Modern School For Snare Drum With A Guide For The Artist-percussionist

SKU: MH.1-59913-050-5

ISBN 9781599130507.

Char les Dickens certainly would have known the three carols in A CHARLES DICKENS CHRISTMAS. They were among the best-known and best-loved carols of the Victorian Era, and were a staple of the repertoire of roving waits, or carollers, that appear in his novels. Today this music is as familiar as Santa Claus and Tiny Tim. THE FIRST NOWELL was first collected in Christmas Carols, Ancient and Modern by William Sandys in 1833. It is most probably 200 years older than that. The Oxford Book of Carols contains nine verses, which makes it an ideal processional for Christmas or Epiphany (the feast commemorating the coming of the Magi). COVENTRY CAROL, or Lully, Lullay, comes from the medieval tradition of mystery and miracle plays. In 1534 the Pageant of the Shearman and Tailors Guild included a scene in which the mothers of Jewish children sang this haunting lullaby after hearing the horrifying order: Herod the king, In his raging, All young children to slay. The music is anonymous; the text believed to be by Robert Croo. ANGELS WE HAVE HEARD ON HIGH is probably of French origin, but the English long ago adopted it as their own. Besides the French text, Les Anges dans nos compagnes, it is known in several versions and by several titles, including Angels from the Realms of Glory, When the Crimson Sun Had Set, and Westminster Carol. It belongs to a category known as macaronic carols, which mix vernacular verses with Latin refrains - in this instance, Gloria in Excelsis Deo (Glory be to God on High). Ensemble instrumentation: 1 Piccolo, 8 Flute, 2 Oboe, 1 Bassoon 1, 1 Bassoon 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1, 2 F Horn 2, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (Bass Clef), 2 Euphonium (Treble Clef), 5 Tubas, 1 Timpani, 2 Bells & Chimes, 3 Percussion 1: small triangle, suspended cymbal, crash cymbal, snare drum, bass drum, 2 Percussion 2: large triangle, finger cymbals.

SKU: CF.YPS264

ISBN 9781491163641. UPC: 680160922437.

The Gift To Be Simple was commissioned by the North Bethesda (Maryland) Middle School Band, where Monica Hepburn is the director. Monica is a former student and graciously asked me to write this for her band. I aimed to take this traditional Shaker song and add modern harmonies, rhythms, and instrumentation.With that in mind, the introduction is similar to the lyrical setting of the original. Measure 5 creates a lively rhythmic motive for the ensemble where the members should match note lengths and style. Be sure that the clarinet and saxophone are the predominant motives at m. 18 so the melody can be fully realized. At mm. 26 and 38, be sure that the rhythmic accompaniment does not overpower the melody and that they adhere to all articulations. Finally, the marking forte-piano followed by a crescendo at m. 53 is critical for the final musical push to the end of the piece.I hope you and your ensemble enjoy performing The Gift To Be Simple.

SKU: CF.YPS264F

ISBN 9781491164044. UPC: 680160922833.

The Gift To Be Simple was commissioned by the North Bethesda (Maryland) Middle School Band, where Monica Hepburn is the director. Monica is a former student and graciously asked me to write this for her band. I aimed to take this traditional Shaker song and add modern harmonies, rhythms, and instrumentation.With that in mind, the introduction is similar to the lyrical setting of the original. Measure 5 creates a lively rhythmic motive for the ensemble where the members should match note lengths and style. Be sure that the clarinet and saxophone are the predominant motives at m. 18 so the melody can be fully realized. At mm. 26 and 38, be sure that the rhythmic accompaniment does not overpower the melody and that they adhere to all articulations. Finally, the marking forte-piano followed by a crescendo at m. 53 is critical for the final musical push to the end of the piece.I hope you and your ensemble enjoy performing The Gift To Be Simple.