Molto Tranquillo

SKU: HL.49027532

ISBN 9790001116916. 9.25x12.0x0.205 inches.

The 10 easy pieces adapted from piano pieces from the famous collection For Children offer an ideal approach to modern music. Numerous school orchestras have played this music with fun and success. Because the individual parts are technically easy, one may concentrate at once on interpretational subtleties (rubato, articulation, tonal nuances etc.).

SKU: HL.49027525

ISBN 9790001116909. 9.0x12.0x0.072 inches.

The 10 easy pieces adapted from piano pieces from the famous collection For Children offer an ideal approach to modern music. Numerous school orchestras have played this music with fun and success. Because the individual parts are technically easy, one may concentrate at once on interpretational subtleties (rubato, articulation, tonal nuances etc.).

SKU: M7.DOHR-94113

ISBN 9790202001134.

SKU: HL.48180140

UPC: 888680794736. 9.0x12.0x0.052 inches.

Pièce by Gabriel Fauré is a piece for flute, oboe or violin, with piano accompaniment. This romantic piece in A only features one movement. Small, it is really melodious and quite slow:?Adagio, molto tranquillo. Rated as quite difficult, upper-intermediate players will enjoy playing it for recitals. The book includes an insert with the instrument only part. Gabriel Fauré was a French composer, organist, pianist and teacher. He is one of the most important composers of his generation, with pieces such as Pavane or Requiem.

SKU: FV.FUE-2600

ISBN 979-0-50012-160-2.

Expresses sorrow in the 1st movement, anger in the second and reconcilation in the third. Suitable for lecture recitals, memorial services or as a recital piece. Grade IV.

WP: February 1982 The Westchester Concervatory of Music, White Plains NY, Ruth Schonthal, piano

CONTENT
1 . Andante con moto, 2. Allegro non troppo, 3. Molto tranquillo.

SKU: HL.48181004

UPC: 888680878696. 9.0x12.0x0.044 inches.

Part of the collection Nine Pieces for bassoon and piano regrouped and transcribed by Fernand Oubradous, Piece is a work initially composed by Gabriel Faure. Quite difficult, it would match the skills and abilities of advanced players. This sensitive piece for bassoon in E flat is quite melodious: the main theme introduced by the piano is repeated by the bassoon who will lead the music from that moment. Written Adagio, molto tranquillo, it is quite slow and nice to listen to. It would be perfect to execute in a recital. Gabriel Faure was a French composer, organist, pianist and teacher. He is one of the most important composers of his generation, with pieces such as Pavane or Requiem.

SKU: HL.49045209

ISBN 9790001160650. 9.0x12.0x0.074 inches.

Composed for the 90th birthday of Gyorgy Kurtag, the only five-minute trio is characterized by a condensed, contemporary spirit of playing. The change between piccolo and alto flute, magical sound surfaces of the piano and the scordatura of the cello again and again lead to new combinations. The piece concludes, with a wink, with a gradual downward move in quarter-tone steps on the low string of the cello to the Contra G, the initial of the composer celebrating his birthday.

SKU: PR.114424090

ISBN 9781491137383. UPC: 680160690107.

