Missa in B (Mass in B flat major) (Messe en si bemol majeur)

SKU: CA.5020100

ISBN 9790007087180.

SKU: BA.BA04661-74

ISBN 9790006452521. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04661-65

ISBN 9790006452507. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04661-67

ISBN 9790006452514. 24 x 29.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04659-79

ISBN 9790006452392. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04656-75

ISBN 9790006524075. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04656-67

ISBN 9790006524051. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04659-75

ISBN 9790006452385. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04656-01

ISBN 9790201855929. 33 x 26 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn. Identical with HN 5592 of G. Henle Verlag, Munich.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA04656-74

ISBN 9790006524068. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04656-65

ISBN 9790006524044. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04659-82

ISBN 9790006452408. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04661-82

ISBN 9790006452552. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04656-82

ISBN 9790006524099. 32.5 x 25.6 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04659-74

ISBN 9790006452378. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04661-79

ISBN 9790006452545. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04661-75

ISBN 9790006452538. 32.5 x 25.5 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: BA.BA04656-79

ISBN 9790006524082. 32.5 x 25.6 cm inches. Key: B-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: CA.2709705

ISBN 9790007188962. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.

SKU: CA.2709700

ISBN 9790007188948. Key: E flat major. Latin.

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time.