SKU: HL.282479
ISBN 9781540034366. UPC: 888680789237. 9.0x12.0x1.01 inches.
Starting with the songs released just after Woodstock all the way through the disco era, this collection features almost 100 songs from the 1970s arranged for easy piano with lyrics: ABC • American Pie • Bridge over Troubled Water • (They Long to Be) Close to You • Dancing Queen • Free Bird • Goodbye Yellow Brick Road • How Deep Is Your Love • I Shot the Sheriff • I Will Survive • Imagine • Killing Me Softly with His Song • Layla • Lean on Me • Maybe I'm Amazed • Piano Man • Reeling in the Years • Smoke on the Water • Stairway to Heaven • Stayin' Alive • Sweet Home Alabama • Time in a Bottle • Walk This Way • We Will Rock You • Y.M.C.A. • and more.
SKU: ST.B944
ISBN 9780852499443.
A creative spirituality is the essence of Andrew Pratt's continuing affirmation of the role of hymnody in contemporary faith, through a corpus of lyrics for public worship that are amongst the most relevant of recent contributions to the form. No less than with his very first texts, dating from the late 1970s, the goal in this fourth and latest collection is to make sense of language, living and worshipping in a way that also acknowledges the shifting and often contextual nature of our words and of our world. One important influence in More than Hymns has been the discipline of writing hymns for three years of the readings of the Revised Common Lectionary. Another has been his response to the problem of evil as manifest in the crises and conflicts of the last decade. There are challenging insights into familiar Biblical themes, and a number of refreshing items, each a piece d'occasion arising from the author's varied pastoral work.
SKU: HL.14041798
ISBN 9788759818077. 12.5x16.5x1.13 inches.
Set of parts for Per Nørgård 's En Lys Time / A Light Hour (2008-09) for a variable Percussion Ensemble (min. 10 players).
In A Light Hour everything - rhythms and motifs – is based on Nørgård&acut e;s special infinity series.
Score: WH30964
Programme note
A Light Hour is for ‘any number of percussion musicians’ (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open, as long as percussion is used within the three types specified in the score: skin, metal and wood. Each musicianuses two sound sources with two different sounds, one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments – vibraphone, xylophone, marimba, gamelan, glockenspiel, steel drums, crotales and the like. The work integrates and combines a number of rhythms that Nørgård has used in percussion works since the 1970s, for example in Early Spring Dance (for choir and percussion), and percussion works like I Ching, Easy Beats, Whirls, Zigzag, Nemo Dynamo and Echo Zone I-II-III. Special “tone-feasts” (the composer’s term) – followed by a rest – are an recognizable me lodic feature of the work.: the first minute end with a short tone-feast (and a rest), the first four minutes end with a tone-feast lasting a minute (and a rest), the first quarter of an hour ends with a tone-feast of four minutes (and a rest) – and the work ends with a tone-feast lasting quarter of an hour (and a rest, when the work is over ...). The first 15 minutes have a bright, light character throughout, and alternate between rhythms and melodic play. The following 15 minutes are more insistent and decidedly percu ssion-based, Afro-Cuban, whereas the third quarter of A Light Hour moves in the.
SKU: AP.49769
UPC: 038081568560. English.
A blast from the past with a message built to last! This song of hope and love originated as the 1970s Coca-Cola jingle, considered one of the best-loved and most influential ads in TV history. It's a catchy anthem with a rock-side-to-side hook, a bubbly tune, and a few delightful counterlines. Universal themes of music and world harmony fit well on many programs---school, community, winter, spring, pop, pyramid, and more. SoundTrax and SoundPax accompaniment options are available.
About Alfred Pop Choral Series
The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.
SKU: HL.1256636
UPC: 850031640221. 4.5x8.0x4.75 inches.
The Warm Audio Mutation Phasor II is an accurate recreation of a swirly phaser made famous in the experimental era of the 1970s. Mutation Phasor II has all of the vintage vibes of the original phaser pedal allowing you to add depth, wobble, swirl, or “instant funk†to guitar, keys, bass, or anything you can dream of. This electro-optical phase-shifting pedal is built with a true-to-original recreation of the 70s circuit using premium components. True to the original pedal, Mutation Phasor II delivers all the rich depth and instant psychedelic tones, favored by innovative musicians and producers like Billy Corgan, Tom Bukovac, Robin Trower, and many more. Tech Specs • Electro-Optical Phase-Shifting Pedal With Feedback Circuit • Phasing Rate: .1Hz - 18Hz • Premium Components, Including RC4558P Op-Amps, Various Vintage-Style Diodes, and Hand-Selected Film Capacitors & Carbon Resistors • Controls: Rate, Depth, and Feedback • Frequency Response: 20Hz - 20KHz • Min Feedback: 4V RMS, 11.2V Peak-to-Peak ¦ Max Feedback: 2V RMS, 5.6V Peak-to-Peak • Signal-to-Noise Ratio: 86 dB Below 2V Input • Current Draw: 150 mA • Buffered Bypass • 9-Volt Battery Or External 9V Regulated DC Adapter (center-negative) Popular Uses • Deep, Phase-Shifting Electric Guitar Tones • Swirling, Psychedelic Modulated Keys • Funky. “Wobbly†Base Lines.
SKU: HL.50607005
UPC: 196288217381.
