciens. Toutefois, la Bach Archive Leipzig en conjonction avec Bärenreiter nous efforCons constamment d'apporter de nouvelles découvertes de la recherche éditoriale de la scène. C'est précisément pour cette raison qu'une nouvelle édition révisée de la Messe en si mineur va maintenant apparaître. L'édition Urtext exécution est basé sur le premier tome de la nouvelle série du volume 15 New Bach Edition révisée (NBA rev). Edité par Uwe Wolf, l'un des directeurs de la recherche à la Bach Archive Leipzig, cette nouvelle édition de la messe présentera de nouvelles découvertes et de nouvelles connaissances. Pour la première fois de la partie de Dresde 1733, qui ont été en grande partie écrit par Bach, sont inclus aussi précieux matériau source supplémentaire à la partition autographe. Dans le même temps des méthodes scientifiques stateoftheart (xray spectrographe) dans la partition manuscrite de Bach apportent un éclairage sur les ajouts faits par CPE Bach et autres. Les méthodes permettent également une analyse en profondeur des zones qui ont été érodés dans une large mesure par l'encre érosion biliaire. Les 'Pièces Dresden' de précieuses informations pour les lectures de la partition autographe de la Missa peuvent être tirées des 'parties' de Dresde 1733, en grande partie écrites par Bach luimême. Les différentes lectures des pièces sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. A la recherche de l'état d'origine du manuscrit autographe utilisant des méthodes scientifiques pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant l'analyse d'encre (xray spectrographie de plus de 500 endroits dans la partition). Toutes les corrections, ajouts et modifications par le fils et les lieux de Bach qui restent douteux (en raison de ferrogallique érosion d'encre) apparaissent dans l'édition entre crochets./ Répertoire / Piano
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Messe H-Moll
149.70
Messe H-Moll
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partitur; Gesamtausgabe]
Barenreiter
/ Divers
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
13.00
Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Partition]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
13.30
Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Partition]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
13.00
Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Partition]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
13.00
Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Partition]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
33.30
Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Partition]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
70.60
Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Partition]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
41.60
Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
13.00
Missa Sub Titulo Sancti Francisci Seraphici (Franziskus-Messe)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
[Partition]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...
(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
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Der Mensuralkodex Des Nikolaus Apel Der Universitätsbibliothek Leipzig, Teil III. Das Erbe Deutscher Musik, VII/6
157.80
Der Mensuralkodex Des Nikolaus Apel Der Universitätsbiblioth ek Leipzig, Teil III. Das Erbe Deutscher Musik, VII/6
Voix, Instruments
[Partition]
Barenreiter
Das Erbe Deutscher Musik, VII/6. / Recueil / Voix, Instruments
157.80 EUR - vendu par LMI-partitions
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Missa In C (MOZART WOLFGANG AMADEUS)
6.60
Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines
[Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines
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Missa In C (MOZART WOLFGANG AMADEUS)
6.60
Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines
[Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines
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Major Choral Works 1550-1922 Vocal Scores (Version 2.0)
Chorale
[CD Sheet Music]
Subito Music
For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 5400 p...
(+)
For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 5400 pages. Published by Subito Music.
$28.95 - Voir plus => Acheter
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Johann Sebastian Bach: Mass In B Minor
Chorale SATB
SATB, Piano
[Vocal Score]
Peters
Composed by Johann Sebastian Bach (1685-1750), edited by Chrisoph Wolff, Johanne...
(+)
Composed by Johann Sebastian Bach (1685-1750), edited by Chrisoph Wolff, Johannes Muntschick. BWV 232. For SSATB solos, SSATB choir and piano accompaniment. Urtext. Format: vocal score. With choral notation, piano reduction and introductory text. Baroque. Text language Latin. 199 pages. 7.5x10.5 inches. Published by C.F. Peters.
(1)
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Mass in B minor
[Conducteur]
Barenreiter
Mass for Soloists, Chorus and Orchestra. Urtext of the New Bach Edition. (Perfor...
(+)
Mass for Soloists, Chorus and Orchestra. Urtext of the New Bach Edition. (Performance Material for sale = BA 5102). By Johann Sebastian Bach. Edited by Smend, Friedrich. For Soprano Solo (2), Alto Solo, Tenor Solo, Bass Solo, Mixed Choir-SSAATTBB, Flute (2), Oboe 1/Oboe D'amore (A) 1/English Horn 1, Oboe 2/Oboe D'amore (A) 2/English Horn 2, Oboe 3, Bassoon (2), Horn, Trumpet (3), Kettledrum, Strings, Basso Continuo/Organ. Neue Bach-Ausgabe. Serie II, Band 1. Score; Urtext Edition; Complete Edition (cloth bound). BWV 232. Published by Baerenreiter-Ausgaben (German import). (BA5001 01)
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Missa 'te Deum Laudamus'
Ricordi
Choir (Highlights) SKU: HL.50580611
A 2 Voci Pari Con Organo - Bassi(+)
Choir (Highlights)
SKU: HL.50580611
A 2 Voci Pari Con Organo - Bassi
. Composed by Lorenzo Perosi. Ricordi. Mass. Score Only. Composed 1984. Ricordi #NR127520. Published by Ricordi (HL.50580611).
Italian.
$7.00 - Voir plus => Acheter
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2 to 3 weeks
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Missa Te Deum Laudamus
Chorale Unison
Ricordi
Choir SKU: HL.50493441
A 2 Voci Pari Con Organo
. Composed by Loren...
(+)
Choir
SKU: HL.50493441
A 2 Voci Pari Con Organo
. Composed by Lorenzo Perosi. MGB. Mass. Score Only. Ricordi #NR102299. Published by Ricordi (HL.50493441).
Italian.
A 2 VOCI PARI CON ORGANO - PARTITURA.
$11.95 - Voir plus => Acheter
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2 to 3 weeks
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