Mozart and Company

Walter Ehret's arrangement of Sing A Song Of Merry Christmas by Wolfgang Amadeus Mozart is an excellent addition to any festive choir group's repertoire intersecting vocal lines and a beautiful melody provide cheer throughout the joyous season. Arranged for SATB with Piano accompaniment.

Walter Ehret's arrangement of Sing A Song Of Merry Christmas by Wolfgang Amadeus Mozart is an excellent addition to any festive choir group's repertoire intersecting vocal lines and a beautiful melody provide cheer throughout the joyous season. Arranged for SAB with Piano accompaniment.

Six inspiring Mozart pieces which have been edited and brought to CD by Keith Snell. Includes the full 'Sonata In C' as well as 'Viennese Sonatina No.1 In C' and 'rondo Alla Turca'. All of the pieces have been recorded usingdigital technology and are performed by Diane Hidy.

World Famous Classicscontient seize mélodies mondialement célèbres, extraites du répertoire de la musique classique. Certaines mélodies vous sont familières, d'autres sont à découvrir à travers ce voyage dans l'histoire de la musique (Henri VIII, Bach, Mozart, Rossini, Offenbach, Tchaïkovski, etc.) / [CD inclus - version intégrale + play-along]. / Flûte A Bec / Partition + Cd

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

for Bass Baritone and Orchestra-Performed by Ivajlo Djourov bass-baritone Accompaniment: Orchestra of the Plovdiv State Opera Conductor: Nayden Todorov This second volume of Bass-Baritone arias culled from Mozart's greatest operas are a treasure-trove for any basso or bass-baritone. A superlative experience in the company of a full orchestra!. Includes an expansive newly engraved vocal score printed on high-quality ivory paper; and a CD G graphics-enabled compact disc with complete versions (with soloist) in digital stereo followed by digital stereo orchestral accompaniments to each piece minus the soloist.

A fantastic collection of Sacred settings by Robert S. Frost for trombone or Bassoon. Includes classic and favourite sacred songs such as Onward Christian Soldiers by Arthur Sullivan and Mozart's Ave Verum Corpus.

World Famous Classics contient seize mélodies mondialement célèbres, extraites du répertoire de la musique classique. Certaines mélodies vous sont familières, d'autres sont à découvrir à travers ce voyage dans l'histoire de la musique (Henri VIII, Bach, Mozart, Rossini, Offenbach, Tchaïkovski, etc.). / [CD inclus - version intégrale + play-along]. / Hautbois / 24 pages / niveau : Facile - Elémentaire / Partition + Cd

World Famous Classics contient seize mélodies mondialement célèbres, extraites du répertoire de la musique classique. Certaines mélodies vous sont familières, d'autres sont à découvrir à travers ce voyage dans l'histoire de la musique (Henri VIII, Bach, Mozart, Rossini, Offenbach, Tchaïkovski, etc.). / [CD inclus - version intégrale + play-along]. / Cor / 40 pages / niveau : Facile - Elémentaire / Partition + Cd

This early-advanced album features a wide variety of sparkling audience pleasing repertoire: Slavonic Dances by Dvorák Sonata in D K. 381 and Sonata in B K. 358 by Mozart and other dramatic works by Bizet Ravel andRachmaninoff.

World Famous Classics contient seize mélodies mondialement célèbres, extraites du répertoire de la musique classique. Certaines mélodies vous sont familières, d'autres sont à découvrir à travers ce voyage dans l'histoire de la musique (Henri VIII, Bach, Mozart, Rossini, Offenbach, Tchaïkovski, etc.). / [CD inclus - version intégrale + play-along]. / Trompette / 24 pages / niveau : Facile - Elémentaire / Partition + Cd

A collection of arias for Medium-High Voices setting sacred texts to the great operatic arias of Puccini Mozart Wagner Purcell and others.The Fred Bock Institute Of Music has assembled this sumptuous anthology of devout and moving settings offering a solemn and musically rich repertoire for the Medium-High Voice with Piano.A CD is included featuring demonstration performances and accompaniment tracks for each piece.

The tradition of piano duet recitals began during the eighteenth century. It was highlighted in concerts throughout Europe by Mozart and his sister Nannerl. Most of the great composers of the Classic and Romantic eras contributedto the four-hand repertoire. In the nineteenth century when the vogue of this particularly intimate art reached its peak such musicians as Schubert Mendelssohn Brahms and Clara Schumann were outstanding participants bothas composers and performers. Piano duet recitals were heard less often during the first half of this century but in recent years there has been a strong revival of interest in four-hand performances.