Matériel : Partition + Accès audio
SKU: MN.56-0003
UPC: 688670220029. English.
Every purpose under the heaven, arranged for an accompanied mixed voices choir with soprano and tenor solos, is a musical tribute to one of the most important cultural landmarks of Western civilization - the 1611 King James Bible. Written in celebration of the Bible's 400-year anniversary, Goodall has brought together ten of the most expressive passages, from Genesis to Revelation, to create an oratorio that is at once steeped in historic grandeur and utterly relevant in today's society. Musically, it displays all the hallmarks of Goodall's well-loved style - soaring melodies, rhythmic vitality and perfectly crafted lines. However, this work offers singers and audiences something more: an opportunity to introduce new generations to the expressive power and ancient truths of this historic text.Commissioned as a gift to the United Learning Trust, Every purpose under the heaven is suitable for young singers, choral societies and church choirs of all abilities. It may be accompanied by piano, using the reduction provided, or chamber orchestra. Contents:1. In the beginning2. There is a season3. I will lift up mine eyes4. Thee and me5. Fulfilled in one word6. I was a stranger7. Blessed8. Nover faileth9. The light of the world10. A new heaven, a new earthJohn 1:1, 4-5, 14; Genesis 1:1-2, 14, 16, 20; Ecclesiastes 3:1-2, 4-8; Psalms 121:1-3, 5-8; Ruth 1:16-17; John 15:12-13; Galatians 5:15; Matthew 16:26; Matthew 25:35-40; Matthew 5:3-11; 1 Corinthians 13:1-8; John 8:12; Timorthy 1:7; Hebrews 11:1; 2 Corint.
SKU: BR.CHB-138-02
Richard Wagner wrote Tristan and Isolde in the years 1857 to 1859. The first edition was published by Breitkopf & Hartel in Leipzig in 1860. The world premiere took place in the Konigliches Hof- und National-Theater in Munich on 10 June 1865 u. Opera; Music theatre; Romantic. Choral score. 8 pages. Breitkopf and Haertel #ChB 138-02. Published by Breitkopf and Haertel (BR.CHB-138-02).
ISBN 9790004400791. 6 x 8.5 inches.
Translation s: engl. (H. und F. Comer), french (A. Ernst/P. Bruck) Place: Tristan's ship, King Mark's castle in Cornwall, Tristan's castle Characters: Tristan (tenor) - King Mark (bass) - Isolde (soprano) - Kurwenal (baritone) - Melot (tenor) - Brangane (mezzo-soprano) - Shephard (tenor) - Mate (baritone) - Voice of a young sailor (tenor)In 1856 pressing financial obligations forced Wagner to interrupt the composition of the Ring to work on Tristan und Isolde. He initially planned a work that was modest in its production and performance demands. The project was also given priority not least because of the prospect of the royalties which he would then receive. He once again turned to Breitkopf & Hartel for the performance material: 'Tristan und Isolde' is scheduled to be given its first performance at the end of this year. I still hope that it will take place in Karlsruhe under my guidance. Due to the celebrity that I have now acquired, I assume that a new and easily performable work of mine should be able to spread very quickly across the German stages in its first winter season. Wagner was wrong. although the publisher had spent a great deal of time and money in producing preliminary material, Wagner wrote to Breitkopf & Hartel from Munich in November 1864: The squalor of Germany's opera singers and the vile condition of its opera houses have so far dissuaded me from allowing a performance of 'Tristan und Isolde'. What I needed was an impassioned young monarch to restore my courage. Next spring you will hear about the work's premiere in Munich, and you will then hopefully become more confident about this publication.Richa rd Wagner wrote Tristan and Isolde in the years 1857 to 1859. The first edition was published by Breitkopf & Hartel in Leipzig in 1860. The world premiere took place in the Konigliches Hof- und National-Theater in Munich on 10 June 1865 under the direction of Hans von Bulow.
