Music Shall Live

Par CURNOW JAMES. erfect for a combined Choral/Band concert as an opener, closer or anywhere in between. This medley of familiar tunes is tied together by the recurring concept that MUSIC SHALL LIVE. A swingin' WADE IN THE WATER, a soulful NOBODY KNOWS THE TROUBLE I'VE SEEN, and an inspiring BATTLE HYMN OF THE REPUBLIC make it a crowd pleaser. The unison choral part makes sure the chorus can come through loud and clear and the performance can be prepared without a great deal of combined rehearsal time. Big, bold and powerful! (String parts and Beginning Band (simplified) parts are also available for large, All-City Band, Orchestra and Chorus performances) / Niveau : 2 / Pièce de concert / Répertoire / Concert Band

Perfect for a combined Choral/Band concert as an opener closer or anywhere in between. This medley of familiar tunes is tied together by the recurring concept that MUSIC SHALL LIVE. A swingin' WADE IN THE WATER a soulful NOBODY KNOWS THE TROUBLE I'VE SEEN and an inspiring BATTLE HYMN OF THE REPUBLIC make it a crowd pleaser. The unison choral part makes sure the chorus can come through loud and clear and the performance can be prepared without a great deal of combined rehearsal time. Big bold and powerful! (String parts and Beginning Band (simplified) parts are also available for large All-City Band Orchestra and Chorus performances)

Dans ce livre sixième de la série les auteurs miser sur l'étage inférieur de la junior et utilisent un format modulaire similaire. Conçu pour étendre l'acquisition de compétences en performance, improviser et composer, écoute et appréciation et hiéroglyphes musique, élèves sont contestées par plus en plus exigeants des matériaux musicales. En même temps, il y a une emphase sur les élèves à acquérir les connaissances et l'expertise des structures profondes d'une variété de musique et une plus grande reconnaissance d'objet musical et le contexte. Attentifs à l'expérience de la gamme de programmes nationaux, les caractéristiques particulières de ce livre sont : la consolidation et l'approfondissement des techniques vocales et instrumentales et performance - une approche intégrée pour improviser et composer, combinant des compétences dans l'écoute et l'appréciation, la connaissance et la compréhension - un module en mettant l'accent sur l'observation de la phonétique, de représentation, d'enregistrement et de notation du son - une approche active, analytique et fréquemment physique d'écoute et d'appréciation - mettant l'accent sur la musique dans i... / Divers

The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Each songbook in the Big Book series provides musicians of all ability levels with a big list---usually 40 or more titles per book---of the very best songs from a favorite musical genre. Rarely are there more catchy tunes than those performed in Broadway musicals. Alfred's Big Book series introduces hit songs from a variety of musicals. Songs include And All That Jazz (Chicago) * Fame (Fame) * Give My Regards to Broadway (Yankee Doodle Dandy) * Grease (Grease) * I Got Rhythm (An American in Paris) * New York, New York (On the Town) * Singin' in the Rain (Singin' in the Rain) * A Spoonful of Sugar (Mary Poppins) * Stayin' Alive (Saturday Night Fever) * That's Entertainment (The Band Wagon) * We're Off to See the Wizard (The Wizard of Oz) * and many more. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

Two classics come together in this setting of verse by Robert Louis Stevenson with the famous canon melody Music Alone Shall Live. Perfect for your youngest choirs it will help you teach all the important choral skills as well ascreate a beautiful concert moment! Duration: ca. 2:15.

The slow and somewhat jazzy second movement of the contemporary cantata In These Things We Live is primarily a solo for mezzo-soprano or tenor with choir accompaniment. _x000D_The other two movements (each also published separately) are: In These Things We Live (HMC127) and Go Out With Joy (HMC117).

Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. GILBERT/SULLIVAN THE GRAND DUKE OR THE STATUTORY DUEL VOCAL SCORE / TV, Film, Comédie musicale / Recueil / Chant et Piano

Using the hymntune Duke Street (“Jesus Shall Reign”) Jan Sanborn has developed a marvelous and majestic anthem for the Easter service. Brass parts are also available separately. The exalted and regal qualities thatbefit an Easter service have been masterfully captured in this powerful setting. Easy to medium. Available: SATB Instrumental Pak.

Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori MESSIAH AT EASTER / G.F. Handel - Accompagnements Piano de Haendel Georg Friedrich. Cette partition qui est éditée par les éditions Curnow Music Press fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano Accompagnement peut être chez vous dans quelques jours. / Piano Accompagnement / 72 pages / niveau : Elémentaire - Moyen / Partition

Collection of Upbeat Rounds for Classroom and Performance-It's time to get a round to it! Experience part-singing fun your students will want to perform again and again. This rockin' collection of 16 rounds features some familiar and some brand new rounds crafted with unique pianoaccompaniments that bring the arrangements to life. Six of the rounds come in an expanded format with a separate CD recording of full performance and accompaniment tracks for easy programming. The remaining ten rounds offeradditional simple Orff accompaniments and riser choreography for many classroom and performance opportunities. All this and reproducible singer pages are featured in the Teacher book. For extra value the Classroom Kit includesbook and CD. Recorded rounds include: A Ram Sam Sam Rockin' a Round Row Your Boat Songs of the Seasons Sunshine White Coral Bells. Non-Recorded Rounds include: Autumn Blessings By the Singing Water FrogMusic Make New Friends Music Alone Shall Live Now Is the Time to Sing Peace Round Sing Lullaby Spring Thing We'll Get a Round to It. Available separately: Teacher Edition (with reproducible singer pages) Performance/Accompaniment CD Classroom Kit (Teacher and P/A CD). Suggested for grades 3-6.

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue