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SKU: BR.OB-5320-16

Urtext of Revolutionary Overture

ISBN 9790004341360. 10 x 12.5 inches.

The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.

Urtext of the Revolutionary.

SKU: BR.PB-5320

Urtext of Revolutionary Overture

ISBN 9790004212363. 10 x 12.5 inches.

The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.

Urtext of the Revolutionary.

SKU: HL.4007945

Stories, sagas and legends--who among us doesn't know them? Always delivered with a tinge of brutality, these cautionary tales are a legacy of moral education from times past: inquisitive children alone in the forest are generally eaten by a witch; the “Soup-Kasper” of Hoffmann's Struwwelpeter dies from starvation rather than eating his soup; anyone letting in strangers usually gets devoured; anyone who plays with matches gets burned; and thumb-suckers get their thumbs cut off. The list of unfortunate demises is almost endless.In the tale of The Pied Piper of Hamelin, parents lose their children through greed, ridicule, scorn and a failure to appreciate art. There is still a street in the town of Hamelin in which neither drumming nor playing has not been allowed since 130 children disappeared into a mountain, never to be seen again. This composition by Otto M. Schwarz opens with exactly this scene, taking us back to the year 1284. As in many towns at the time, Hamelin in Germany suffered with hygiene problems--rats and mice began to multiply rapidly, and the town was overrun with the plague. There appeared a man dressed in colorful clothes who promised the locals to free them from this burden. They agreed and settled on a fee. Then the man pulled out a pipe and began to play. When the rats and mice heard this, they followed him. He led the animals into the Weser River, where they all drowned. Back in town, the people refused to pay him. They didn't recognize this man's skills and knowledge and were only prepared to pay for simple labour. A pact with the devil was made, which led to the Pied Piper leaving the town in a furious rage. One Sunday, when many people were at church, he returned, took out his flute and began to play. The town's children were so enchanted by his playing that they followed him. He led them out of the town and disappeared with them forever into a mountain. Of all the children, only two survived--however one was mute, and one was blind. In the street from which the children left Hamelin, music may no longer be played in memory of this event.

SKU: BR.OB-5320-19

Urtext of Revolutionary Overture

ISBN 9790004341377. 10 x 12.5 inches.

The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.

Urtext of the Revolutionary.

SKU: BR.OB-15130-16

In Cooperation with G. Henle Verlag

ISBN 9790004341254. 10 x 12.5 inches.

The Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research.The clean autograph of the Horn Concerto in Eb major K. 447 offers a reliable basis for the present Urtext edition, which deliberately abstains from leveling out certain fine points and smaller divergences made by Mozart at parallel and repeated passages.In the edition for horn and piano, the two solo parts contain two cadenza suggestions for the first movement, as well as lead-ins (also alternative) for measures 22 and 196 in the third movement. The distinguished Mozart specialist Robert D. Levin offers a variety of multiply interrelated motivic and melodic sections from which every horn player can put together his own cadenza.

SKU: BR.OB-15130-15

In Cooperation with G. Henle Verlag

ISBN 9790004341247. 10 x 12.5 inches.

The Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research.The clean autograph of the Horn Concerto in Eb major K. 447 offers a reliable basis for the present Urtext edition, which deliberately abstains from leveling out certain fine points and smaller divergences made by Mozart at parallel and repeated passages.In the edition for horn and piano, the two solo parts contain two cadenza suggestions for the first movement, as well as lead-ins (also alternative) for measures 22 and 196 in the third movement. The distinguished Mozart specialist Robert D. Levin offers a variety of multiply interrelated motivic and melodic sections from which every horn player can put together his own cadenza.

SKU: HL.126015

ISBN 9781480385108. UPC: 884088993948. 5.0x5.0x0.138 inches. John Jacobson/Roger Emerson.

Rockin' with arithmetic is what it's all about! Reinforce basic math concepts that support Common Core State Standards and promote higher level learning, while rockinÕ to the beat. From Hal Leonard's popular Rock 'n' Learn series, this study for Grades 3-5 explores the 4 basic operations (add, subtract, multiply, divide), computing the area of basic shapes, the metric system, fractions and decimal equivalents, estimating, and much more - all put to music for learning that lasts! Perfect for Music class or Math class, the Teacher Book includes reproducible melody sheets with chord symbols and simple choreography, and worksheet activities that incorporate Common Core State Standards in Math! For performance options, a script is also included that introduces each of the eight original songs. Groove along with the singer recordings on the enclosed Listening CD! Also available is an Enhanced P/A CD with performance and accompaniment-only song tracks, and PDFs of the piano/vocal arrangements with choreography, lyrics and worksheets for lots of performance and projection options! For additional value, receive all components in the Classroom Kit. Suggested for Grades 3-5.

SKU: BR.OB-15130-30

In Cooperation with G. Henle Verlag

ISBN 9790004341285. 10 x 12.5 inches.

The Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research.The clean autograph of the Horn Concerto in Eb major K. 447 offers a reliable basis for the present Urtext edition, which deliberately abstains from leveling out certain fine points and smaller divergences made by Mozart at parallel and repeated passages.In the edition for horn and piano, the two solo parts contain two cadenza suggestions for the first movement, as well as lead-ins (also alternative) for measures 22 and 196 in the third movement. The distinguished Mozart specialist Robert D. Levin offers a variety of multiply interrelated motivic and melodic sections from which every horn player can put together his own cadenza.

SKU: BR.OB-15130-19

In Cooperation with G. Henle Verlag

ISBN 9790004341261. 10 x 12.5 inches.

The Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research.The clean autograph of the Horn Concerto in Eb major K. 447 offers a reliable basis for the present Urtext edition, which deliberately abstains from leveling out certain fine points and smaller divergences made by Mozart at parallel and repeated passages.In the edition for horn and piano, the two solo parts contain two cadenza suggestions for the first movement, as well as lead-ins (also alternative) for measures 22 and 196 in the third movement. The distinguished Mozart specialist Robert D. Levin offers a variety of multiply interrelated motivic and melodic sections from which every horn player can put together his own cadenza.