Matériel : Partition + CD
SKU: HL.49035573
ISBN 9783937315089. German.
Der Musikgarten lasst Kinder erleben, wie viel Freude in gemeinsamem Musizieren, Singen und Tanzen liegt. Musikgarten Teil 2 - Der musikalische Jahreskreis ladt Kleinkinder im Alter von drei bis viereinhalb Jahren und deren Eltern zum spielerischen Musizieren in der Familie ein. Erst wenn das Kind aktives Musizieren in seiner Umwelt erlebt, wird es Freude am eigenen Musizieren entfalten. Im Kindergartenalter nehmen die Kinder den Ablauf des Jahres und den Wechsel der Jahreszeiten intensiv wahr. Der musikalische Jahreskreis bezieht seine zentralen Themen aus der Natur, der Musik und der Bewegung. Die Kinder losen sich allmahlich vom Schoss der Eltern und erproben ihre Unabhangigkeit. Das Gruppenerlebnis, rhythmische und sprachliche Echospiele, Tanze und der Einsatz von Instrumenten stehen in den Mittelpunkt. Das Lehrerhandbuch enthalt Ausfuhrungen zur Entwicklung des Kleinkindes, Erlauterungen zum Unterrichtskonzept und viele Anregungen zur Stundengestaltung. Die Kinderhefte geben Eltern und Kindern Impulse fur das Musizieren zu Hause. Die den Heften beiliegende CD bietet eine Vielzahl wunderschoner Kinderliederarrangements, Instrumentalstucke, Klanggeschichten usw.Musikgarten Teil 2 - Der musikalische Jahreskreis wurde von Lorna Lutz Heyge (USA) entwickelt.
SKU: HL.49035574
ISBN 9783937315072. German.
SKU: HL.49035575
ISBN 9783937315065. German.
Der Musikgarten lasst Kinder erleben, wie viel Freude in gemeinsamem Musizieren, Singen und Tanzen liegt. Musikgarten Teil 2 - Der musikalische Jahreskreis ladt Kleinkinder im Alter von drei bis viereinhalb Jahren und deren Eltern zum spielerischen Musizieren in der Familie ein. Erst wenn das Kind aktives Musizieren in seiner Umwelt erlebt, wird es Freude am eigenen Musizieren entfalten. Im Kindergartenalter nehmen die Kinder den Ablauf des Jahres und den Wechsel der Jahreszeiten intensiv wahr. Der musikalische Jahreskreis bezieht seine zentralen Themen aus der Natur, der Musik und der Bewegung. Die Kinder losen sich allmahlich vom Schoss der Eltern und erproben ihre Unabhangigkeit. Das Gruppenerlebnis, rhythmische und sprachliche Echospiele, Tanze und der Einsatz von Instrumenten stehen in den Mittelpunkt. Eine Unterrichtsstunde im Musikgarten Teil 2 - Der musikalische Jahreskreis wird mit folgenden Aktivitaten gestaltet:Korpererfahrung Bewegung (Grossbewegung / Fortbewegung) GruppentanzeKlanggeschich tenGruss- und NamensliederWechsellieder GedichteErzahlideenEinsat z von InstrumentenSensibilisier ung der SinneDas Lehrerhandbuch enthalt Ausfuhrungen zur Entwicklung des Kleinkindes, Erlauterungen zum Unterrichtskonzept und viele Anregungen zur Stundengestaltung.Musikga rten Teil 2 - Der musikalische Jahreskreis wurde von Lorna Lutz Heyge (USA) entwickelt.
SKU: HL.14033258
ISBN 9780711991576. English(UK).
A delightful collection of seven songs with narration especially written for young children by Jennifer Porter, arranged by Alison Hedger. The songs follow the preparation of the garden, sowing seeds, discovering flowers, harvesting vegetables and picking fruit. Each song can be sung individually, or performed in sequence any time of year, as a mini-musical lasting approximately 20 minutes. Several of the songs are ideal for use in the autumn at harvest celebrations. If you need to license a school/youth theatre performance of this product, please use the online application form.
