Morocco

SKU: AP.49560

ISBN 9781470648923. UPC: 038081569703. English.

The Gates of Morocco by veteran composer Roland Barrett will take your band on a journey to a land steeped in mystery and enchantment. Using a variety of textures, including solo opportunities, creative harmonies, interesting parts for all, and fantastic percussion writing---this piece will be one your students ask to play every day. (5:27) This title is available in MakeMusic Cloud.

SKU: AP.49560S

ISBN 9781470648930. UPC: 038081569710. English.

The Gates of Morocco by veteran composer Roland Barrett will take your band on a journey to a land steeped in mystery and enchantment. Using a variety of textures, including solo opportunities, creative harmonies, interesting parts for all, and fantastic percussion writing---this piece will be one your students ask to play every day. (5:27).

SKU: BT.WHCD30540WH

ISBN 9788759811672. Danish.

The music around us (CD) - In addition to the acclaimed publication Musik omkring os Eva Fock has collected 77 musical examples to illustrate the publication's descriptions. Musicians from Rotterdam, London and Copenhagen have contributed with analytical recordings of music theory phenomena (eg. scales and rhythms) from the three countries Turkey, Pakistan and Morocco. The same musicians have also supplied examples from some of the many genres which are described in the book. Other recordings come from Eva Fock's travels to the three countries, and finally a number of recordings come from existing record publications. Together with the book the CD-publication (2 CDs) makes aunique whole that will apply to a wide spectrum of music and culture lovers, teachers and students at several levels. The publication is produced with support from the Ministry of Education.

SKU: HL.44004802

ISBN 9789043118989. UPC: 073999690026. International (more than one language).

This varied collection includes 14 appealing pieces with influences from Hungary, Cuba, Argentina, Ireland, Morocco, and the United States. This cocktail of different styles is suitable for players at a moderate level. Includes accompaniment CD. Songs include: Age of Chivalry * Blue Electric * Casablanca * Let's Go Tex Mex * Russian Roulette * It's All 4 U * The Red-Haired Priest * Dance of the Veil * E-Motion * The Fiddler's Blues * Wild Horses * The Grey Cat * Hungarian Lovesong * Farewell to Mr. Dodo.

SKU: DY.DO-1522

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

SKU: FJ.B1468S

English.

This programmatic five-movement work portrays a series of colorful paintings and is an ideal centerpiece for your next program. Movements include the fanfare and fugue-like Prelude, the mystical The Sultan of Morocco, the tranquil Birds in Landscape, the regal and elegant Catherine the Great, and the lively and humorous character of A Flemish Countryside. An amazing array of styles in a work of grand proportion!

SKU: HL.51482528

SKU: M7.ELLI-4010

ISBN 9781559612746. UPC: 052296401023.

This book and CD set includes a rare recording of the forbidden zikr ceremony from Naqshbandi Sufis of Chines Turkestan; an all-night healing ceremony performed by the Ganawa of Morocco; and gamelan music from a Hindu temple festival in Bali in which participants stab themselves with long daggers in a frenzied ritual.

SKU: HL.44004804

ISBN 9789043119009. UPC: 073999048049. International (more than one language).

This varied collection includes 14 appealing pieces with influences from Hungary, Cuba, Argentina, Ireland, Morocco, and the United States. This cocktail of different styles is suitable for players at a moderate level. Includes accompaniment CD. Songs include: Age of Chivalry * Blue Electric * Casablanca * Let's Go Tex Mex * Russian Roulette * It's All 4 U * The Red-Haired Priest * Dance of the Veil * E-Motion * The Fiddler's Blues * Wild Horses * The Grey Cat * Hungarian Lovesong * Farewell to Mr. Dodo.

SKU: OU.9780193554894

ISBN 9780193554894. 12 x 8 inches.

A suite in six movements for unaccompanied cello, inspired by the composer's travels in Spain, Portugal, and Morocco. It incorporates fragments of traditional melodies and the composer chose the cello as a suitable instrument to depict the heat, richness, and cruelty that are part of Spanish history.

SKU: CL.012-3149-75

SKU: BC.85901