Pï¿ ½TER WOLF (1947) studied classical piano and jazz piano at the B�la Bart�k Secondary School under Korn�l Zempl�ni, Ferenc Rados and J�nos Gonda. In 2015 he obtained his DLA degree from the Franz Liszt Academy of Music with his thesis on jazz arrangements. In 1969 he became the keyboard-player of the band Ex Antiquis. He composed many hits of the 1970s and 1980s as well as scores for popular films and musicals. His virtuosity as an orchestrator was shown in concerts and albums of the Franz Liszt Chamber Orchestra; he also orchestrated violin pieces for Isaac Stern's ''Kreisler'' CD. In 1995 he was awarded the F�nyes Szabolcs Prize, in 2005 the Erkel Prize, and in 2018 Artisjus's Life Prize. In recent years he has had numerous large-scale compositions premiered by excellent performers: his two piano concertos and his concertos for oboe, clarinet, and violin respectively. About Inventions for Young Pianists, piano teacher Rita Znamen�k writes: ''This volume expressly aims at extending the repertoire of 3rd- and 4th-grade primary music students (and, of course, that of the older ones, too). Each of the 23 inventions expands and revolves around a musical idea. The short pieces inspire the children's imagination already with their titles. Teachers and student scan freely choose among pieces which require crossing hands, arpeggios, clusters, polyphony, syncopated rhythm, chromaticism, and pedalling. There are melodies with accompaniment, playing with alternate hands, playing legato and staccato, notes with appoggiaturas and acciaccaturas, jazz accents, and glissandi, too. The composer wrote unusual sound effects into a few pieces for the brave. It's my most sincere wish for young pianists that they find joy in studying Peter Wolf's works, and I encourage my colleagues to include pieces from this volume into their material: maybe students will also become more open to contemporary music through them.''.
SKU: BT.YE0030
An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (notSpartan).Pr ogramme Note:As a young professional player in the 1960s, my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleledopportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail, research was far more challenging than it is today. Eastern Europe was particularly difficult to access, withmanycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing, even though they had no specific interest in one's own particularspecialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation, and one can quickly be side-tracked into political and social issues that have only slender bearing on the job inhand!).In the early 1970s James Brown, the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time, stumbled across a small collection of double bass manuscripts at the RoyalDanish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756, d. Copenhagen 7 June 1815), a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen.Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos, some chamber music, and various naïve fragments. Although hardly the work of a Mozart or Haydn,the style is characteristic of the period. For an instrument such as the double bass, whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use, Keÿper's music is easily approachablein its.
SKU: HL.14037784
ISBN 9788759818060. 12.0x16.5x0.709 inches.
Per Nørgård 's En Lys Time / A Light Hour (2009) for a variable Percussion Ensemble (min. 10 players).
Parts available: WH30964A
A Light Hour is for ‘any number of percussion musicians’ (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open, as long as percussion is used within the three types specified in the score: skin, metal and wood. Each musician uses two soundsources with two different sounds, one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments – vibraphone, xylophone, marimba, gamelan, glockenspiel, steel drums, crotales and the like. The work integrates and combines a number of rhythms that Nørgård has used in percussion works since the 1970s, for example in Early Spring Dance (for choir and percussion), and percussion works like I Ching, Easy Beats, Whirls, Zigzag, Nemo Dynamo and Echo Zone I-II-III. Special “tone-feasts” (the composer’s term) – followed by a rest – are an recognizable me lodic feature of the work.: the first minute end with a short tone-feast (and a rest), the first four minutes end with a tone-feast lasting a minute (and a rest), the first quarter of an hour ends with a tone-feast of four minutes (and a rest) – and the work ends with a tone-feast lasting quarter of an hour (and a rest, when the work is over ...). The first 15 minutes have a bright, light character throughout, and alternate between rhythms and melodic play. The following 15 minutes are more insistent and decidedly percu ssion-based, Afro-Cuban, whereas the third quarter of A Light Hour moves in the.
SKU: AP.1-ADV17055
UPC: 805095170559. English.
Fashioned after the music of Miles Davis groups in the late 1960s and early 1970s, this jazz-rock original, Should I? has been arranged for three players with rhythm section. It features flexible instrumentation, ad lib solo space for all, and a groove that shifts to a 12/8 African feel on the bridge. Part 1: Flute, oboe, violin, guitar (C) / alto sax (E-flat) / trumpet, clarinet, soprano sax, tenor sax (B-flat). Part 2: alto sax (E-flat) / trumpet, clarinet, tenor sax (B-flat). Part 3: trombone (C) / baritone sax (E-flat) / tenor sax (B-flat). Rhythm section.
SKU: HL.286761
ISBN 9780915608331. UPC: 888680898519. 10.0x10.0x0.275 inches.
A tradition-rich singer and songwriter, Emmylou Harris nonetheless defies convention at every turn. She builds bridges between country, folk, gospel, rock, and bluegrass, honoring and celebrating the past while retaining a sensibility that is progressive and experimental. From her harmony vocals on key 1970s sessions with Gram Parsons and Bob Dylan to her more than forty years of recording distinctive solo albums, Harris has remained one of country music's most vital and satisfying artists. This book complements the Country Music Hall of Fame and Museum exhibition Emmylou Harris: Songbird's Flight, and contains commentary from Nashville Songwriters Hall of Fame member Rodney Crowell and infamous Road Manager Phil Kaufman, along with rare photos not included in the exhibit.