Strav insky’s 1918 Three Pieces for Solo Clarinet has long been savored by clarinetists as a rare gem in the instrument’s repertory, full of rhythmic drive and Stravinsky’s jazzy neo-classicism. Composer and clarinetist Gregory M. Barrett’s remarkable adaptation for 3 clarinets is a tour de force, assimilating Stravinsky’s harmonic, rhythmic, and contrapuntal style to create a striking addition to the clarinet literature.
Igor Stravinsky’s Three Pieces for Solo Clarinet (1918) is a core work in clarinetists’ repertoire, and I havereimagined it for the convivial grouping of three players. The arrangement contains all of Stravinsky’sorigin al, but now his solo line is shared among three in a new matrix of harmony, imitation, andcounterpoint.The molto tranquillo first piece develops from the emphasized C# in Stravinsky’s first measure andmoves to a somewhat somber mood when C# is revealed to be the dominant of F# minor. Withincreasing expansion of tessitura in the sustained harmonies, the sun comes out in the last phrase with ajoyous Eb major chord.The circus-like second piece finds the three clarinets whirling in the air in synchronized trapeze artiststyle. The emphasis is on imitation and fluid hand-offs. Chords with major 7ths and 2nds contrast withtriadic harmony. Following the cat and mouse middle section, where dancing patterns of twos andthrees alternate, the summit of the big top is reached again just before the players settle down to earthwith a welcome C major chord of respite.The ragtime burlesque of Stravinsky’s third piece is heightened by homophonic rhythm among the threeplayers. Each clarinet part has its own specialty. Clarinet 1 loves 32nd notes, Clarinet 2 shows off with fasttriplets, and Clarinet 3 likes the low notes and in general supporting its friends. Quartal harmony withstacked 4ths is emphasized, but where Stravinsky’s melody suggests triads, I have taken his hint. Thepropulsive rhythms are truly exciting, and with the wink of an eye, the music ends all too soon.

SKU: HL.48023890

ISBN 9781495077722. UPC: 888680640101. 9.0x12.0x0.223 inches.

Books 1 and 2 have been combined, making this a great value for piano teachers and students. Authorized revised edition.

SKU: M7.AST-7076

ISBN 9790203870760.

SKU: HL.49000674

ISBN 9790001004930.

(1. Spieler: Vibraphon, Xylophon, Xylomarimba - 2. Spieler: Glockenspiel, Xylomarimba [oder Marimba] - 3. Spieler: Hi-hat, Tempelblock, Congas, Guiro, Snare Drum, Tambourin, Cowbell, Klangstab [oder Marimba oder Pauke], Crotales, Vibraphon - 4. Spieler: Pedal-Tomtom [Pedalpauke], Tempelblock, Bell Tree, Guiro, Tom-Toms, Snare Drum, Tambourin, Cowbell, Kastagnette, Woodblock, Sizzle-Cymbal, China-Cymbal, Klingende Stabe [oder Pauken]) / (1. player: vibraphone, xylophone, Xylomarimba - 2. player: glockenspiel, Xylomarimba [or Marimba] - 3. player: Hi-hat, temple block, congas drums, Guiro, Snare Drum, Tambourin, Cowbell, Klangstab [or Marimba or timpani], Crotales, vibraphone - 4. player: Pedal-tom-tom [Pedaltimpani], temple block, Bell Tree, Guiro, Tom-Toms, Snare Drum, Tambourin, Cowbell, Kastagnette, Woodblock, Sizzle-Cymbal, China-Cymbal, Klingende Stabe [or timpani]).

SKU: BT.DHP-1135417-215

9x12 inches. English-German-French-Dut ch.

This suite with a four-part instrumentation is comprised of three cheerful, imaginative movements: firstly Yellow Duck Shuffle, a bluesy, swinging section; next comes Purple Panda Polka, a lively, modern polka in which a funny dancing pair of pandas take centre stage; and finally the third movement entitled Pink Donkey Boogie is a gentle boogie-woogie. The musical motifs are played in all four parts giving every instrumentalist a chance to take the lead.

Deze vierstemmige suite bestaat uit drie vrolijke delen die stuk voor stuk tot de verbeelding spreken. De Yellow Duck Shuffle is een swingend, bluesachtig deel waarin het ritmische gekwaak van een jong eendje te horen is. De Purple Panda Polka is een snelle, moderne polka waarin een grappige paarse pandabeer al dansend de hoofdrol speelt. Het derde deel, Pink Donkey Boogie, is een rustige boogiewoogie met als terugkerend motief het herkenbare ‘ia’ van een swingende ezel. In de gehele suite lopen de melodische thema’s door alle vier de stemmen heen, zodat elke partij op haar beurt de boventoon voert.

