Music of Brahms for Clarinet

2-CD Set-Brahms' magnificent B-minor Clarinet Quintet is one of the summits of the chamber repertoire for clarinet. It is in many ways an homage to Mozart's classic quintet for clarinet. Not to be overlooked by any serious clarinetist. This deluxe 2-CD set includes the quintet in its original key with printed parts for both A and B-flat clarinets and adds a repitched version for B-flat clarinetists allowing players of that instrument to learn the same fingerings as the composer's intended A clarinet for performance purposes. Includes a high-quality newly engraved printed music score with parts in the original key for both A clarinet and B-flat clarinets plus a compact discwith a complete recording of the quintet with soloist and a second performance minus the soloist. Also includes a second compact disc containing a recording of the quintet repitched to allow B-flat clarinetists to play the original written part for A-clarinet. Performed by Collete Galante clarinet Accompaniment: The Classic String Quartet

Cette pièce a été l'une des chambre de Brahms matures oeuvres écrites en 1891. Il est considéré par beaucoup comme une de ses oeuvres plus belles chambre et comme un digne successeur de l'oeuvre de Mozart dans le même genre. Cette pièce est pleine de chaleur et d'émotion et est une addition bienvenue à n'importe quel répertoire clarinettistes. / Clarinette En La Et Piano / niveau : Elementaire / Recueil

Forty clarinet classics compiled and arranged by Hugh M. Stuart. Includes works by Beethoven Mozart Prokofiev and MacDowell.

Performed by Jerome Bunke clarinet Accompaniment: Hidemitsu Hayashi piano Favorites of clarinetists and pinnacles of the repertoire these two sonatas are always popular on recital programs everywhere. Hear the piece performed by American virtuosoJerome Bunke then you play them again with his accompanist. Presented here in the original key with printed parts for B-flat clarinets this 2-CD set includes complete reference performance piano accompaniments plus a slow-tempo practice version of the accompaniments to help you as you learn the piece! Includes an expansive newly engraved music score for B-flat clarinet printed on high-quality ivory paper; and twocompact discs containing a complete version with soloist in digitally remastered stereo; then a second version in digitally remastered stereo of the accompaniment minus the soloist; plus a -20% slow-tempo version for practice purposes.

Arrangement: Heim Norman. Par HEIM NORMAN. Ce volume présente des oeuvres de clavier et de chansons solos de Johannes Brahms arrangés pour clarinette solo avec accompagnement au piano. Neuf de ces oeuvres ont été soigneusement choisis pour rester dans les capacités de la clarinettiste de niveau intermédiaire. Dans la plupart des pièces la partie de la clarinette rend exxtensions brèves uniquement dans le registre altissimo soulignant plutôt notes dans les registres de deux inférieurs. Comme pour toutes les oeuvres de Brahms, les parties qui l'accompagne (ici le piano) sont importants et souvent sont d'égale importance avec la partie solo. Pour cette raison, la partie de piano nécessitera un interprète de la même capacité du clarinettiste. La musique présentée ici est de haute qualité et donne le clarinettiste intermédiaire intéressant de littérature à effectuer pour les concours ou les récitals. Comprend une partie distincte de solo pull-out. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Clarinette

Les oeuvres tardives de musique de chambre de Johannes Brahms comptent à coup sûr parmi les pages les plus merveilleuses jamais écrites pour la clarinette. Si Brahms, dans les dernières années de sa vie, semble avoir éprouvé une certaine lassitude de la composition, sa rencontre en 1891 avec Richard Mühlfeld, clarinettiste solo de la chapelle de la cour de Meinigen, qui l'enthousiasma par la beauté sonore de son jeu, lui inspira de nouvelles compositions. Le Trio op. 114, avec ses accents d'une mélancolie tout automnale est apprécié de tous les clarinettistes et est désormais disponible chez Henle dans une édition révisée. Le manuscrit autographe de l'opus 114 est conservé à Munich, patrie de la maison d'édition Henle. Le texte musical repose sur la nouvelle édition intégrale des oeuvres de Brahms et répond ainsi au plus niveau de précision et d'exactitude scientifique. Le pianiste Klaus Schilde a doté cette édition Urtext de précieux doigtés. / Trio pour Clarinette (Alto), Violoncelle Et Piano

Performed by Harold Wright clarinet Accompaniment: Harris Goldsmith piano This final album in the Laureate Series of Contest Solos for advanced clarinetists is a master class with Harold Wright of the Boston Symphony. Concentrating on movements from Brahms' first sonata and Weber's second concerto it is sure to prepare you for first chair!

Sheet Music (with alternative version for 2 Solo Clarinets). A Sheet music and play-along pack is also available - see Q 7881 / Clarinette Et Piano

Clarinet and Piano-Part of the Anglo Music Play-Along Series Philip Sparke's 15 Intermediate Classical Solos is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke's 15 Easy Classical Solos.Specifically tailored to suit the individual instrument this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles from Handel to Tchaikovsky and from Clementi to Brahms.The book will provide invaluable additional material tocomplement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Clarinet and Piano Charles Neidich 21st Century Series for Clarinet-Written for virtuoso clarinetist Heinrich Baermann Concertino would become the first work of an impressive oeuvre for clarinet one which along with that of Mozart Spohr and Brahms constitutes the backbone of the repertoire.Internationally-recognized clarinetist Charles Neidich unites for the first time Weber's original text with the edition published by Baermann's son which had formed the basis of most subsequent editions. Also presented areexamples from Cyrille Rose's 1879 edition which was the foundation of the French tradition and which held much more closely to Weber's original. This new critical edition inspires those learning the piece to develop their ownpersonal yet informed interpretation of Weber's premiere clarinet masterpiece.

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising