Movements for Wind Quintet

SKU: CY.CC3097

ISBN 9790530110744. 8.5 x 11 in inches.

Mozart's Divertimento No 12 in E-flat K. 252 was written in 1776 for a wind quintet of 2 oboes, horn and two bassoons. In keeping with other Divertimenti, the style is light and casual. The movements are: 1. Andante cantabile, leggiero 2. Menuetto 3. Polonaise 4. Presto Stephen Gamble has done a brilliant job of arranging this work for brass quintet in the key of C. It is a joy to perform and to listen to. The music is about 12 minutes in length and is appropriate for advanced performers. Instrumentation is for 2 Trumpets in C (B-flat parts supplied also), Horn, Trombone and Tuba.

SKU: HL.48184579

UPC: 888680854003. 9.0x12.0x0.293 inches.

“Paul Taffanel (1844-1908) was a French flautist, conductor and composer. He contributed significantly to the repertoire of the Flute and his Wind Quintet also remains prominent to this day. In 1879, Taffanel founded the Society of Chamber Music for Wind Instruments, reviving the wind ensemble music of Mozart and Beethoven. His Wind Quintet in G minor had been composed three years previously, in 1876, and is made up of three movements; 1) Allegro con moto, 2) Andante, and 3) Vivace. For the repertoire of this popular ensemble arrangement, Taffanel's Wind Quintet is an essential addition. ”.

SKU: HL.14000929

ISBN 9788759856468. 8.25x11.75x0.122 inches. English.

Walden for wind quintet was written in 1978 and commissioned by the Funen Wind Quintet. The title is taken from the American philosopher and poet Henry David Thoreau's novel from 1854 about living in the woods, which Thoreau did for two years. His stay there was an experiment, an attempt to strip away all the artificial needs imposed by society and rediscover man's lost unity with nature. In that particular sense his novel is a documentation of social inadequacy and a work of poetry (Utopia) as well. All thought Thoreau himself never completed any actual social analysis he was way ahead of his own time in his perception of the economy and cyclic character of Nature, today knownas ecology. His ideas are particularly relevant now that pollution caused by society has reached alarming proportions. Walden was written in a style of re-cycling and new simplicity. A lot of superfluous material has been peeled away in order to give space to different qualities such as identity and clarity. Various layers are encountered in the quintet such as the organic (growth, flowering, Decay), concretism (mechanical patterns) and finally the descriptive (distant horn calls and other ghost-like music of the past enter our consciousness like a dream). Walden consist of four movements. In 1995 another version for reed quintet was written to the Calefax Reed Quintet.

SKU: PR.114419490

ISBN 9781491131435. UPC: 680160677320. 9 x 12 inches.

The depth and inventiveness of Amanda Harberg’s SUITE FOR WIND QUINTET can only be described as remarkable. Harberg combines the rich tradition of renaissance and baroque dance suites with her own American voice, stirring up dramatic, exciting sounds and stories. Cantus uses the imitative entries of renaissance motets as a jumping off point into a more contemporary world. The playfully virtuosic Furlana refers to the Italian folk dance rhythm in 6, punctuated by lots of unexpected 5’s. Fantasia hints at being a lullaby with an animated and jazz-influenced middle section, and the closing Cabaletta is true to its 19th-century meaning of a rousing closing section following beautiful lyricism. SUITE FOR WIND QUINTET was commissioned and premiered by the Dorian Wind Quintet.
Amanda Harberg’s Suite for Wind Quintet was commissioned by the Dorian Wind Quintet in 2017. The piece was the result of a conversation in a bar between Harberg, Dorian’s flutist Gretchen Pusch and Pusch’s husband Richard Bayles, on the occasion of Dorian’s clarinetist Ben Fingland’s 40th birthday party. A year and a half later, the Dorian Wind Quintet gave the world premiere of Harberg’s quintet at Bargemusic, and has incorporated it into their repertoire ever since. Suite for Wind Quintet is in four movements- 1. Cantus, 2. Furlana, 3. Fantasia and 4. Cabaletta. The melodic material heard in the very opening of the piece can be heard recurring and transforming throughout the four movements, until it unites triumphantly in the final coda with the theme of the concluding movement. The piece was inspired by the concept of placing Renaissance and Baroque-inspired dance suites into Harberg’s idiom as a 21st century composer.