Diese vierstimmige Suite besteht aus drei fröhlichen, fantasieanregenden Sätzen: Auf den Yellow Duck Shuffle, einen swingender, bluesartigen Satz, folgt die Purple Panda Polka, eine flotte, moderne Polka, in der ein drolliges, tanzendes Panda-Pärchen die Hauptrolle spielt. Der dritte Satz mit dem Titel Pink Donkey Boogie ist ein ruhiger Boogie Woogie. Die musikalischen Themen wechseln durch alle vier Stimmen durch, sodass jede Stimme einmal führen darf.

Cette suite en quatre parties se compose de trois phrases pétillantes de fantaisie. Yellow Duck Shuffle propose un motif oscillant entre le blues et le swing. Purple Panda Polka offre une moderne polka qui permettra un drôle de couple de pandas d’évoluer sur la piste de danse. Enfin, Pink Donkey Boogie, troisième et dernier mouvement, ramène le calme au coeur de la joyeuse troupe avec un thème boogie woogie résolument modéré. Cette charmante suite a été composée afin de mettre l’ensemble des pupitres de votre orchestre en valeur, car chacun aura, son tour, la possibilité de jouer le thème principal.

Yell ow Duck Shuffle, un movimento in stile swing e blues, e una polka molto moderna (Purple Panda Polka), sono i primi due movimenti di questa suite gioiosa, perfetta per stimolare la fantasia. Il terzo movimento, Pink Donkey Boogie è un tranquillo boogie woogie. I temi musicali sono presenti in tutte quattro le voci previste in questo brano, così da permettere a tutto l’organico di esibirsi come solista.

SKU: BR.PB-4870-07

World premiere: Saarbrucken, December 18, 1972

ISBN 9790004206676. 6.5 x 9 inches.

World premiere Saarbrucken, December 18, 1972 World permiere Saarbrucken, December 18, 1972


Rhapsodia (Andante con Moto)
Scherzo (Allegro con brio)
Aria (Andante tranquillo)
Rondo (Allegro molto)

Apeiron (das Unbegrenzte) ist ein Versuch geistige Erfahrungen Riten Mysterienerlebnisse in einem uberkonfessionellen geistigen Stuck in musikalischen Zusammenhang zu bringen. Grundmaterialien sind Fragmente des gregorianischen und protestantischen Chorals byzantinische Anawathmoi Antiphone und liturgisches Drama Suren aus dem Koran; Gesange aus dem Veda Parayana die Hymne an Arunachala-Siva Musik des tibetanischen Buddhismus Worte Gebetsformeln Anweisungen zu geistigen Exerzitien und anderes mehr.0x0BDas Stuck ist als Weiterentwicklung meiner vor drei Jahren entstandenen standenen Arbeit METEORON zu verstehen. Waren es dort ausschliesslich byzantinische Hymnen zu Pentekoste die elektronisch verarbeitet wurden so liegt bei Apeiron neben ungleich umfassenderen Materialien doch eine andere Grundkonzeption vor auf die es mir vor allem ankommt: vielfaltig sich aussernde Erscheinungsformen in ihrer Divergenz miteinander zu verbinden und zu einem gemeinsamen Urgrund zuruckzufuhren. Ich mochte eine solche Attitude nicht als esoterische Geheimniskramerei sondern ganz einfach als religiose Grundhaltung verstanden wissen.0x0BDer eigentliche kompositorische Vorgang besteht in der Sublimierung des Vorgefundenen und in der Klangtransformation (vokal instrumental) mit elektronischen und live-elektronischen Mitteln. (Gunther Becker).

SKU: TM.05584SET

Overture, Andante Grazioso, Brillante, Allegro Risoluto, Allegretto Tranquillo, Allegro Molto, Grazioso, Finale-Larghetto E Allegro Non Troppo.