SKU: WD.080689928321
UPC: 080689928321.
From the fall of humankind in Eden's garden to the empty garden tomb, Love Won the Fight is a musical rendering of God's redemptive plan that is sure to inspire your congregation at Easter and year round.
SKU: WD.080689189234
UPC: 080689189234.
From the fall of humankind in Eden’s garden to the empty garden tomb, Love Won the Fight is a musical rendering of God’s redemptive plan that is sure to inspire your congregation at Easter and year round.
SKU: HP.9085
UPC: 763628190859.
In Little Seeds you will find new hymns from my heart. My devotional life is given to you in my hymnwriting. During the past three years I have been writing songs for the unity of the church - songs reminding us of our baptism. I have been writing biblical story hymns for lesser-known characters. I have written paperless songs that may be easily memorized. I set a Rumi poem. There are new hymns for Christian missions from everywhere to everywhere. You will find new texts and musical settings for folk songs from around the world. I hope I have treated these with the love and respect they deserve. You will find alternate arrangements of some songs that may be useful in different settings. Lim Swee Hong composed three tunes for this collection at my request. I am also pleased to include Lianne Tan's first published hymn tune in Little Seeds.
SKU: GI.G-9288
UPC: 785147928805. English. Text Source: From The Gardener, 1913. Text by Rabindranath Tagore.
O Great Beyond was commissioned by JAM (the John Armitage Memorial) and first performed by the BBC Singers and Nicholas Cleobury on July 8th, 2016, as part of the JAM on the Marsh festival. The text is taken from The Gardener, a collection of verse by the Bengali poet Rabindranath Tagore (1861–1941). Published one year after Tagore’s Nobel Prize-winning collection of spiritual poems, Gitanjali (1912), The Gardener contains poems that were written much earlier in his career. Tagore retrospectively described this collection as the “lyrics of love and life.†The musical narrative of O Great Beyond is meant to mirror the stages of love portrayed in The Gardener, culminating in the desire for a “Beautiful End†in the final movement. —Thomas LaVoy  .
SKU: BA.BA10726-01
ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael.
In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled â??Il trionfo del Tempo e della Verità â? (â??The Triumph of Time and Truthâ?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio â??La Bellezza ravveduta nel trionfo del Tempo e del Disingannoâ? (â??Beauty Reconciled in the Triumph of Time and Enlightenmentâ?) HWV 46a written in 1707. With â??La Bellezza ravvedutaâ?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.In 1737, when reworking the oratorio material as â??Il trionfo del Tempo e della Verità â?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the eveningâ??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handelâ??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part â??Englishâ? oratorio form that he had developed in â??Estherâ? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from â??Il trionfo del Tempo e della Verità â?.
SKU: CA.2302000
ISBN 9790007241964. Language: German/English. Text: Huber, Franz Xaver.
In his Passion oratorio Christus am Olberge [The Mount of Olives], Beethoven succeeded firstly in building on the 18th century tradition, and secondly in putting his own personal stamp on the nascent genre of German-language oratorio - the Vienna performances of Haydn's Die Schopfung and Die Jahreszeiten had only taken place a few years earlier. In composing the work he looked towards contemporary opera, using a text by an opera librettist to depict in music the dramatic situation of the doubting Jesus in the Garden of Gethsemane and his arrest. Yet we do not do justice to Beethoven's work if we simply regard it as a successor work to Graun's Der Tod Jesu or even Bach's St Matthew Passion. Beethoven's Christus am Olberge is characterized less by religious devotion and much more by the dramatic realization of a specific situation in the Passion story in deeply-felt musical scenes. With its magnificent, almost operatic music, this is a different Passion oratorio which is definitely worth hearing and experiencing - and in this form it is without doubt unique in the history of vocal-instrumental sacred music. The edition follows the first printed edition in music and text; differences in the text in the libretto originally set by Beethoven are given as a second text, and a singable English translation is underlaid.
